Shop 0.04, 140 William St
William Shopping Centre
Perth Western Australia 6000
(08) 9481 2325
Website
Facebook
Hours:
Mon-Thu 9:00 - 17:30
Fri 9:00 - 21:00
Sat 9:00 - 17:00
Sun 11:00 - 17:00
Forever New is a Australian women fashion brand, similar in concept to some high street European chains, that mirros the style of Australian brands Review and Alannah Hill. They sell retro-chic girly and trendy apparel, accessories and jewellery. It is very glamorous and quite cheap.
They have a great range of dresses, from the every day simple one to the special occasion sparkly one, beautiful colourful jewellery, handbags, sandals, and techno-accessories at fantastic prices. Of course, you get you pay for, and the quality of the products is basic to medium, nothing to rave about, but bear in mind that you can pay the same in other chain shops for absolute crap. So Forever New gets it right.
The shop attendants are friendly but non-invasive, so they let you browse around unless you ask for help.
They put a lot of
effort in the way the shop looks and how the products are showcased, and they have one of the most beautiful shop windows in the
city centre. So much so, that it looks like a expensive chain shop, not the affordable one it is. Unlike other cheap chain stores, Forever New works hard to keep the shop tidy and organised, despite the small size of it and the many visitors. Their changing rooms are very nice.
The main down of the shop is that they have a no-refunds policy, and they just allow exchanges, a practice that, in these days of free trade and high competitivity, is a bit outdated.
Their website is clean and very easy to navigate, and showcases their products nicely with a browse-over zoom. This is not an American Style mega-store, but a small chain selling a few things online, so I do not understand why the description of the products is missing, and the products only have a frontal photo; bags and wallets would need at least three, and dresses at least two. On the positive side, they offer free delivery in Australia for orders over 80 bucks, which is stupendous.
Cultural Centre Plaza
Northbridge Western Australia 6003
Programme
The giant LED screen came to live at the end of year 2011 and has completely transformed the life and atmosphere of the Cultural Centre since.
It must be the magnetic field of this humoungous electronic device mixed with the subtle whisper of the free wi-fi in the square, but there is something about this screen that attracts a heterogeneous mix of people like flies to a bulb.
In spite of being part of the reality of our cities, big flat screens are very futuristic, part of an imagined future that is already here. Science-fiction movies and literature have helped to attach an aura of negativity to big public screens, and they are often portrayed as tools used by dubious corporations and governments to send subliminal messages of individual submission, political control, personal brainwashing, and commercial utilisation. Those images, and the fear they have infused in the collective subconscious are the root of the rejection that they generate among some people, who ask themselves: Can't we live without screens? Isn't the screen too big? Is TV the new God? Are our minds being controlled?
I can tell you just one thing - The LED screen is not going to control you brain, or affect it negatively unless it is already damaged. You will surrender yourself willingly if you want to have a 24/7 free cultural programme without having to pay a subscription to a dubious corporation called Teleestrash or Foxytell, which connect you through your phone and charge you a lot of money for it. That is perfectly acceptable, right?
The LED screen shows short films, both animated or non animated (some of them Internationally awarded), short travel and nature docos, Music and Dance pieces, motivational speeches, segments showcasing some of the photographic treasures of the SLWA, experimental images and material that you do not find in your normal TV program; they will certainly expand your mind, not dominate it. There are scheduled and seasonal feature films coinciding with public and school holidays, and local and international events.
Having a giant TV screen in a square does not mean that you have to watch it if you do not want. Simple, no? You can use the screen as a focal point to munch your thoughts and muse on life and eternity. You can fake that you are watching something, while you eyes fully focus on that cute sexy human approaching the steps. You can practice and synchronise your lunch mastication with your eyes and ears movement and have an out-of-body experience. You can look at beautiful intriguing images if you are deaf. You can listen to stories and sounds if you are blind. You can get an excuse to seat and have company if you feel lonely and need of human proximity to make your days more bearable. You can use the screen as an excuse to have a seat and rest. You can even, watch the programme and enjoy it, for one minute, five minutes or one hour.
The world is imperfect and also this LED screen. The sound is often muted, making the watching of pieces that are not silent an annoyance. On the other hand, the segments are showed repeatedly, day after day, during weekdays, so, if you seat in front of the screen regularly, you might find yourself watching a piece for the seventh time. A bit of more rotation of the pieces, and regularly adding new ones, should be the target of the Cultural Centre. We are humans and get bored easily.
One can criticise the
obsession of our modern world with images and flat screens, which I share in some degree, but this is an educational and
culturally-oriented tool. And it is free. No news or manipulating channels.
Let
us rejoice while our brains decide on their own whether they want to to be absorbed by the big flatty or not. Besides, Perth is one of those
cities in which everything costs too much, Culture specially. Can't we
be happy at having entertainment and culture gratis?
Perth Central Station
Wellington St
Perth Western Australia 6000
13 62 13
http://www.transperth.wa.gov.au
The Transperth Information Centre within the Central Perth Train Station on Wellington St has improved enormously after its recent refurbishment. The chaos, crowding and lack of order of the obsolete office have been transformed into a clean tidy Customers Office with several tellers and a lined cue. The office now attends to both TransPerth and TransWA customers, offering general information on buses and trains, printed timetables, sale of SmartRiders cards, and sales and refunds of long-distance train and TransWA's tickets. There are a few general schedule brochures you can grab on your own, while others are only
handed down to you by the staff. A convenient flat screen also informs of the
departures of the local trains, just in case you are on transit.
The cues move slow at times, especially at lunch time, when the volume of visitors increases and many of them require a bit of time. Still, the tellers work non stop to attend customers as fast and best they can.
In the past, the attention to the customer has been abrupt and lacking in courtesy at times. However, the refurbishment has also brought younger people who seem to be more enthusiastic and friendly towards customers. Still, the service is, in many cases, matter of fact. You ask something, they reply, and move on without a hint of human connection. It is great that the
staff do their job properly, but it
should be a policy of any customer service to select people who, beyond
efficiency, have some social skills. Those who have them, make a whole difference.
TIP
There is a specific
line for the TransWA teller, but any of the tellers in the office do sale and refund tickets. So follow the line that better suits your needs.
198 William St
Northbridge Western Australia 6803
(08) 9227 0883
Hours:
Tue-Fri: 12:00 - 22:00
Sat: 10:00 - 22:00
Website
Facebook
Bivouac is one of the
latest "it" places on William Street and, being so "a la mode", and so close to my work place, there I
went, to sniff and taste. My sniffing has turned into a habit, and I have been bivuacking weekly.
Bivouac sounds like the surname of an imaginary Philosopher with Native American and French origins, or the name of an alternative revolutionary hyper-cool austere Art movement. Far from it, the exotic name is not only the name of an American mountain, but most commonly used to describe a military camp and camping tent, which is, indeed, the place's logo - a schematic tent, with an intriguing almost-corporate design bearing the colours of the military uniform.
Facing Arcade 189, in the heart of William St, Bivouac is indeed a very Spartan place, and the name of canteen perfectly describes what the place is: Uncomplicated simple decoration and settings, undefined style, with nice artwork as the only visual break. The ambience varies depending on the patrons, but is quite relaxed in general, with people of all ages, professions and attitudes, and plenty of groups.
THE COFFEE - My first coffee from Bivouac was a take-away and it was a weak watery concoction I did not like. However, each time I have it in the place, the coffee is creamy, well prepared, medium strength and is good.
THE FOOD - Bivouac offers an interesting, colourful, flavoursome mix of Mediterranean fusion dishes. They have
food that will satisfy any big eater, with pizzas, burgers
and rolls that are decently sized, filling and full of flavour. The menu is varied and changes regularly, and there are variations from lunch to dinner, too. It reminds me of "Cantina 663", regarding food philosophy, but their menu is more varied and adventurous and the prices a bit more affordable; on the other hand, the place is also less charming and authentic, and their food more "canteeny". There are many tempting things in the menu, and very nice entrees too, plus a small selection of International wines.
The pork sandwich is delicious, with an orgasmic golden crispy juicy piece of pork, tasty pear relish, beetroot and a great mix of textures and flavours. Yummy and satisfying.
The Vegetarian Gnocchi with pear, blue cheese, walnuts and kale are also lovely with a nice mix of flavours and textures. The Chorizo & Jalapeños Sourdough Pizza was happy hot, and I was so full after lunch that I did not need dinner.
I have a long list of things that I want to try, which I have seen served to other people and made my juices flow.
DESSERTS - I was allured by the Spanish Catalan Cream (a sort of crème brûlée). It was nicely presented with a dollop of chocolate mouse. The dessert, however, has too much sugar, and the wonderful flavours get lost and masked by it; the chocolate dollop is very nice, but very rich and thick. I expected my Catalan Cream to be warm all through and the caramelised sugar crust hot just because we are in winter; the differences in temperature from up to bottom were considerable, so I thought it had been reheated from a frozen preparation. I asked the staff, and I was told this is a Spanish dessert and that is the way it is served in Spain (:O)... well, in Spain it is consumed warm or cold depending on the season, the crust being always hot as it is caramelised crusted sugar on the spot. I don't have a problem with them choosing the cold version, just because this is a restaurant, not your house, but, if that is the case, it is an option not a matter of fact. Do you understand what I am saying?
THE SERVICE - The staff are friendly, smiley, respectful, and eager to help. For example, on one occasion, they had two fully-packed group
tables, but I was in my lunch break and short of time, so I told the waitress so, and she was very helpful, and I got my food in
less than ten minutes. It was such a nice detail.
THINGS TO IMPROVE - 1/ I would remove rocket or greens easily perishable from the sides, as it is never appealing finding your greens looking a bit "mushy".
2/ The olives are OK but not worth the 7$ we pay for them.
Reduce the price or provide a better selection of olives.
3/ Improve your take-away coffee. If you know how to prepare your coffee, why do you downgrade it for take-away?
4/ Too much sugar in a dessert makes a bad dessert, so remember that golden rule when making yours. :O
TIP
If you are in a hurry, hungry, and not fussy about what you want to eat, ask the waitress for the quickest options to prepare in the kitchen, and you will be served faster.
Location: 8/10
Layout: 6.5
Ambience (lunch) 6.5
Pricing: 6.5
Food:8
Desserts: 7.5
Coffee: 7.5 (takeaway/in)
Service: 9/10
UPDATE 20/9/2012
I returned today to Bivouac for lunch, and had one of those wonderfully delicious moist flavoursome and textured Pork Sandwiches that caught my attention the first time I visited the place. You haven't tried it yet? Really? Well, if that is the case, you are missing on one of the best sandwiches you can taste in Perth CBD at the moment. No kidding. Orgasmic. No photo, sorry, the view was too good to waste any time and had to put it right into my belly.
UPDATE 20/3/2013
Bivouac is one of those places that keeps me going back for the right reasons - Food! Good food. Changing menu. Light or heavy dishes, and a nice selection of drinks.
Their new autumn menu is just delicious and more sophisticated than ever. The new Gnocchi recipe, the mouth watering yoghurt-based panna cotta, and the Tunisian Lamb with a yummy house-made flat bread are a proof of it.
Still, the place is pricey. If I eat all what I need to fill in my stomach, I spend 50 bucks. Which, on the other hand, are always well spent.
I love the fact that they are open most of the day, so you can drop to eat something anything you fancy.
Service is great.
A mix of animation films by the master of animation Tezuka, (Astroboy's creator). The DVD contains thirteen shorts with different animation styles and techniques made between 1962-1986.
"Tales of the Street Corner" could also be called the secret life of a back street's wall posters. We see how the characters in them communicate through music, and how they reflect their time and the events happening in the outside world. I thought the idea was original an the music good, but the short is a bit too long and monotonous, while the kid-teddy bear relationship is underdeveloped.
"Male" is a very short piece, very schematic, with an indirect narrative, as the face of a man and of his cats looking at him, tell the story of the drama -not seen by the viewer- of the killing of his wife. An experiment in visual narrative.
"Memory" is a philosophical short, which uses collage techniques, that reflects on the nature of memory and what is left behind what memory is not there. What would happen if our planet and humans disappeared and there was no memory left about their existence?
"Mermaid" uses traditional storytelling and simple animation techniques, to show how our perception and feelings of reality construct our emotional reality. A boy rescues a fish from the seashore, but when left in a pool, the fish transforms into a mermaid and the boy falls in love with her. However, his family just see his strange behaviour and try to force him to leave his fantasy and return the fish into the sea. Is all a dream?
"The Drop" is a funny absurd story with very schematic draft animation. A sea-cast tries to quench his thirst with the only three drops of drinkable water in the boat, which are located on the raft's mast. One of those stories that might have inspired all the big animation producers in the world, Pixar's short included.
"Pictures at an Exhibition" uses the eponymous musical composition piece by Mussorgsky. The camera scrolls in front of a series of paintings on a wall, in a museum, and stops in some of them to give life and put a story to some of the images, with different styles of animation. Although I thought the idea was excellent, the piece was not engaging.
"The Genesis", it is a parody of the Biblical story of Adam and Eve in which Eve has something to say to the world! The short is very funny and shot in very schematic animation.
"Jumping" is truly an experimental film both in concept and realisation. The camera's positioning and angling serve as the eyes of something or somebody that/who starts jumping along a suburbian street. The script tells us that it is a girl, but I see it more like an insect or a bird that jumps wider and higher each time, so much so that we see the city, other cities, the forest, the sea, a volcano, a country in war... the whole world, as small, varied and complicated as it is. It is very meditative in a way, as goes from the perception of the self to the wholeness and perspective of the self within the Universe. The film was shot in one cut with 4,000 motion pictures.
"Broken Down Film" is a masterpiece of a short. It is shot in B&W and looks like an old scratched stained film reel. We see a cowboy and his horse trying to rescue a girl in the American West. At first sight, really looks like one of those prehistoric Disney's Micky Mouse silent shorts, but then, the fun starts, and the characters keep going out of the frame and struggling with the damages of the film. The hero has to fight the villain but also the broken down film. An amazing concept and realisation, and so charming!
"Push" is an environmental friendly short that reflects Tezuka's worries about the state of the planet. I would say is the more Japanese short in the lot, as vending machines are everywhere and sell everything - one of the things that defines Japanese way of life. It is a depopulated world where our hero gets everything he wants and needs from a machine. He is on a trip to see God and rescue the planet by replacing the existing one with a new one, but there is no machine that does so.
"Muramasa" is an anti-violent cryptic message presented in traditional Japanese folk fight animation. Muramasa is a magic sword that is stuck in a straw man, but when a Samurai tries to get it and use it to cut the straw man, the piece of straw becomes a human who bleeds from the cut.
"Legend of the Forest" is an impressive piece of animation that could remind you of Fantasia, with Tchaikovsky's Fourth Symphony (1st and 4th movements) used as inspiration for the story and as musical background. It shows the life of animals and fairies in the forest and the negative influence of human settlement and exploitation of the same. Although the message or the script are not new, the animation is remarkable, as we see the characters evolve from drawing sketches, pass through different stages of drawing and animation - from Disney's to the animation in vogue in the 1980s.
"Self Portrait" it is tiny piece - an animated portrait of Tezuka, in which his drawn face turns, as in a slot machine, into another face.
This collection of shorts shows the versatility in visual style and narrative of master Tezuka, as well as his very personal approach to animation, which not always can be categorised as Manga or even as Japanese. The collection also shows his philosophical worries and views on the world, and offers pieces that, despite being very personal, are very open to interpretation. This is not a film for everybody, but for lovers of experimental animated films.
Match Point is a UK-USA-Ireland-Russia Co-production, mostly shot in London, and directed by Woody Allen.
The story revolves about a love triangle between young retired tennis player turned businessman Chris Wilton (played by Jonathan Rhys Meyers), his wife the sweet good-hearted rich girl Chloe Hewett (Emily Mortimer), and the bombshell struggling actress and Tom Hewetts' girlfriend Nola Rice (Scarlett Johansson).
This is one of those
stories we have seen brought to the big screen many times, a Hitchcock's
theme in a way, the love triangle, the crime, the coward. The first scene of the movie is very philosophical and it is a good premise of the drama that will unfold:
"The man who said "I'd rather be lucky than good" saw deeply into life. People are afraid to face how great a part of life is dependent on luck. It's scary to think so much is out of one's control. There are moments in a match when the ball hits the top of the net, and for a split second, it can either go forward or fall back. With a little luck, it goes forward, and you win. Or maybe it doesn't, and you lose."
Luck is more important in life than you can ever expect, and it is always unpredictable and fanciful. In fact, the story is all a story of a very good luck for Chris's character, especially at the end. However, this is a romantic psycho-drama with a predictable plot, so the interesting premise gets diluted very soon. In other words, the movie is too mundane to be philosophical, and pretending the contrary is... pretentious.
The film is shot in a very fresh way, has a nice bright artsy atmosphere and hints of Allen's sense of humour (especially in the policemen's conversations at the end). The actors do a good job in their respective roles, although this is a mini-coral movie. Meyers has a good chemistry with both Mortimer and Johansson, and he's able to portray with believability the double face of a cheater, and also the difference between love and passion. Emily Mortimer shines as a very believable sweet bland woman who is blind to anything she does not want to see. Johansson also shines in her femme fatal role, which she always nails.
The soundtrack is a mix of modern and old opera arias. Carusso's old records are intercalated in the middle of the movie to highlight the actions of the characters. Modern performances are played while the characters attend performances in the theatre or hear some records.
The movie has a nice feel about it, is well filmed, decently acted, and has a good direction. However, the movie does not add anything new to the genre, is too predictable, has a poor script and important flaws in the murder story. A bit dull but enjoyable the same.
A Spanish-American co-production shot in London and directed by Woody Allen, You will Meet a Tall Dark Stranger follows the lives of three couples from the same family struggling in their relationships: Helena (played by Gemma Jones) and her ex-husband Alfie (Anthony Hopkins), their daughter Sally (Naomi Watts) and her husband Roy (Josh Brolin), and Alfie's new wife Charmaine (Lucy Punch).
The movie is a return to the talkative ironic Allen with a movie full of normal but dysfunctional characters and crazy every-day events. The story is a new turn on couple happiness and how to live life to achieve it. The title is an irony itself, because, most of the time we have to move away from the fantasy of the tall dark stranger to find happiness and the man of our dreams, but sometimes is not. In other words, there is no recipe for love and happiness. The movie offers a daring message: if moving away from the ideal does not bring us happiness, why should we move away from the ideal? In other words, the happiness of the fool is always better than the unhappiness of the sound, no matter what we are told about life, love and happiness. In other words, if being delusional makes you happy, we all should be shamelessly delusional. The movie, moreover, shows and caricatures many of the sins and addictions of modern life and the clichéd dreams of the 21st century middle classes.
Despite being a coral movie, most of the cast members shine in their individual performances. Gemma Jones offers a believable charming portrait of an English housewife who sees her life turned upside down after her separation, and tries to find love and resettle emotionally with the help of a fortune-teller. Anthony Hopkins is also great as a 60-something man trying to cope with his age crisis, his high sex drive, his physical limitations and his emotional need to settle; his performance is very honest and down to earth, toning down and giving believability to his character. Lucy Punch is terrific and very funny as the low class "actress" Charmaine who marries Alfie for his money; she is a stupendous addition to the cast, even though she replaced Nicole Kidman at the last moment. Truly, I cannot image Kidman playing this role at all, and certainly not as fresh and cheeky-vulgar as Punch is.
Josh Brolin shines in his depiction of a wannabe writer who cannot find inspiration to finish his last book, and who tries to escape his personal mediocrity and failure as a husband by focusing on the younger front-door girl Dia. Naomi Watts is wasted in a role that does not showcase her great talent, but she is still good in her performance of a talented housewife who puts her life on hold to support her worthless husband. Freida Pinto is very sweet and sexy as Dia; this is a daring role for an Indian actress, as Bollywood has great limitations about showing physical affection, and the Indian public slashes actress who deviate from the norm.
I found Antonio Banderas bland in his role of Sally's boss Greg. One wonders why he keeps accepting stupid roles in English, which don't make him any favour as an actor and highlight his difficulties in expressing himself as an actor in English; he is more selective with his Spanish-speaking roles, where he always offers much better performances. There is a little cameo by Pauline Collins as fortune-teller and Helena's best friend Cristal.
Highly amusing and entertaining, the movie has some very good points, an acceptable but soapy script, excellent performances and a nice European atmosphere. One of those movies that, without being brilliant or memorable, will stay with you longer than you expected!
They have a great range of dresses, from the every day simple one to the special occasion sparkly one, beautiful colourful jewellery, handbags, sandals, and techno-accessories at fantastic prices. Of course, you get you pay for, and the quality of the products is basic to medium, nothing to rave about, but bear in mind that you can pay the same in other chain shops for absolute crap. So Forever New gets it right.
