Paul Rubens Hot-Pressed 100%-Cotton 300gsm Watercolor Journal (Black)

I wanted  a compact good-quality small notebook or journal just to do warm-up mixed-media exercises and experimentation, and this item seemed to fit the bill.

 

THE GOOD STUFF

> Very good-looking sketchbook.

> Good-quality off-white 300-gsm watercolor paper. I love its smoothness and tone. See details about my testing below. 

> Stitch perforated paper sheets, which tear off easily. 

>  It has a separator ribbon, something that I love because I use it a lot!

> The notebook measurements are 3.8’’ x 5.2’’, a pocket size that makes it perfect to carry in my small handbag or briefcase. Perfect for traveling as well. I wanted something that is easy to store and this can be stored anywhere easily. 

> Affordable. 

> Very lightweight.

DOWNSIDES 

> The product Amazon-page photo and description and what I got are not the same. I've already given feedback to Amazon as some of the photos and statements are misleading and don't t relate to the product I got at all.  

> Unrefined leather-like cover.

> The paper is excellent, but I wanted a good journal not good loose paper sheets.

> My item doesn't have the elastic band/strap mentioned/photographed in the description page. I find this not only deceiving, but also disappointing because it seems to be an issue not just with my notebook but with many reviewers'. A band is necessary in any small journal with detachable sheets because, eventually, they'll all be loose and the band is needed to tide them all up. 

> Bad quality binding, with some parts just glued and others loosely sewn (see my photos). The product page says that it's loosely stitched to allow the removal of the middle thread to have a double-spread or panorama sheet. That's good, but since the binding is so poor, not all the pages are thread-stitched, all of them are perforated and some of them detach on their own, how is this going to work?

> One of the sheets was already cut off when I opened the product. The pad came sealed (as per my photos) so ain't sure if that's a factory issue or the item was a re-purposed return.

> The separator ribbon edge is already loose-threading itself (see my photos). 

> The back cover inner pouch is glued with the opening facing the spine, which makes it not only difficult to use but also useless to me.

 

PAPER TESTING

I've tested the paper twice before posting this review. Herewith my first impressions. My first test was done with a non-gessoed sheet. As per my photos, I used watercolour pencils, waters-soluble crayons (Neocolor II, Tim Holtz) and markers (Posca, Tombow), oil pastels (Ohuhu), soft pastels (Munyo), acrylic ink (Liquitex), heavy and fluid acrylics (Golden) alcohol ink, alcohol markers(Faber Castell, Copic), archival ink refills (Ranger), Stabilo-All and China black pencils, my fountain pen; FC Pitt permanent-ink markers; metallic markers as well as an UNI white gel pen. The paper stood well, without bleeding, most things, included my two alcohol markers, which is impressive. I found the paper especially lovely and smooth when watercolouring Posca, Tombow, Necolor II and Stabilo All. Soft pastels extended well with water, even though they aren't water-soluble and cheap, but oil pastels were not good on this paper, yet my pastels are cheap. Alcohol inks bled (see my photo) and, in a lesser degree, archival undiluted ink.

 My second test was done on a sheet of paper with clear gesso added to it, as this is how I usually work. I used simple mixed media, acrylic paint mostly, but also aquarelle pencils and markers, and plenty of water. The paper was a pleasure to work with and it doesn't buckle at all. Truth to be told, I usually work heavily on the paper, more than in this case, adding collage, stitching and what's not; yet, I'm very satisfied with the quality of the paper. 

 

IN SHORT

I consider this Rubens journal to be a mediocre journal. The paper, on its own, is excellent. However, I'm not buying loose sheets of paper but a journal, so it defeats the purpose. I wouldn't give this as a gift, but it serves me well for what I need: to experiment with my paints and have everything neatly collected. I will have to supply the missing elastic strap myself and sew the separating ribbon. This journal seems like a degraded version of the advertised product, like a bad batch perhaps, and there are significant discrepancies between what it's described on the product page and what I got. Bear in mind that the same journal is listed on a separated page and marked as 'Amazon choice', but it's a bit more expensive. Either way, next time I buy this journal, if it's as it is now, I will return it.

 

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Quill, Q Series sketchbook, Spiral bound, 110gsm, A4

This is a nice paper pad at a very good price. After using it and testing it, I can say it's only good for drawing with coloured pencils and graphite, nothing water-soluble or needing of the slightly amount of water. I bought this pad due to the price and to the fact that use cheap pads to clean my paint brushes from paint, when I have some acrylic paint left after a painting and then I use the pages as collage paper in my artwork. I also try new water-soluble crayons colours on them. In both cases this paper fails. Even thick acrylics create bumps on the paper back and the paper corners buckle; the same can be said of water-soluble crayons, which barely require any water. If there is some sort of wet area on a page and I close the pad, the pages get stuck and the spot area breaks off badly. Needless to say, the paper is useless for water colour painting or anything requiring of added water or soft body acrylics. For the rest, this paper is warm white paper, as per my photo, not black. Actually, I bought the pad thinking that it was black paper due to the description info so I was quite disappointed when I received a white paper pad. I won't buy it again.

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Watercolour Paper Art Sketch Pad, 140 LB/300 GSM, 20 Sheets/40 Pages

I have this as a warm-up exercise pad to do mixed-media projects. I use a lot of liquid supplies: flow acrylic, inks, water drops, etc. and I've also pre-gessoed the pages before use. The paper is thick enough to withstand most of the media without bleeding and holding the painting pigments quite well. The paper texture is smooth and the colour white. For the price, this is an excellent watercolour and mixed-media paper pad.

My main disappointment is with the binding system. It 's supposed to open and close easily so that one can extract the page, paint on it and then put it back. I haven't been able to open the rings no matter how hard I've tried. Leaving the pages in the pad makes them prone to medium and paint transfer on the edges, even if I use some baking paper behind the sheet I'm using.

For the rest, very pretty cover, very good paper and very handy size to store away and do small projects. I'll buy again

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