Ohuhu Mixed-Media Spiral-Bound Art Sketchbook (120lb/200gsm, 210x226cm)

I had my hesitations about a 200gsm paper being good for mixed-media. However, after using it, I can confirm that it is. 

 

I tested the paper first without gessoing the page to see what the paper would stand. It was great for almost everything, except for the fact that scratches for textural purposes show on the back and there is a limit of liquid that you can use before the sheet warps.

 

This paper didn't react well to my lifting masking liquid with a normal eraser (which would not lift anything), with my fingers (lifted just a bit), or with a hard rubber (which lifted the masking tape and the paper as well). I think it's a combination of both the masking tape being too thin and the paper not resisting much friction. 

On the other hand, none of the materials I used bled (acrylic markers, inks and different paint viscosities; water soluble pencils, among others).

My second test was done after applying a coat of liquid gesso to the page I worked on. I was able to do a bit of more stuff on it but, again, the paper wraps if you use a lot of liquid or flow paint. It still did not bleed and stood some of my rubbing a bit better. A thick gesso coat would improve workability but it would also add weight, and that would be counter-intuitive. 

The pad comes with a silicone protector to place between the sheets, something that is extremely handy and prevents transferring of any bleed onto the page underneath. On the other hand, I'd have loved this silicone sheet to be 1 cm longer on each side so that it protrudes a bit and protects the edges of the pages underneath, which were totally stained. For the rest, this silicone sheet is really good and it can be easily cleaned with a damp cloth under running water.

 

The pad sheets are micro-perforated, just in case you want to use any to create specific pieces of artwork, not just as a sketchbook.  Unless I was drawing or using dry materials, I would not want to cut the pages out for anything.

The back cover is thick and sturdy, and this is a great support to the bulky pad. However, the front cover it's too thin to my liking and not strong enough to keep the pad well protected or hold it properly. Yet, this pad is really good priced for what you get.  

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Canson Montval 300gsm/140lb Cold-Pressed Watercolour-Paper Wired Pad (20 sheets, 5.5x8.5in)

I love Canson watercolour paper pads as they're always very decent quality, affordable and perfect to use as sketchbooks. I've been using this pad often, and the paper quality is good  for mixed media, which is what I bought it for. I haven't used it with watercolours yet; mostly with acrylics paint, acrylic inks, crayons, pens, Posca ad Pitt Pen markers and it stands most things beautifully even without previous gesso priming. I love the pages micro-perforation as it allows me to use them as stand-alone sheets, or keep them  as a pad.
 
On the flip side, this Montval series is more like a student pad, so worse paper quality than other Canson pads I own and also re the quality of the front and back covers, which is quite bad. Besides, the paper doesn't handle rubbing well, and sometimes the paper sands off if not primed. That being the case, now I gesso the pages that I intend to rub or scratch. I would not use this pad paper for professional purposes.

For the rest a good affordable study or student watercolour pad with decent quality paper.

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Mont Marte Watercolour Pad A5 300gsm 12 Sheet

This is an A5 paper pad of good quality 300 gsm paper. You know, there are good and not so good 300 gsm watercolour paper, and this is good paper, and great value for money as well. 

I've tested the paper without pre-gessoing the surface, which leaves the paper more exposed to the media I used. I've used both acrylic paint and acrylic inks, adding quite a bit of dripping and the paper stood everything wonderfully and I was totally surprised at how well it took acrylic paint and acrylic inks, without buckling or deteriorating. I like the paper texture and the fact that the pad is glued just in one of the sides, but I'm not a fan of the paper colour. Yet, it doesn't really matter, because I will be painting over it and I can change that easily.

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Paul Rubens Hot-Pressed 100%-Cotton 300gsm Watercolor Journal (Black)

I wanted  a compact good-quality small notebook or journal just to do warm-up mixed-media exercises and experimentation, and this item seemed to fit the bill.

 

THE GOOD STUFF

> Very good-looking sketchbook.

> Good-quality off-white 300-gsm watercolor paper. I love its smoothness and tone. See details about my testing below. 

> Stitch perforated paper sheets, which tear off easily. 

>  It has a separator ribbon, something that I love because I use it a lot!

> The notebook measurements are 3.8’’ x 5.2’’, a pocket size that makes it perfect to carry in my small handbag or briefcase. Perfect for traveling as well. I wanted something that is easy to store and this can be stored anywhere easily. 

> Affordable. 

> Very lightweight.

DOWNSIDES 

> The product Amazon-page photo and description and what I got are not the same. I've already given feedback to Amazon as some of the photos and statements are misleading and don't t relate to the product I got at all.  

> Unrefined leather-like cover.

> The paper is excellent, but I wanted a good journal not good loose paper sheets.

> My item doesn't have the elastic band/strap mentioned/photographed in the description page. I find this not only deceiving, but also disappointing because it seems to be an issue not just with my notebook but with many reviewers'. A band is necessary in any small journal with detachable sheets because, eventually, they'll all be loose and the band is needed to tide them all up. 

> Bad quality binding, with some parts just glued and others loosely sewn (see my photos). The product page says that it's loosely stitched to allow the removal of the middle thread to have a double-spread or panorama sheet. That's good, but since the binding is so poor, not all the pages are thread-stitched, all of them are perforated and some of them detach on their own, how is this going to work?

> One of the sheets was already cut off when I opened the product. The pad came sealed (as per my photos) so ain't sure if that's a factory issue or the item was a re-purposed return.

> The separator ribbon edge is already loose-threading itself (see my photos). 

> The back cover inner pouch is glued with the opening facing the spine, which makes it not only difficult to use but also useless to me.

 

PAPER TESTING

I've tested the paper twice before posting this review. Herewith my first impressions. My first test was done with a non-gessoed sheet. As per my photos, I used watercolour pencils, waters-soluble crayons (Neocolor II, Tim Holtz) and markers (Posca, Tombow), oil pastels (Ohuhu), soft pastels (Munyo), acrylic ink (Liquitex), heavy and fluid acrylics (Golden) alcohol ink, alcohol markers(Faber Castell, Copic), archival ink refills (Ranger), Stabilo-All and China black pencils, my fountain pen; FC Pitt permanent-ink markers; metallic markers as well as an UNI white gel pen. The paper stood well, without bleeding, most things, included my two alcohol markers, which is impressive. I found the paper especially lovely and smooth when watercolouring Posca, Tombow, Necolor II and Stabilo All. Soft pastels extended well with water, even though they aren't water-soluble and cheap, but oil pastels were not good on this paper, yet my pastels are cheap. Alcohol inks bled (see my photo) and, in a lesser degree, archival undiluted ink.

 My second test was done on a sheet of paper with clear gesso added to it, as this is how I usually work. I used simple mixed media, acrylic paint mostly, but also aquarelle pencils and markers, and plenty of water. The paper was a pleasure to work with and it doesn't buckle at all. Truth to be told, I usually work heavily on the paper, more than in this case, adding collage, stitching and what's not; yet, I'm very satisfied with the quality of the paper. 

 

IN SHORT

I consider this Rubens journal to be a mediocre journal. The paper, on its own, is excellent. However, I'm not buying loose sheets of paper but a journal, so it defeats the purpose. I wouldn't give this as a gift, but it serves me well for what I need: to experiment with my paints and have everything neatly collected. I will have to supply the missing elastic strap myself and sew the separating ribbon. This journal seems like a degraded version of the advertised product, like a bad batch perhaps, and there are significant discrepancies between what it's described on the product page and what I got. Bear in mind that the same journal is listed on a separated page and marked as 'Amazon choice', but it's a bit more expensive. Either way, next time I buy this journal, if it's as it is now, I will return it.

 

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Quill, Q Series sketchbook, Spiral bound, 110gsm, A4

This is a nice paper pad at a very good price. After using it and testing it, I can say it's only good for drawing with coloured pencils and graphite, nothing water-soluble or needing of the slightly amount of water. I bought this pad due to the price and to the fact that use cheap pads to clean my paint brushes from paint, when I have some acrylic paint left after a painting and then I use the pages as collage paper in my artwork. I also try new water-soluble crayons colours on them. In both cases this paper fails. Even thick acrylics create bumps on the paper back and the paper corners buckle; the same can be said of water-soluble crayons, which barely require any water. If there is some sort of wet area on a page and I close the pad, the pages get stuck and the spot area breaks off badly. Needless to say, the paper is useless for water colour painting or anything requiring of added water or soft body acrylics. For the rest, this paper is warm white paper, as per my photo, not black. Actually, I bought the pad thinking that it was black paper due to the description info so I was quite disappointed when I received a white paper pad. I won't buy it again.

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Quill Premium PP Visual Art Diary, 125gsm A4 120 Pages, Black

This is a decent quality notepad for drawing with pencils, charcoal and pastels. Not good for gouache, tempera or watercolor as it bleeds, and you'd need to apply gesso for a sheet to hold any water or ink painting. Paper not good either for permanent ink makers; a normal sharpie ink would go through. I wanted this for doodles and to try stuff before using my good quality pad, so that's OK, but this is not a paper I would use with any water or permanent ink medium. Elastic strap came out of one of the holes. Good quality cover and back.

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