11/22/2013

Darling Nail Salon (Perth WA)

Photo courtesy of Carillon Website

Carillon City
Shop M13B
207 Murray St

Perth Western Australia 6000

(08) 9486 1777

Opening Hours:
    Mon - Thur 9:00am - 5:30pm;
    Fri 9:00am - 9:00pm,
    Sat 9:00am - 5:00pm;
    Sun 12:00pm - 5:00pm


Darling Nail Salon is located just by Llama Espresso, on the ground level in the Carillon City. The salon is quite large, with 7 awesome looking massage-chairs for pedicure, very comfortable, and six tables for manicures, all of them double, plus the dry-off stand. The salon is always clean and well kept, tastefully decorate, and it has an air of brand new that I really like. 

I have been several times to this salon, every time without appointment, just walked in, and I have always been attended to extremely well and got a great service. Unlike other places around, they have never skipped steps in my pedicure, and I have left with my feet looking splendid, better than after visiting more reputed salons that have the "de-luxe" attached to the treatment. They use OPI polishes, which are my favourite brand.

The main downsides of the places are: 1/ They don't focus much on the massage. This is never a problem to me, as I prefer them to invest their time in my feet that in providing a mediocre or bad massage to my legs. 2/ Like most salons in Perth, you can find the selection of colours a bit limited, and some of them a bit dry and thick. 3/ I have seen some mani-pedi done at the same time, which looks greats in the movies, but is a bit too much for the person having it done. Perhaps they were in a hurry and asked for that? 

Their pricing is standard for nail treatments in Perth. 

Service is matter of fact, still courteous. If they aren't flooded with visitors, they really spend a lot of time with your feet and do things with care.

Crystal Eyes (North Perth, Perth WA)

Photo courtesy of Crystal Eyes Website

430 Fitzgerald St
North Perth Western Australia 6006
(08) 9328 2944
Website


Formerly located on Beaufort St, Crystal Eyes is a family owned and operated optometry currently located on Fitzgerald St, just in front of North Perth Plaza, and beside the Red Cross Op Shop. 

There is nothing flashy about this business: small entry, corner location, no window display, small shop, but this is a lovely welcoming business that treats customers with attention and friendliness, and does what it supposed to do without pushing you into buying or ignoring you while you are inside.

The young guys who run the shop do a terrific job at getting your eyes tested, your glasses done, fitted and adjusted, and at fixing and repairing anything that your old glasses might need. Usually, repairs are done on the spot, fast, and at terrific prices.

Pricing of the frames are usually high, with a mix of Australian and European brands, available. They have a stylish mix of colours and styles, but, to be fair, I have found nothing funky here.The edgy shape of the shop might trick your eyes as it looks like the frames on display are very few, but there are many more in the drawers and around the corner. 


Most glasses are ready in a day. However, some transition and special lenses are made interstate and you might have to wait for 10 working days to get them back. They will SMS when you have them ready, though.

I think they do not  sell sunnies, unless they are prescription's, but I am not completely sure!

Service has always been terrific.

They have Hycaps payments available, and they deal with most private health insurance providers.


They need to improve their website and include their opening hours in it. 

11/11/2013

Cockburn Central Train Station (Jandakot, Perth WA)


Cockburn Central Train Station is a two-platform  train station in Jandakot served by the Mandurah Train Line. The station is sandwiched between the Kwinana Freeway on the left side, and the Success Park 'n' Ride bus Station on the right side.

The Station is well designed and organized, practical, clean, and comfortable for commuters: There is a spacious seating area on the ground and a lift and an escalator to access the exit on the upper floor. You can use your legs, if you want, because there is a normal staircase, as well.

The Cockburn Train Station has almost anything that you would like to have or you might need to use in a small train station: electronic information panels, written timetable, written info about ticket prices, multi-rider recharge machines, ticket machines, money exchange machine (one of those to you put a banknote and you get that amount in coins), a public telephone (yes, they still exist!), and, at the end of the covered passage, there is an EFPTOS machine and a coffee machine, as well as the public toilets. There is a security booth on the upper floor (hurrah!) and another one, on the ground level.

The covered passage on the right side, while exiting, leads to the Bus Station's two platforms, as well as to a small shopping area across the road. The Cockburn Gateway Shopping Centre is a few hundred metres further down; you can take bus 527, which takes you right there.


The toilets are the only downside of the place - small, ugly-looking, run down and kept just OK. They need an overhaul.
  
The Buses connect the station with Hammond Park, Murdoch Station, Fremantle Station, and other areas in the Success-Jandakot area. 

MIND -  Cockburn, is pronounced "Cohbarn".

10/30/2013

BROTHER (Menora, Perth WA) = CLOSED

300 Walcott Street
Menora Western Australia 6050
(08) 9272 5787
Hours:

      Mon - Fri: 7:00 am - 3:00 pm
      Sat: 8:00 am - 3:00 pm
      Sun: 8:30 am - 1:30 pm

 
Under new management, BROTHER is a decent unpretentious well-priced café away from the buzz of Beaufort street.

There is nothing flashy or new vogue about BROTHER. The place is small, with comfortable indoor and alfresco areas.
The ambience is a bit mismatched and uninspired, still welcoming, the main decoration being the photos for sale on the walls; the woody corner on the right upon entrance is, on the contrary, truly charming, and it is a pity that the whole place is not like that. 

Brother's coffee is very good. I am not a fan of Toby State beans in general, but they do a great job with them here, and the coffee is well-prepared, smooth and creamy.  Mugs available!

Their food is a mix of Australian favourites with a emphasis on Mediterranean dishes for lunch. I love their specials, which are the ones that bring me back to Brother. I loved their White Wine Seafood Linguine, which were not only tasty, but full of chunky pieces of seafood. Their old-style home-made bowl pies were absolutely tasty and filling, although a bit soggy. Their Feta and Spinach Ravioli were also lovely. On the contrary, I found their Peas & Scallop Risotto bland. Serving sizes vary depending on the dishes.  

They have also have a nice selection of cookies, cake slices and muffins baked on the house, sometimes still warm when you order, like the strawberry friand in the photo.

The service has always been terrific regarding friendliness, speed, modifications and adjustments of the menu. All the staff and the young couple of owners are truly welcoming, humble, honest and hard-working.

The place attracts a varied group of people from all ages, families included, but mostly quiet people looking for a place where you can eat and talk at the same time without having to yell. They have several copies of the daily newspaper available for customers, which is always a big tick in my list.

One of the main downsides of the place is their limited opening hours during the weekend, days that usually bring more customers to any restaurant. I have gone on a Saturday and the kitchen was closed at 2.30pm, and 1pm on a Sunday, so I went and spent my money elsewhere. They open the whole week, and it is understandable, but perhaps closing another day of the week and having extended hours during the weekends might pay off.
MIND - They are starting to open in the evenings for dinners some days of the weekend.

BONUS - Free WIFI.

FIX IT - Last time I was there, the knob lock of the toilet self-opened. My bottom is sacred. Yelp!  

ACTIVATE IT - The former website is no longer operational. Their Facebook account has been untouched or very quiet for months. They could easily post here the specials of the week or extra info about events, change in opening times, hours when the kitchen closes and so on. 

Ecco! Woodfired Pizza (North Perth, Perth WA)


Beside North Perth Plaza
391 Fitzgerald St
North Perth Western Australia 6006
(08) 9227 8020
Website
Hours:
    Mon-Thu 11:00 - 20:00

Ecco Pizza on Urbanspoon


Located on the left side of the main entrance to the North Perth Plaza, Ecco! is a very small unpretentious restaurant with a lovely alfresco area that is very popular and sought after when the weather is good.

Ecco! is one of those underrated unpretentious real Italian restaurants that specialises in wood-fired pizzas (oil and tomato sauce based) and classics of the Italian Cuisine like tomato-based gnocchi, pasta, lasagna, cannelloni, arancini, and meat dishes, and a few antipasti prepared in the house. This is not a sophisticated new-vogue Italian cuisine, there is no fancy stuff here, just traditional Italian recipes. As the old man told me, "I have no studies, I am no chef, but I can cook Italian food as in the old days". That is a big thumbs up for me. The place is quiet during the day, but it is a regular spot for first and second generation Italians, a fact that always shows that the food served there is authentic.



The Pasta alle Vongole is the best dish I have eaten there, and one the best PALV that I have eaten in Perth in the last years. Pasta al dente, flavoursome, with the right amount of everything. Perfect. And the serving was huge.


On the contrary, the Pappardelle al Ragu were average, not al dente, and lacked a bit in flavour. Very much the so-so thing I prepare at home myself.

Their pizzas I have tried here are very nice and flavoursome, with a thin crisp base, and traditional simple ingredients, and no added sauces. Wood-fired ovens really give the pizza an unique flavour and texture that makes of any pizza a good pizza.
They serve breakfast from Friday to Sunday, and they have a mix of traditional Australian favourites with more Italianized bites. 

The servings of most dishes are really generous, man-sized, and you won't leave hungry. You will probably leave with a doggy bag.  Pizzas are on the medium size, not too big, not to small.
The staff are friendly and attentive. It seems to be a family operated business, with some extra hands at the kitchen. 
 
The place has three main downsides, which, in a way explains why they don't have a larger clientele. The first one is that the place it is a bit Spartan and lacks a bit in character; people love old traditional trattorie, just because of their charm, so they could just give their place the feeling of one of those. Just saying.
The second one is that the place is just a BYO. The third one is that the price of some of the pasta dishes is a bit expensive taking into account that the ingredients used in some recipes don't cost much.

Ecco! is not a fancy place, but it is perfect for quiet munchers looking for simple traditional Italian recipes and pizza. 

MIND - They do take-away - Hurrah.

FIX IT - Their website is very minimal and needs a bit of update. There is not reference whatsoever to opening hours. Also, the takeaway menu link corresponds to the fixed menu link, and vice versa. 

10/28/2013

"The Fantastic Planet" by Rene Laloux (1974)


The Savage Planet, also called The Fantastic Planet, is an allegorical science-fiction animated movie about morality and the established social order. 

The story is set in the dystopian planet of Ygam, where the Draggs, a species of giant blue humans, rule. There is another human species, the Oms, tiny in size, whom the Draags consider a pest and exterminate regularly, keeping some some of them as pets. Terr, one of those pets, is found and kept in captivity by a girl called Tiva. He grows with her master, learns all the secrets of the Draags, and then...


The universe and atmosphere created by Laloux are superb. Mix Salvador Dalí surreal landscapes and imagery, Bosch architectural fanciness and oniric creatures, add a hint of 19th century botanical drawings, slowly pour some psychedelic music by Alain Goraguer, and whisk all energetically with an allegorical story adapted from Stephan Wul's by Laloux and Roland Topor, and you get something unique. The 2-D animation has all the limitations that the genre had in the 1970s, but the creativity and artistry of the drawings and story will make you forget the deficiencies of the animation (especially clear in the poor mobility and reduced facial expression of the characters). Some of the scenes are memorable, and I especially liked the Draag's mating and meditation practices, and some of Tiva's learning trances.  

The movie is not apt for children because it has violence, sex, nudity, and elements that are difficult to explain to children. The movie, indeed, touches many adult serious themes: slavery, class domination, racial extermination, relationship between Theology and Science, relationship between Humans and Nature,  cohabitation/conflict between different social systems, colonial and imperialistic attitudes. The movie is complex enough to offer many elements of reflection without being dogmatic, and the viewer will be surprised at finding oneself understanding the good and bad points in both societies and ways of acting and living.

The main problem with the movie is its slow pace, and the emotional frigidity of the characters that don't allow the viewer to empathize with them beyond a pure intellectual or visual level. Furthermore, there is not enough action or thrill, so one gets easily bored after the initial fanciness of the imagery sinks in. 
 

The Fantastic Planet is weird, artistic, psychedelic (even hallucinogenic), naive and delightful, but not always engaging - one of those movies that you want to watch because it is like no other, and sounds too cool not to have in your watched-movies list.   

The movie wan Cannes Jury's award in 1974.

10/27/2013

Dusk (Carillon City, Perth WA)

207 Murray Street
Carillon City
Murray St Level 
Perth 6000 Western Australia
Ph: 08 9321 0110
Website
Facebook

Opening Hours
     Mon-Fri: 9:00am - 5:30pm
     Sat: 9:00am - 5:00pm
     Sun: 11:00am - 5:00pm

Dusk is an Australian franchise selling candles, melts, aromatic essential oils and burners, room perfumers, and anything related to the world of candles and aromatherapy, like oil burners, vaporisers, ethanol fireplaces, and mood reeds. They also have a few gift items, silicone flowers and glass vases. Their candle products are produced in their factory in Western Australia.


This Dusk shop is very small, but packed to the rafters. They always have colourful catchy displays at the entrance, and the inner shop is, despite being crowded, aesthetically pleasant, well organised and the products are beautifully displayed.

I especially love their essential oils blends, which are fragrant but without being overpowering, and cheaper than other brands. I also like some of their individual candle holders, or packs of three, which can be truly cute, pretty and sometimes even artistic, and are usually well priced. Although they have tons of things, I find the style of their oil burners a bit limited. 


The girls at the shop are lovely every time I have visited, and attend to you with great diligence, affability and friendliness. They leave you browse around, if that is what you want. They are very knowledgeable about what they sell and about the world of candles in general. They always give customers two free leaflets: "Aromatherapy. A guide to use, care and safety", and "Your guide to use, care and product safety".  

Pricing of most products is mid range, not cheap but not expensive either. The only thing I found pricey were the normal tea candles, which can be found at a fraction of the price at your local IGA. 

Dusk Carillon is perfect for a quick visit for your refills during your lunch break if you happen to work in the CBD, and one of those places where you can find a nice gift for a female friend or relative for not much money. 

MIND - The aisle space is very reduced, so mind your arms and handbags or you break something!

Cantina 633 (Mount Lawley, Perth WA)


663 Beaufort St
 Astor Arcade
Mt Lawley Western Australia 6050
(08) 9370 4883

Website 
Hours:
    Mon-Sun 8:00 - 23:00Hours
    Breakfast: Mo-Sun 8am-11:30am
    Lunch: Mon-Sun 12pm-3pm
    Antipasto: Mo to Sat 3pm-6pm
     Dinner: Mo to Sat 6pm-late
 


Cantina 663 on Urbanspoon





THE PLACE
Cantina 633 is located in the Astor Arcade, in the heart of Mount Lawley, in a wonderful spot that has kept spreading at the same rhythm as the popularity of the canteen has along the arcade and over the footpath. The ambience is wonderful, with great music and a gorgeous woody classy rustic inner canteen, and very pleasant in the other areas. Having said so, the seating area in the arcade can be extremely hot in summer despite being covered, and the lack of ventilation makes things even worse, which is a bit of a bummer.  

The place has always a cheery vibe. The place is always crowded, no matter the hour or the day you go, and has a group of regulars from all ages and kinds, and a traditional hangout for hypsters, foodies, and interesting people in general. The place can be noisy, and the space between tables tiny, so don't spill your beans here, but this also part of its charm!


The clientele seems to have decreased a bit in the last few months, as the same pace as the hypsters of the area have moved to Cantina's sister place Mary Street Bakery.


FOOD 
Cantina is an institution in Perth. You have to respect that. Cantina's owners have an eye for anything Mediterranean that is good and not that popular in Perth until they bring it in. Then, it becomes trendy around Perth, like their gnocchi, morcilla, or some of their antipasti. 

Cantina's food is simple and delicious, perfect for vegetarians, vegans and celiacs. They have a very small selection of dishes, and an interesting selection of imported goodies and drinks. 


Their BREAKFASTS have been hit and miss for me, but I have to say that their slow eggs are the best most perfect looking I have found in Perth. I had scrambled eggs for my birthday three Novembers ago and they were dry and salty, quite average in every possible way. A fact that has not brought me back for breakfast until this year. Since then, I have gone a few times and found great dishes and others that were pretty average. 

The Falafel Breakfast was perfect in presentation, serving size, and taste. The slow eggs were absolutely divine, yummy and so good looking that one felt like kissing them not eating them; I would added a bit of more sauce, to moist the whole dish, but this is just a personal preference.  

The Pancetta Breakfast was average by all standards regarding size, presentation and taste. The pancetta piece was first quality, so I felt that they had wasted a big chunk of awesomeness in a mediocre dish. 

The Cantina Full Breakfast was very filling and enjoyable. Unfortunately, the bacon was badly cooked, with the borders burned and the centre not cooked enough. The rest was perfect.

Their ANTIPASTI are delicious, especially the Antipasti Board, with so many different things on it, all of them yummy. It is supposed to be for two people, but it can feed a person with a big stomach if you want a substantial dinner. 

Their imported antipasti used to be quite exclusive in Perth, although the development of Perthies' palate and joy for tapas-style plates has them also available in other places. They might not be that fancy or wow if you are from the country they come from, but they will feed your nostalgia, not just your stomach.

The LUNCHES have also been hit and miss, wish some dishes leaving me wow, and others "unwowed". The nicest thing I have tried at Cantina were the Pesto and Seafood Spaghetti, a traditional Italian dish, that was absolutely yummy: pasta al dente, perfect mix of flavours, right amount of chillies, pity about the serving size! 

The Vegan Rotolo was amazingly good looking, tasty an filling, with a great mixture of textures and vegetarian ingredients. One of those dishes that makes you feel  that vegetarian is yummy an filling, and a decent serving.  

Some of their salads have an odd mix of flavours that I not always enjoy, especially because of the pungent green they use as a base for them. My favourite one has been their Salmon and Egg Salad, which I found to be an absolute winner; the  whole mix was a bit odd, a priory, but it ended being perfectly balanced, filling, flavoursome, balanced, and awesome looking, too. 

The cuttlefish pasta was a decent serving of casarecce, perfectly cooked al dente, light, filling, and perfect for summer. The flavours per se were good, but the cuttlefish is a bit blah per se, so the dish would have needed of some more herbs or spices to be more flavoursome. I always find that pasta with fish, not tomato-based, goes perfectly with shelled seafood or fish, as the shells give the extra punch in flavour that the pasta needs.

I love pan-fried gnocchi in general, but I have had different levels of satisfaction -all based on my personal taste- regarding the mix of produce they use in their recipe, and the degree of fulfilment (of my stomach) I get, as they are mostly vegetarian or vegan recipes. Still, this the flagship of the place, and very good, and you need to try it if you haven't already. 

COFFEE  AND SWEETS
Cantina's coffee is good and smooth. If you are into strong coffee, the Italian way, you will need a long topped-up macchiato to get what I call a flavoursome flat white. The coffee stand outside, at the moment just used on weekends at peak hours, is great to keep things flowing. 

They always have a small selection of slices, mini-tarts and muffins on the counter, which are lovely to accompany your coffee or finish you meal with something sweet. I have found them to be good, but nothing outstanding.

They also have a two or three sweets cooked in the premises, which is always a bonus, and more my type of dessert. I had the Yoghurt Strawberry Pannacotta, and it was delicious and a pleasure for the senses; wonderfully plated, a lovely mix of colours and a wonderful mix of textures and flavours in your mouth. The mix of the delicate yoghurt, strawberry strips of basil and nutty "dukka" was a winner. 


WINE & BEER
Their wine listing is one of the most interesting thing in the whole menu, and something you should splurge in if you want to splurge on something at Cantina. I am always pleased with their selection of Spanish wines and beers, which are badly represented in quality and variety in WA. They have Alhambra beer, which are only produced in the city of Granada, in Spain, and I almost cried when I saw it there. I have never splurged in their super-expensive wines, but every wine by the glass I have had there has been excellent.
  
PRICING
I do not mind paying a bit for a meal, if the meal is really worth it, if the cooking is sophisticated, and what you eat is artistically presented. After all, you need to pay for quality, creativity, and fine dining. However, each time I visit Cantina, I leave feeling that the food is lovely, but not always worth the price. The pricing is ridiculous for some things. Just to give an example, the fried cauliflower dish costed 14 bucks, but you get a whole cauliflower, in season, for 2 bucks.

Imported goodies and bevarages are a luxury that we need to pay. We are paying for having those wines in Perth and for the high importation taxes that businesses have to pay to have them here, not because they are expensive or very exclusive in origin - I am fine with that.

To be fair, pricing is so ridiculous in most Perth cafes and restaurants at the moment, some of them of poor quality, that I content myself at thinking that at least Cantina the food is good.  

SERVICE 
Fact - They are quite accommodating regarding changes and adjustments in their set dishes. That is my experience.

Fact - Some staff members are very friendly, sweet and serviceable, an others are unfriendly, tight, nosey and not serviceable. Generally speaking, there has been an attitude problem that I can barely tolerate. It escapes my understanding why a waiter would feel so high in his/her position to be arrogant to any customer. At the same time, I understand that, at peak hours, the place is packed to the rafters and the staff has to make do the best they can. In fact, it is stressful watching them running non-stop all over the place, and that might be the reason why they cannot provide a better service. I do not blame them, I blame the owners for not having more staff at peak times. The staff is certainly more relaxed when the place is not full or during the week.

Fact - You could arrive after some people have already ordered and be served before they do, or vice versa. Both things have happened to me. 

Fact - They serve your food fast or slow depending on the day, the hour and the moment you happen to walk in. You could be served your whole meal in 10 minutes or have to wait 10 minutes for a simple coffee. Both things have happened to me, too.

Fact - If you arrive before 12pm but after 11.30am, they will not serve you breakfast, or any food at all, they will not give you the printed menu list either until it is o'clock, because "they are deciding and putting together the menu"... Then, you get the menu list and its the usual menu that has been there for a few weeks. I showed surprise last time that happened to me, and the guy looked at me as if I had just arrived from inland Mongolia. I hate being bullxtd.


ROOM FOR IMPROVEMENT
& The service needs an overhaul, and more people at peak hours, so the staff can attend to customers in a more relaxed way.
 

& The food menu should change more often. An ever-changing menu brings regular backs, and it is shows the level of culinary creativity of the place. Working with seasonal produce should create a bigger and more changing menu. They change, modify and add some new dishes regularly, but somewhat, most of their dishes are set and change little. 

& They need to add more meat and fish dishes, and/or add more meat/fish to the dishes they already have.

& Servings used to be minuscule, so I would leave hungry and a bit grumpy. The last two times I have visited the servings have been quite bigger, so I have left happy. Middle-sized servings are a a wonderful thing to have in a restaurant for entrees, and big-sized servings for lunches. I can take care of my waist line myself.

& The plating of some dishes could be easily improved. Their plates are mismatched, mix of rustic crockery with modern bone china. Some of the dishes look ugly in their plate because of the crockery. If you have good food, use simple bone crockery to frame it. Plate food with a photographic eye, as this is what people notice when you put a plate in front of their eyes. If you put a "brown" sort of dish on a blue plate, it looks odd and ugly, no matter how yummy it is. 

& The coffee glasses and cups are Lilliputian for anything you order. They need a set of mugs and average-size cups right now., don't even question my statement or raise your eyebrows. It is unacceptable and highly reproachable, that they don't allow you to seat if you have a take-away coffee from their own stand, or to order one from the stand while you are seating. This is, to me, a rip-off practice that doesn't make any favour to the place or the owners. I prefer to get my second coffee or both of them elsewhere, and stay here just for the food. Tap water is free :).

& The coffee stand in the arcade should always be there, even on weekdays peak hours. It really gets things flowing. During weekdays, coffees come out quickly for take-aways depending on the amount of orders that the barista has at hand. I have found them doing everything they can, but this is not always enough. A separate stand for take-aways would just be perfect for everybody. Also, think about this - people wait for their coffee in front or around the counter, obtruding the passage of the waiters to/from the kitchen, so things sometimes do not flow not even at a physical level.

& My eyes pop up out of my sockets each time I see the Italian salt container on the table. Yes, it is Italian, who cares? it is salt, so put it in a pretty salt container, like the pepper, and there will be some harmony on my table.  Otherwise, leave the salt in its original container, so they form a visual item.  

& Paywave is the wave right now. 

& They should be updating the info in their website as the same time their menus do. 

This advice is for free :)

***
Cantina is one of my favourite cafés and restaurants in Perth. Cantina is your place if you want simple Mediterranean-inspired food and antipasti and wines you are not familiar with. Cantina is not your place if you are super-hungry, need lots of food on your plate, are looking for sophisticated Mediterranean food or just for a quiet place. 

Cantina transports you to warm shores where food is great, but also something that bring people together and make them happy. That is included in the price, and it always makes me happy.

Location: 9/10
Layout: 7.5/10
Ambience:8.5/10
Service: 6-8/10 (varies)
Food: 7.5-8.5/10 (varies)
Coffee: 7
Pricing: 7/10 
=========================

UPDATE 14/9/2014 

It has been over a year since I wrote my last review, and these guys have made the impossible to win me over. Yes, "Cantinasins", you have wowed me lately and you have earned the Five Star. Bling. Crown. Bling.

You have to say "chapeau" to these guys because they have addressed and solved most of the issues that were bothering me in the past, which I mentioned in my long review. Her Royal Crankiness (me!) feels very proud of you.

The long expected take-away coffee available on the table is now available (I consider that my own personal victory), their menu rotates more often, their servings have increased and I have found myself not being able to finish the plate (!), the pricing has kept steady (not cheap but not expensive either), and most of the permanent staff are welcoming and lovely. Yes, there is the occasional Mfckr, but they tend to disappear quickly, so the place remains the lovely friendly place it is.

Don't look at my check-ins, I've been there more than double the number, and I can say that Cantina has a place in my heart... and stomach  - Isn't that the same?

It is not just the issues solved (I love my issues to be solved so I don't have any issue with people who create them) - it is the food. That is what brings me back.

Visiting Cantina has become a sort of weekend ritual - Walking almost 15 minutes, empty stomach with the the anticipation of what they have come up with, first, and enjoying the yummy food and telling myself, it was worth it, later.

Sometimes you look at the new "thing" and tell yourself "this looks unappealing", then you try it and it is absolutely yummy. That was the case with the morcilla, egg and salsa verde on toast a couple of weeks ago. Top notch mix of flavours, and the morcilla was absolutely fabulous. The couple by my table kept looking at my dish, more thrilled by it than by their scramble eggs and lack of conversation :O.

What about the Kedgeree. No, it is not Mediterranean, but it was yummy, man-sized, very filling without being heavy. Perfect brunch. A big "O" came from  my belly. The splash of green salad covering the crunchy but fluffy mixed-curried rice "croquettes" stood proud on a bed of potato salad telling me... eat me all over!

I love their fresh organic juices, au-naturelle but bottled. Still, it would be great having fresh juices available. I love mocktails for lunch. They are so easy to prepare and so missing from Cantina's lunch menu... just saying.... And those salt containers still look ugly...

10/26/2013

"Religulous" by Larry Charles (2008)


Religion + Ridiculous = Religulous.

Religulous is an entertaining documentary that explores Religion/s and Faith from the point of view of  stand-up comedian Bill Maher -an agnostic and devil's advocate- who interviews different pastors, priests, and religious leaders to prove his point - Religions are ridiculous.

I share Maher's premises, thoughts and conclusions in many ways, but Maher's point gets lost in his intransigence, which is exactly what he criticises religious people for. In other words, if you want to criticise people who preach mumbo-jumbo and things that are not reasonable you have to do so using Reason, Respect, and Restrain, otherwise you put at the same level the people and beliefs you are criticising.


Maher is very good, sharp, and witty at times, especially when he lets the nonsense express itself in full and when he directs the conversation with the people he interviews without superimposing his own views. I especially liked the interview to the Arkansas Senator (who self-destroys his won credibility as soon as he opens his mouth), the interviews to the re-incarnated Latino Jesus, the interview to the black-rich pastor, and his visit and interviews at the thematic park "Holy Land".

What annoyed me the most was that Maher doesn't show the same respect to his Christian, Jew and Muslim interviewees at all. For example, when interviewing some of the crazy Christian pastors he lets them speak, intercalating his funny comments to point out the bullshit and mixing it with super-funny visual montages. However, and despite he being half-Jew, he doesn't leave talk a Rabbi who criticises Israel, whose voice is barely heard. The same happens when he interviews some of the Dutch Muslim people. On the other hand, the only people who seem to make sense among the interviewees are Catholics, they seem to be the only ones to reconcile Science and Religion... really? (Maher is an ex-Catholic... ex?). If he had made the documentary from a less personal dogmatic point of view, without trying so hard to proof his point, he would have succeeded at doing that more convincingly. 

This is a very entertaining documentary, very funny at times, annoying at others. If you don't take it too seriously and forgive Maher for occasionally bullshitting the viewer, you will enjoy it. If you are deeply religious, abstain from watching. You've been warned. 

"Metropolis" by Osamu Tezuka (2001)

A Japanese animation movie based on a comic by Osamu Tezuka, that tells the story of android Tima and her human friend Kenichi in the city of Metropolis. It is loosely based in the classic movie of the 1920s.

Metropolis shares with Astroboy two of Tezuka's themes: 1/ Father-son troublesome relationship due to the Father's rejection and unloving treatment of the son. 2/ The presence of a great variety of old-style chunky robots and very developed humanoids who ask themselves what/who I'm I?

The animation is flamboyant and amazing regarding the settings, backgrounds, architecture and machinery, and combines 2-D and 3-D mixed with some real movie elements. Some of the scenes at the end of the movie are spectacular from a visual point of view.

The mood of the movie is excellent, with the creation of a retro-futuristic city very developed, but impoverished and without freedom. We have the bright city and the underworld, with different colours and styles.

The music is fantastic, also retro, with lots of Mow-Town, classic Jazz, alternating with symphonic pieces that reminded me of John Williams'.

The script, though, is a poor mix of well-known sci-fi elements and characters. I found the script not engaging most of the time, not only because of the lack of originality of the same, but, above all, because of the drawing of the characters is completely childish, which barely fits with the innovative and more artistic style of the rest of the movie. Tima and Kenichi are beautifully drawn, and, being children, the style suits them, but the adults are drawn in a very different style, very 1970s cartons!, which doesn't seem to give visual homogenity to the film or fit the story. 


I felt that the movie was perfect for teenagers, with elements that would suit both children and young adults, not as much for adults, unless you are a Tezuka's fan. Entertaining nevertheless. 

9/15/2013

Chatsworth Deli (Highgate, Perth WA)


475 Beaufort St
Highgate Western Australia 6003
(08) 9227 8080
Hours:
    Mon-Sun 7 am - 7 pm


Chatsworth Deli is, or it was, a deli that has been transformed into a florist by the overwhelming power of the flower section of the business; nowadays, the deli is reduced to a few fridges with convenience items located at the bottom end of the shop.

Chatsworth Deli has all sort of flowers and myriad possible flower colours and textures: big bunches, small bunches, individual flowers, seasonal flowers, cultivated flowers, Australian native flowers, arranged boxes, and anything to complement your bunches like balloons, cards, and ribbons.

Prices oscillate between cheap and extremely affordable, which explains why the place is thriving on any given weekday, no need of public holiday or feast on sight. This is not the place where you would order your wedding bouquet or get a bunch for Her Majesty or arrangements for the poshest of hotels, but it will serve you well for the rest.   

The guys working here are matter of fact, but very fast at serving you, but not especially friendly, the truth be told. They wrap the bunches extremely well and you get them home in perfect condition even after having a walk.

Some of the old bunches are sold cheaper than the fresh, but I've found that they could be even cheaper due to the state of some of the flowers and leaves. 


I pass by this "Deli" frequently, and the place is so gorgeous that it always turns my  happy-o-meter up. I always stop, even if I don't buy anything, just to get all that beauty sink. Chatsworth Deli and its vastness of flowers makes you feel good without having to call your best friend or your psychoanalyst, and makes you smile without need of any joke. Chatsworth Deli is a micro-fairyland for Mount-Lawlyans and Highgatians - the poor, the hypster, the posh and the distracted passer-by. Chatsworth Deli is deli-ghtul!

9/11/2013

"Last Tango in Paris" by Bernardo Bertolucci (1972)


++ This review contains or might contain spoilers++

Last Tango in Paris tells the story of the sexual relationship between Paul -played by Marlon Brando- a mature selfish widower, and Jeanne -played by Maria Schneider- a naive 20y.o. emotionally immature girl.

Despite what one might think, the movie is not about sex, but about obsession, manipulation, grieving, deceit, primal emotions and social constrictions.

THE CHARACTERS
One of the most fascinating things about this movie is how well drawn the characters
are. They are multifaceted, never simple or linear, very human, but also very archetypal and symbolic. The viewer can hate or love them, but, even if one can't fully understand them, there is a feeling of acceptance and even empathy. 

Paul is an obsessive person, who had an open relationship with his wife -the only way he believes love should be, free from any obligation. When his wife commits suicide, he is shocked. He takes the suicide as a proof of his wife's emotional treachery. A mix of grief and hatred, pain and disenchantment with love, is what Paul is feeling when he meets Jeanne. She is half his age and easy to manipulate, as she's emotionally insecure and unhappy with her boyfriend, who uses her like a doll. They are like water on fire.

Paul channels his conflicting emotions through raw sex. He forces Jeanne into a situation that it is not good for her, a fact that she realises
early on. Jeanne is looking from love and for personal appreciation, the one she doesn't get with her boyfriend, and to be loved for who she is. However, Paul creates a situation of complete emotional and sexual domination by establishing the rules of their meetings, which only benefit him. The Society and world that Paul wants to leave behind is, after all, a wish to return to Paradise. The fact that the couple play and talk like baboons in their rendezvous is a metaphor of this primeval relationship and the space of mind that Paul wants.

Jeanne's character and her relationship with Paul is the catalyst for her inner transformation - the way she relates to men in general, and her boyfriend in particular. She is like a lamb at the beginning of the movie, but like a lioness at the end. Despite her obsession with Paul, she is able to see her own dependence and starts fighting it until she frees herself completely.

THE PERFORMANCES

The respective ages and level of maturity/immaturity of Brando and Schneider are perfect for their characters, and the acting is convincing and dynamic on both parts. 

Brando is great in his performance, superb sometimes, especially when he's able to relax in front of the camera and improvise those monologues for which he became famous. The scene in which the recalls the story of his childhood is so real and powerful that you feel that he's the character he's playing; the same can be said of his scene with Massimo Girotti (who plays the lover of Paul's wife). I found some of his crying scenes heartfelt, but some others a bit phoney. 
 
Despite Schneider's acting being labelled poor, she brings to her role exactly what it is needed, and what Bertolucci wanted from her. She plays with freshness, naivety, and emotional maturity a character that is extremely difficult, has many colours, and does so in front of a mature Brando, who was a legend at the time. 

THE (IN)FAMOUS SEX SCENES

The movie is disturbing sometimes, but not because of the sex scenes. The raunchy images that scandalised the world in the 1970s are, in most cases, not that raunchy for modern standards. Nudity is limited, and the bed scenes are more hinted and talked about than explicitly shown.

The only scene that I consider confronting is the one involving the butter bar. I had a strong emotional reaction against the scene, and I found it disturbing, despite the characters being dressed, and some men viewers considering the scene "hot". It felt like a rape to me. Alas, in an interview, Maria Schneider mentions that this scene wasn't originally in the script, that it was Brando's idea, that Bertolucci loved it, that she didn't want to do it; however, she was was forced to do it, and that she felt raped; her tears in the movie were real and personal, not the characters'.

THE ATMOSPHERE
I thought that it was one of the best things of the movie as
masterly reflects the soul and essence of the characters, individually and as couple. The mix of colours, lighting, and music are in perfect tune with each other. Thus, the atmosphere is dark and claustrophobic, bizarre and horror-like when focuses on Paul's world.

The atmosphere is clear, luminous, fresh and bucolic when focuses on Jeanne's world.

The atmosphere is warm minimal and with a a pronounced chiaroscuro in the love meetings of the couple in the empty apartment.

The atmosphere is decadent, theatrical, and "run out" in the Tango dancing scenes.

To blend it all, the sound track by Gato Barbieri is beautifully unsettling.

THE FLAWS

I found the movie a little too long, too theatrical at times, and some bits unnecessary and distracting. The tempo is uneven, not fluid or natural, more theatrical than cinematic. Maria Schneider's wardrobe is really poor and she wears the same attire for most of the movie. This is not an easy movie to watch, or so did I find.

***

Last Tango in Paris is one of these movies that gets stuck to your memory for a long time. The more time passes, the more it settles in. Few movies in the History of Cinema have been able to achieve that, especially one as disturbing as this one is.  Last Tango in Paris gets under your skin, gives you a gut reaction, and you like it and hate it at the same time. The movie is a terrific characters' study, and offers unforgettable images and performances that are already part of the History of Cinema.

9/10/2013

"The Pied Piper" by Jiri Barta (1985)


Krysar is an adult stop-motion animation film, loosely based on the German folk tale the Pipe Piper of Hamelin. A real art-house piece of animation that has a mix of Renaissance and Medieval elements. 
There are many original elements about this film. The first one is the story, which deviates from the original, or better said digs into its original meaning, to offer a social allegory. Barta's Hamelin is a greedy, glutton and lusty male-dominated society - a kind of Sodom and Gomorrah. The piper is the punisher and redemptor, and the catalyst necessary for human renewal. The children are only seen at the end.

The second element of originality is its language... which is onomatopoeic: sounds, grunts, mumblings and gibbering, perfectly understandable by anybody in the world. I found it hilarious!

The third element of originality is the visual style of the movie, traditional and innovative at the same time, very odd and very artistic. Hamelin's backgrounds, architecture and interiors are made of dark carved wood, similar to the ones you find in some Renaissance cathedral choir chairs. The overall design is German expressionist in its design, which is noticeable in the d
iagonal and curved collapsing lines, unbalanced proportions and oniric elements, and the general darkness and oppressiveness of the space and atmosphere. On the contrary, the luminous colourful paintings used for the landscape are bucolic and very artistic, the sort of images you find in Medieval Gothic Books of Hours. They are human spaces, associated to the most human characters in the story, and a complete counterpoint to the rest. I found in the movie very Bergman's, with the sort of vibe, feeling, and themes one can find in movies like The Seventh Seal or the Virgin Spring.

The third element of originality is the design of the characters. Most of the Hamelin dwellers are wood puppets, with mobile parts and fabric clothing; they have angular-faces and are thin and tall. The Piper is also a wood puppet, but it looks very different - a mixture of walking skeleton, a Goth band member, and an apocalyptic angel. The only two good characters and pure souls in the city -the lady living in the city outskirts and the fisherman- are very refined sweet and delicate wooden puppets. The rest of the characters are the rats, real ones (more like big mice!), which are as big the human characters, naughty monsters as greedy as the humans, which move rapidly and awkwardly.

The music is terrific - a mix of dark classic pieces and rock sounds with the ethereal sound of the flute as only breaker.

The ending is great, and has nothing to do with the traditional story. It couldn't be otherwise, as the movie is an allegorical reflection of Society's sins. The title in Czech means rat trapper, which refers to the rats in Hamelin and also to its dwellers, which are a pest as much as the rats are, and the piper also traps.

I found annoying that some general scenes -landscapes shots, movement of groups- were repeated over and over.

The film is not for small kids because there are too many adult explicit elements in it: lust, rape, killing of animals, stealing, death, and the general nastiness of the dwellers of the city.

Krysar is an amazing movie, but also a bit freaky and grotesque! Dare to watch it.

9/08/2013

North Perth Plaza (North Perth WA)


391, Fitzgerald St
North Perth Western Australia 6006

The North Perth Plaza has almost everything you might need to do you weekly shopping and help you relax in between errands.

The place is medium sized, small enough to move around easily and get things done fast, but big enough to find almost everything you need during your visit. Indoors, there is a decently-sized Coles, a chemist, an Italian continental deli, a corner cafe, a newsagent, two hair salons (a men's, and a unisex's), a beauty salon, a nail salon, a traditional Chinese massage shop, an office supplies shop, and a travel agent. Outdoors there is a bakery, a bottle shop, an Italian pizzeria, a posh deli cafe, a barber, and and dry-cleaning service.

Most businesses  are very small in size, but there is a sort of community spirit around, and people are very serviceable and extremely friendly except for some exceptions.

The North Perth Plaza is not the sort of shopping mall you go to have a shopping spree or to pamper yourself with something posh, or a foodies joint. This is a place you go to keep you house running and to have some body-fix emergencies done at decent prices.

The place would need a make-over, but, being realistic, if it had it done, it would lose its charm, and  prices would go up. Let it be as it is - a family-style, budget-friendly, all-ages favourite, men-friendly shopping mall.

The toilets are very small, but are usually kept clean. I would certainly refurbish this area before touching anything else.

There mall has two parking areas: a large one facing the bottle-shop, and a tiny one facing the chemist. Isn't that handy?

The North Perth Plaza is in a killer location and has everything you need.. even if you don't find it here. If you don't find something there, you will find it across the car-park or across the street. If you don't like the food around, you can cross the street again or go to the Angove St cafe strip, which is at a 5 minutes walk.

The North Perth Plaza is one of those old-fashioned places that has a charm you don't find in better equipped more modern malls, and better prices as well.

"My Blueberry Nights" by Wong Kar Wai (2008)

My Blueberry Nights is the first film shot in English by Wong Kar Wai. 

Elizabeth, a girl with a broken heart, leaves New York to start a journey of emotional healing around the States; she will work in several night cafes and bars and meet different characters, with whom she will get involved. The story is told through the postcards and letters that Elizabeth sends to her special friend Jeremy, the owner of her favourite café. Most of the movie happens during night time.

My Blueberry Nights is, in a way, an homage to the characters, themes and the ambience of the black and white classic movies of the 1950s... but shot in glorious colours. The movie is an ode to the life of the American urban nights and of its characters. 


This is a very artistic and stylish film, in which the settings, the characters, the colours, the textures, the music, and the wardrobe have been taken care of to the minimal detail.

The acting is good in general. I found Rachel Weisz, David Strathairn and Natalie Portman excellent in their respective roles. Jude Law is correct as cafe owner Jeremy, in a role that does is not dramatically demanding. On the contrary, I found the presence of Norah Jones as Elizabeth a big mistake; she is a great musician and singer, but she doesn't have any dramatic talent.


One of the main flaws of the movie is the underdevelopment of Elizabeth's character. She is supposed to be the main character in the movie, but she ends being only a link between the different stories. Elizabeth's miseries and emotional struggle are barely hinted, and it is difficult to empathise with her or understand her actions.

The film has poor reviews in general, but I loved it in spite of its flaws because of its stylish atmosphere, its emotional depiction of the American underground and night life, the wonderful music, and some of the performances.

Is Donburi (Northbridge, Perth WA)


Shop 10, 189 William St
Northbridge Western Australia 6003
(08) 9328 2621
Hours:
    Mon, Wed-Sun 11:30 am - 4 pm
    Mon, Wed-Sun 5 pm - 9:30 pm


Is Donburi William Street on Urbanspoon
  
Is Donburi is small funky Japanese restaurant that happens to be a fast food outlet too. In the very heart of the city, always busy and with a constant flow of patrons for both take-away and dinning in, Is Donburi is a place where to have a good Japanese meal at very good prices and in decent quantities.They don't offer sophisticated Japanese, but a good selection of entrees, rolls, salads, soups and bento trays and bowls. Sushi, Sashimi, Donburi, Bento, Udon. You name it, they have it. Despite not being the latest big thing, they do extremely well everything - rolling the rolls, presentation, and tastiness of the dishes. Better than others that have the name and charge you double for similar things.

My favourite entrees are the gyoza, the prawn parcels and the octopus balls (takayaki), which are delicious and make a light meal on their own. You can try them all, with others, in the tempura tray.

My favourite roll is the grilled salmon's. It does look beautiful, and it is extremely flavoursome. It has a great mix of flavours, colours and textures: pink and green on top (grilled salmon and herbs) and pieces of avocado, mango and beetroot inside; it is served in a lovely long boat-like tray - destination my belly!
The deluxe bento are really great, filling, varied, and very well priced, and I have liked everything I have tried. They have enough food for a man with a big stomach.


I love the freshness and mix of colours and ingredients of their take-away rolls, which are really filling, crispy, fresh and beautiful to look at, and the best take-away rolls  I've tried in the city!

Service is friendly and decently paced indoors, and very fast for take-away. I go there regularly, and the norm is fast friendly service. The staff are very accommodating regarding anything. The space is limited, but, at least at lunch time, people go, eat and leave fast, so I have never found problems finding a table for one or two people at peak hours. The staff clean the place fast and serve you almost immediately.

They attract people from all ages, mostly youngsters and young professionals, although you can also find families, tradies and old grandpas depending on the time of the day you visit.
 


ROOM FOR IMPROVEMENT
- I don't like that the cheaper bento are served in a bowl. The quantity and quality of the food is the same, but all the ingredients are squeezed together, all the flavours and sauces mixed before entering my mouth, and that rests flavour and makes eating less enjoyable. Moreover, it is very difficult to eat everything without creating a bit of mess on the table.
- They could easily improve the quality of their Miso Soup, which is a bit watery and lacking in flavour. I would rather pay 1$ and have a good one than nothing and have a bad one. Perhaps it is just me.

- They don't have a website or a Facebook account.



BONUS
+ Green tea and miso soup are complimentary with any main meal.

+ They do doggy bags!
+ They close on Tuesdays not on Mondays, when most restaurants close in Northbridge.

+ They are open in the evenings.
+ Paywave available.
+ Different queues for take-away and dining in.