Quill A4 Visual Art Diary, 110gsm

I use this notebook all the time not to draw or paint but to clean my brushes when painting on good paper. This allows me to save paint and create unintended pretty interesting collage papers that I then use in my artwork.
 
I also use the pages with my Gelli print to create collage papers The results are great and better than using printing paper.
 
If you want to use it with acrylics, you need to use dry brushes and heavy body paint because the paper is not made to hold liquid or semi-liquid acrylic paint or inks. and the pages stick to each other if the paint is semi-wet and break off parts of the page. Needless to say if the paint is too liquid, it will bleed.
 
Probably designed for drawing with pencil, pen or charcoal not for paint/. However, the pad is cheap and good enough for my side painting needs.

 

Read More

Paul Rubens Hot-Pressed 100%-Cotton 300gsm Watercolor Journal (Black)

I wanted  a compact good-quality small notebook or journal just to do warm-up mixed-media exercises and experimentation, and this item seemed to fit the bill.

 

THE GOOD STUFF

> Very good-looking sketchbook.

> Good-quality off-white 300-gsm watercolor paper. I love its smoothness and tone. See details about my testing below. 

> Stitch perforated paper sheets, which tear off easily. 

>  It has a separator ribbon, something that I love because I use it a lot!

> The notebook measurements are 3.8’’ x 5.2’’, a pocket size that makes it perfect to carry in my small handbag or briefcase. Perfect for traveling as well. I wanted something that is easy to store and this can be stored anywhere easily. 

> Affordable. 

> Very lightweight.

DOWNSIDES 

> The product Amazon-page photo and description and what I got are not the same. I've already given feedback to Amazon as some of the photos and statements are misleading and don't t relate to the product I got at all.  

> Unrefined leather-like cover.

> The paper is excellent, but I wanted a good journal not good loose paper sheets.

> My item doesn't have the elastic band/strap mentioned/photographed in the description page. I find this not only deceiving, but also disappointing because it seems to be an issue not just with my notebook but with many reviewers'. A band is necessary in any small journal with detachable sheets because, eventually, they'll all be loose and the band is needed to tide them all up. 

> Bad quality binding, with some parts just glued and others loosely sewn (see my photos). The product page says that it's loosely stitched to allow the removal of the middle thread to have a double-spread or panorama sheet. That's good, but since the binding is so poor, not all the pages are thread-stitched, all of them are perforated and some of them detach on their own, how is this going to work?

> One of the sheets was already cut off when I opened the product. The pad came sealed (as per my photos) so ain't sure if that's a factory issue or the item was a re-purposed return.

> The separator ribbon edge is already loose-threading itself (see my photos). 

> The back cover inner pouch is glued with the opening facing the spine, which makes it not only difficult to use but also useless to me.

 

PAPER TESTING

I've tested the paper twice before posting this review. Herewith my first impressions. My first test was done with a non-gessoed sheet. As per my photos, I used watercolour pencils, waters-soluble crayons (Neocolor II, Tim Holtz) and markers (Posca, Tombow), oil pastels (Ohuhu), soft pastels (Munyo), acrylic ink (Liquitex), heavy and fluid acrylics (Golden) alcohol ink, alcohol markers(Faber Castell, Copic), archival ink refills (Ranger), Stabilo-All and China black pencils, my fountain pen; FC Pitt permanent-ink markers; metallic markers as well as an UNI white gel pen. The paper stood well, without bleeding, most things, included my two alcohol markers, which is impressive. I found the paper especially lovely and smooth when watercolouring Posca, Tombow, Necolor II and Stabilo All. Soft pastels extended well with water, even though they aren't water-soluble and cheap, but oil pastels were not good on this paper, yet my pastels are cheap. Alcohol inks bled (see my photo) and, in a lesser degree, archival undiluted ink.

 My second test was done on a sheet of paper with clear gesso added to it, as this is how I usually work. I used simple mixed media, acrylic paint mostly, but also aquarelle pencils and markers, and plenty of water. The paper was a pleasure to work with and it doesn't buckle at all. Truth to be told, I usually work heavily on the paper, more than in this case, adding collage, stitching and what's not; yet, I'm very satisfied with the quality of the paper. 

 

IN SHORT

I consider this Rubens journal to be a mediocre journal. The paper, on its own, is excellent. However, I'm not buying loose sheets of paper but a journal, so it defeats the purpose. I wouldn't give this as a gift, but it serves me well for what I need: to experiment with my paints and have everything neatly collected. I will have to supply the missing elastic strap myself and sew the separating ribbon. This journal seems like a degraded version of the advertised product, like a bad batch perhaps, and there are significant discrepancies between what it's described on the product page and what I got. Bear in mind that the same journal is listed on a separated page and marked as 'Amazon choice', but it's a bit more expensive. Either way, next time I buy this journal, if it's as it is now, I will return it.

 

Read More

Quill, Q Series sketchbook, Spiral bound, 110gsm, A4

This is a nice paper pad at a very good price. After using it and testing it, I can say it's only good for drawing with coloured pencils and graphite, nothing water-soluble or needing of the slightly amount of water. I bought this pad due to the price and to the fact that use cheap pads to clean my paint brushes from paint, when I have some acrylic paint left after a painting and then I use the pages as collage paper in my artwork. I also try new water-soluble crayons colours on them. In both cases this paper fails. Even thick acrylics create bumps on the paper back and the paper corners buckle; the same can be said of water-soluble crayons, which barely require any water. If there is some sort of wet area on a page and I close the pad, the pages get stuck and the spot area breaks off badly. Needless to say, the paper is useless for water colour painting or anything requiring of added water or soft body acrylics. For the rest, this paper is warm white paper, as per my photo, not black. Actually, I bought the pad thinking that it was black paper due to the description info so I was quite disappointed when I received a white paper pad. I won't buy it again.

Read More

Studio Series Artist's Tiles: White (75 pack)

I'm most disappointed with this pack of tiles supposedly 300 gsm good for dry and wet media. I normally use 300 gsm watercolour paper for my mixed media and this is a bit thinner than that, so I wonder whether the gsm on the label is a printing mistake.

The cards are smaller than average, about 3x3 inches. See my photo against a 4x4 grey tile.

I've done comprehensive testing on the paper, and it confirmed my first impression. You can see the photos I've uploaded for everything I say.

Re markers, it's good for my Sakura micron, for my fountain ink permanent ink, for my FC pitt pen, for my Fude brush pen and my Townbows. None of these bled. I tried one of my AS pigmented inks, one drop, and it worked well (the yellow stain on the photo) but my Liquitex acrylic ink (not on the photo) didn't spread well and the light rubbing with my finger sanded the paper a bit. I also applied my red Stabilo All pencil and then used a water brush to spread the colour and it didn't work well and sanded the paper a bit. Alcohol markers and inks DID bleed, as per my photo.

I did a simple abstract exercise using water-soluble crayons, which require barely any water, adding some pitt pens and non-soluble crayons. The paper doesn't have enough hold for the colour and the process of using these materials to be done without tearing or sanding. Needless to say, the paper buckled and deteriorated. As this test was done without gessoing the paper beforehand, I tried again and I did gesso the paper this time.

Gessoing the paper certainly helped with mixed media and acrylics and the results were definitely better. Paper curled a lot, though, and there was tearing and sanding in certain parts. I was careful with the paper due to the fact that I know isn't good quality after the first test.

I find the advertisement notes on the packaging misleading and inaccurate, as per the testing I've mentioned above, proven by my photos. The paper is not good for wet media or mixed media or anything that requires a bit of work on the paper.

Comparisons are unavoidable. I recently reviewed some paper tiles with, supposedly, less msg and they stood anything I did to the paper without any damage, so it makes me wonder.

This paper tiles have been a waste of money and time, as I do mixed media no zentangle or colouring, I'll have to use these tiles for something else, and I won't buy them again. The paper is good for pencil, most markers and, archival ink. It is not fit for wet media, alcohol marker, alcohol inks or anything that requires a bit of work on the paper, slight rubbing etc..

Read More

Crafty as Ever Antique Vintage Scrapbook Paper Pad 8x8"

I was mesmerised by the photos of this scrapbook paper. My expectations were crushed upon receiving the item. The images, as per the photos on Amazon, look spectacular, but the reality is that this paper sheets are beautiful but also amateurish. It looks like somebody has created some multi-layered photos together and printed them for sale. Nothing wrong with that, except for the fact that quality of printing is really amateurish, no clarity or definition, which is especially clear on the handwritten pages. If you do Photoshop backgrounds and have a good printer, you can get the same images on your own with better quality. My photos look better than the real thing

Read More