7/31/2012

Pepper Lunch (Perth WA)

Shop 5g/ 95 Barrack St,
Perth, Western Australia 6000
(08) 9325 3532

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Hours   
   Mon - Thu: 11:00 - 21:00
   Fri - Sat: 11:00 - 22:00
   Sun: 11:00 - 21:00




Pepper Lunch on Urbanspoon Centrally located in Barrack Street, in an area that has become popular with little funky Japanese and Korean  eateries, Pepper Lunch is a nice fast food restaurant that serves Japanese fast food - simple, tasty, healthy, fun to cook, and good-priced.  

The place is very clean and functional, still very pleasant, and attracts an eclectic group of people. The system works like this:
- You get an iron dish, that is really hot, with the food you order.
- You mix everything and allow the food to cook on the dish stirring it.
- You wait a few minutes for the food to cool down.

- You eat it. 
There are steak dishes, in which you get the meat/fish of your selection (beef, chicken, burger, salmon, or a combo) mixed with veggies and bean sprouts. Otherwise, you have kimchi or curry dishes arranged in a similar fashion but rice-based.

The selection of drinks is very limited, just a few drinks from the fridge, plus miso soup.


The staff are lovely, very friendly, and serve your fast. They have a menu with photographs, which also specifies which dishes are hot, so you know what you are ordering and what you are going to get.

Pepper lunch is a bit pricey for fast food, with prices going from 9-17 bucks, still very cheap, and you know what you are putting in your mouth.

Pepper Lunch is nothing to rave about, but it is a nice place with healthier food than traditional fast food (unless you choose the burgers), and attractive enough to return or drop by any time, as it is open ever day of the week from brunch to late dinner.


Location - 7/10
Layout - 6/10
Ambience - 5.5/10
Food - 6/10
Drinks - 4/10
Service 7/10

7/30/2012

"Persepolis" by Marjane Satrapi & Vincent Paronnaud (2007)

Persepolis is a French animated movie that narrates the autobiographical story of Iranian artist Marjane Satrap; it is  based on her own graphic novel. It is an honest movie, heart-warming, extremely funny and very engaging.

Persepolis tells Marjane's story from childhood to mid youth. We witness her family upbringing, her relationship (or lack of) with God, the political and social events that happened in Iran during the Islamic Revolution, her university years in Austria, her love stories, her emigration to France and her approach to life as a female artist.

There is a lot of humour in this movie. Some of Satrapi's love stories are hilariously narrated despite the impact they had on her. The black market of Western Music will put a big smile in your face (it is directly connected with the situation told in the Iranian movie Nobody Knows about Persian Cats). Also delightful it is the presence of little funny street cats, dogs, and worms in general scenes, which create an atmosphere of proximity and tenderness even during the saddest moments.

The story is mostly presented in a black-and-white flashback, with a superb use of chiaroscuro and cut-out bold colours for the narration in the present tense. The absence of colour gives the story historical perspective and seriousness, and it is perfect to portray Satrapis' past treasured moments: day-dreams, hopes, ideals, music, culture, smells and happy family times. On the other hand, the black and white gives the story a necessary  emotional detachment to show many of the hard themes presented in the film: oppression, depression, war, censorship, torture, immigration and loneliness, among others.

The animation is minimalist and schematic, flat, but attentive to the detail, very  traditional comic-book, still very classy and contemporary. Persepolis reminded me sometimes of the freshness and creativity of "Sita Sings the Blues" in the way different animation sub-styles are used within the movie. For example, the story of how the Shas of Persia got into power is very "puppetish", while the recreation of the different movies watched on TV (Terminator and Godzilla) have a chunky sort of drawing and are definitely modern pop comic book.


I would have liked that the movie went a little bit further on in time, as Satrapi is a fascinating character, and her story is wonderful. Still, this is one of my favourite animation movies ever,  because it touches me in ways that most animation movies cannot. Satrapi's story succeeds because it goes beyond herself, and we understand -even if it is superficially- what does mean and feel like being an Iranian and Middle Eastern person in Europe, being a woman -and a special type of woman- in Iran, being and artist out of place, and being a foreigner both in your native land and abroad. Satrapi's story serves to highlight the process of alienation that most immigrants suffer, but also a reflection on what is what makes us who we are, which is something intangible and indescribable, but powerful and unique that escapes categorisation, national borders or gender, no matter these are part of your cultural background.


This is the sort of movie that will captivate animation and art lovers, and people who are into Arts, comics, graphic novels and illustration. It is intellectually elating and emotionally absorbing, and will feed those viewers who are hungry for an animation that is different, daring, and meaningful. 

Go and grab it right now (in French with English subtitles, please!). 

7/29/2012

"Intimacy" by Patrice Chéreau (2001)

Intimacy is a European co-production directed by French director Patrice Chereau in his first English speaking feature, also set in the UK. The script is based on two pieces by writer Hanif Kureishi: the book "Intimacy", and the short story "Nightime".

Intimacy tells the story of Andy, a divorcee bartender who meets Claire in his apartment on Wednesdays to have sex, no words involved... until they start to click emotionally and Andy starts following her.

Intimacy is a soaring and raw movie about midlife disenchantment, and the need of physical contact to build emotional one.

The film has been controversial due to the presence of explicit sexual scenes. However, reducing such a good film to just these scenes is intentionally misleading, moralistic, and completely unfair to a story that presents many problems of middle-age in a raw way: divorce, loneliness, emotional emptiness, fracas and rejection, life disillusion, life stagnation and lack of perspective, the conflict between being and adult having to carry your responsibilities and the inability to carry yourself, unhappiness and hope. All of this is beautifully blended and portrayed in the film.


The sex scenes are very strong, simulated most of them, but very convincing as they feel very real. The viewer gets the impression that is watching a real couple in their most intimate moments. The sex is always raw, and goes from almost brutal to sweet, from hungry to delightful, from anxious to comforting, with all the body language and emotions associated to different emotional states. Being so, the viewer does not feel aroused by the images, but sad and anxious about the couple being so in need of human contact and emotional intimacy, and so unable to connect.  In that regard, the film creates a clear line between what sex is not, and sets a clear boundary with porn, despite the fellatio in the film being non simulated.


The mood of the movie is a mix of night and interior greenish/yellowish depressing scenes and warm and luminous ones. The art direction is great, as well as the music.

The performances by all actors are terrific, convincing and powerful, especially by the leading couple Mark Rylance (as Jay) and Kerry Fox (as Claire), in two roles that are extremely demanding both at a physical and emotional level. The supporting actors are also convincing: Alastair Galbraith as Claire's husband Victor, Philippe Calvario as gay bartender Ian, Timothy Spall as Jay's drug addict brother Andy, and Marianne Faithfull as Claire's friend Betty, among others. Although Galbraith is always terrific, I do not think he was the right person for his character, as it is difficult to believe that Claire would be with this sort of guy, honesltly.

A very sad movie, not easy to watch, with confronting images and themes, moving at times, with a very powerful story, wonderfully performed and directed. 


Not for prudes!

Paradiso Cinema (Perth WA)

164 James St
Northbridge Western Australia 6003
(08) 9227 1771
http://www.luna.com.au 


Paradiso is one of the few cinemas left open in the CDB, and the one that shows the most interesting films, mostly European films and awarded ones.


I have a mix of feelings about the Paradiso. I like the location and place, and I go there often, but the atmosphere is decadent and boring, and the selection of movies mainstream. No spark anywhere or from anybody.

Despite its great location, and the mix of cosy and fully-sized cinema theatres, the place looks desert most of the times, no matter the time of the day you go, the day of the week you go. I have often felt like a loner, despite me going there to share the movie with other humans. You know, if I wanted to watch a movie on my own I would do so comfortably at home.  I have rarely found the cinema theatres full, and it is usually Oscar-related movies or popular foreign comedies. The last two A separation, and A Chinese Tale.
 

The Paradiso hosts the French, Spanish, Italian, German, Russian, and Israeli Film Festivals every year. That is great. What is not great is the selection of movies shown, which is usually made of bland comedies, feel-good movies and an isolated drama... mainstream. They are great if you want to practice any of those languages or see anything foreign in general, especially if you attend the special events they host. Honestly, I would rather have a World Movies film festival showing terrific films from different countries of a given year, than well-marketed mediocre national ones. Wouldn't you? If you really love Indie, independent and good-quality world movies go elsewhere.

The Paradiso is full of loners who do not want to be so. There is a reason why the cinema does not attract the bunch of people that Luna does, despite its location, and it is the selection of movies they have, the atmosphere of the place, and the time screenings they have. That explains the abundance of retirees and mature people in general.

Another thing that bugs me is that the people selling the tickets never seem to be happy or smiley. That is so, because there is usually one person attending to the sale of tickets, and another to the bar, and one, if we are lucky, helping the other two in special events. This is so even if the cue reaches the street. They are overworked many times, and cannot show any spark, because they do not have any left.

The Paradiso is not like one of those old European cinemas, the ones that pretends to be, because those cinemas are full any time of the day with people of all ages and lots of young people, they are much cheaper in general, and have better prices for students.  

The good thing about the Paradiso is that, most times, you can seat wherever you want, and cry freely at a movie without having to fake that a tiny particle of dust is the cause.


I like the Paradiso, but they need to revamp the place, still keeping its essence, and to have a better selection of movies. On the other hand, many of the movie festivals show the films at awkward times, which are impossible for any working person to attend. 

They used to have a better selection of movies in the past, so I do not know what is happening.

The Tuck Shop Café (Perth WA)

1/178 Newcastle St
Perth Western Australia 6000
(08) 9227 1659
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Hours:
    Tue-Sun 7:00 - 16:00



The Tuck Shop Cafe on Urbanspoon THE PLACE - Located in in a clean spot, The Tuck Shop is tucked away from the hustle of the nearby William Street, in a new area of Newcastle Street that is slightly becoming a preferred location for new eateries. Tuck Shop is a name that perfectly describes what this little café is, a place where people go to eat heartily - passionately I would say. The place is very functional and clean, with every millimetre occupied and mindfully used. The Tuck Shop attracts an heterogeneous group of people, from trade workers to business lads, to glamazones, grannies and yummy mammies, loners and groups of friends.

The ambience is casual but friendly. I love the natural light the place has, which creates a relaxed cosy atmosphere, especially after 1.30 pm, when most people are back to work and the place is what should be - a nice café where to seat and enjoy a nice traditional meal without having the bottoms or elbows of other customers bordering your table, or the conversation of the people next table being part of your day. Although, to be completely honest, I find the later quite entertaining. Some of the one-person tables are actually used for two people, so you will have your companion at 5 mm from your face, which is great if you want to kiss, not much if you want to eat.

THE FOOD -  This is a nice café with fresh produce, hot food prepared and cooked in the premises. They have a small but well balanced menu with very healthy and very earthy options, Mediterranean and British dishes and Australian sizing. Classic dishes that will make everybody happy because they are well cooked, nicely sized, and beautifully plated. Traditional old-school cooking in its full splendour. You go there, you eat well, and you leave full and satisfied. The best thing is that they do not to pretend to be anything fancy and do not overcharge you for what you eat despite the hype.

The pies are huge, full of chunky pieces of meat, which are tender, juicy and full of flavour, and with the right amount of gravy. The Pork Belly should be called Wholly Molly Belly because it is huge, and very tasty;  it is a great winter dish that will feed two women or a traddie :O. The mash potato was my mother's like - divine!

Most ladies seem to prefer the light options, while men (and women with a stomach) prefer the traditional dishes.

THE SERVICE - The service is very good, and I am surprised at finding people complaining about it. What I have found is extremely friendly ladies, running non stop, cleaning my table, taking my order, and putting water and cutlery on my table very fast. All of that with a smile and willingness to serve. Depending on what you order, and how many people are before you, you will get your meal very fast or  you will have to wait a bit, about ten minutes, which is not that bad. Still, nothing to worry about during my lunch break. 

THE COFFEE - I am not a fan of the bland Toby Estate's beans, but Tuck Shop prepares a decent coffee, which is consistently good in the premises and for takeaway.  Still, a bit weak and lacking in flavour for coffee addicts and aficionados 

ROOM FOR IMPROVEMENT
 1/  The place needs a barista that is just in charge of the café and another person attending to the cash machine, instead of the girls doing three jobs. They also need another waiter for rush hours, so the service is more relaxed.
2/ Another table on the footpath would be great, and would give some relieve to the indoors area.
3/ Golden Rule: You do not add salt or pepper to your food until you have tried it. Therefore, instead of asking if you want pepper before testing, they should have a salt & pepper set on each table, so customers can use them (or not) at ease.
4/ Correct the fattiness of the pork belly with some zest, refreshing herb or condiment, so the palate can enjoy the fat without being overwhelmed by it.
5/ The peas mash are OK, not specially tasty and ugly looking. Why not mashing then properly and adding some spices? I know this is the traditional way, but they are boring.

***
I would go to Tuck Shop to eat those dishes that require of culinary skills - traditional food like pork belly, pies, soups and cooked dishes. You can easily prepare the bruschette at home. Still, some of the ones served here are great a perfect for breakfast.

I find completely ridiculous finding people cueing and waiting outside for a considerable amount of time, both on weekends and weekdays, which contributes to the crowding of the place. If they line for a nice café, what would do they do when they find a one-star Michelin, take their tents and camp overnight? Chaps, if the place is full, go elsewhere, and come back another day when the place is not full; this favours a better service and will improve the atmosphere of the place, which is overcrowded, noisy and hectic at the moment.

Location 6.5/10
Layout 6/10
Ambience 6/10
Food 8/10
Coffee 6.5/10
Service 9/10
Pricing 8/10

7/25/2012

"The Imposter" by Bart Layton (2012)

This is the documentary, of the many I saw during the Perth Revelation Film Festival 2012, that has stuck to my memory, and the one that fascinated me the most.

The documentary revolves about the vanishing of a 13y.o boy, Nicholas Barclay, for his home in Texas in 1993, to be found in Spain with an apparent amnesia six years later. What happens after the young man call the Spanish Police is the core of the film.

The movie mixes interviews with the protagonist Frédéric Bourdin, Nicholas' family, American FBI and Consular officials, and has very atmospheric re-enactments done with Spanish actors and settings narrating the events occurred in Spain. The story is build up like in a thriller, and it will keep you glued to the screen, wanting to know what is going to happen next. 

Layton has given the documentary the tone of a mystery movie in the re-enactments, but also in the interviews through the use of the chiaroscuro, camera positioning, hues of the film, and the tempo and way the events are presented - everything serves to build up suspense and mystery, and make you doubt and question yourself. Is this a real documentary or a mockumentary? Are we being fooled? The story is fascinating and amazing per se, but the way it is presented, is marvellous from a cinematic point of view as lets the viewer munch on a few philosophical themes: self-identity, reality and perception of reality, the connection between emotion and perception, and the use of cinematic narratives in documentaries based on real events, among other things.   


One of the main downs of the movie is that Nicholas' family is somewhat ridiculed and vilified for the sake of the storyline. After all, we need of good, bad, stupid and clever characters in a story to create an interesting film. In the first place they are portrayed as ignoramuses; however, they are a suburban family living in a poor area of the USA, with little or none education; you cannot expect much of any person grown in this social environment anywhere in the world. In the second place, they are ridiculed for failing to detach themselves from their emotions and see something really obvious for the spectator; however its a characteristic of human nature and behaviour to attach emotion to our thoughts and to interpret what we see according to our own personal individual viewfinder. We do so, all of us, every single day, in our daily lives, so you cannot expect traumatised and emotional people to see things as clearly as we see them from our seat in the cinema. In the third place, the movie implicitly blames the family, by letting some of the characters doing so, for the vanishing of Nicholas, without providing any evidence for it.

Still, this is a terrific documentary. The less you know about the whole story at the beginning, the more you will enjoy it. This is a documentary that attracts people to the genre because reinvents it. A proof that a documentary can be amazing, intriguing, entertaining, and thought provoking.

7/23/2012

El Público (Mt Lawley, Perth WA)

511 Beaufort St
Highgate Western Australia 6003
0418 187 708
Website
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Hours   
  Wed - Fri: 17:00 - 00:00
  Sat:12:00 - 00:00
  Sun: 12:00 - 22:00

 
el PÚBLICO on Urbanspoon I had passed many times by El Público without realising that this was a restaurant, as the store-front is very sleek and the signs are flat banners on the wall and windows. The place is quite small, but very comfortable and luminous during the day, and has a nice background music. The cocktail bar is right at the entrance, but nicely separated from the eating area and very trendy.

El Público offers simple tasty street-food and home-style Mexican cooking, a small selection of traditional sweets, a great selection of soft drinks, Mexican alcoholic drinks (beer, mezcal and tequila) and cocktails. I love their rustic tin crockery and serving pots. Very cute - they convey well the sort of food they prepare.

THE FOOD - I have tried some of their antojitos (snacks) primeros (entrees), and postres (desserts) and most of them were good. The Esquites are yummy and the serving size was great. The Beef Mogo Mogo fried balls were crunchy outside and very tender and soft inside, and a very nice dipped in the sauce. My fav thing so far have been the lamb watercress mini-tacos, which were great - I felt like shouting Cloudy with a Chance of Lamb Taquitos! On the contrary, the frijoles and onion tacos were terrible, tasteless, with chewy fibrous spring onion difficult to masticate. 

Most sweets are home-made style. The almond cake with chipotle sauce is ugly looking, but very nice - more a sort of almond panna cotta than a proper cake. The chocolate pan dulce was also very nice - a bare tiny strip of sweet bread and a tiny bowl of hot chocolate. 

The home-made sodas are really tasty, refreshing and thirst quenching, and the perfect companion if you do not like very sugary drinks with your food.  I have not tried any of their alcoholic beverages. 

They change their menu often, so any of the dishes mentioned here might not be there when you visit, but they have a great variety of foods, which is always great. 


THE SERVICE - The staff are terrific and extremely nice. The Mexican waitress is delightful and helpful, and one of the other girls, Aussie I think, even let me browse her own magazine when I asked if the restaurant had one. That is what I call customer service! The other guys were also wonderful. All of them work hard to make your stay enjoyable and their enthusiasm is contagious.

THE PRICING AND THE SIZING - The servings sizes for primeros, antojitos and postres are Lilliputian, especially the sweets, which seem to be designed for toddlers. Street food is by definition delicious, unsophisticated and very cheap. I understand that having street food in a Perth restaurant is not only a culinary oxymoron, but also impossible to have at the prices you find them in the country of origin. However,  If you want to tame your hunger, be prepared to pay a little fortune: paying +40$ for two snacks, a minuscule sweet and a soda is unaffordable, especially if I leave the place hungry and with the feeling that this is average Mexican food not the real thing.
 
ROOM FOR IMPROVEMENT 
1- I find the bilingual menu really cute and funny. However, I have heard too many complaints about it to ignore them. Most people are not bilingual, so an English one would make things easier for everybody. Besides, explaining customers what is exactly what you are ordering is time-consuming.
2- Most of Mexican food is very spicy and hot. The food in El Público is obviously adjusted to Australian tastes. I am OK with that. Still it tastes a bit bland. A bit of more spice and hotness would be just being faithful to the original and would make the dishes yummier.
3 - El Público does not serve Haute Cuisine but simple Mexican Food, so it would be better having the description of what it is on the plate written down instead of mentioned when the plate is put on your table.  
4 - Get a coffee machine and serve coffee, pleazzz!
5 - Have more Coriander at hand, so when a customer requests an extra pinch of it, you can say no problem, instead of "we are running short of it in the kitchen". Little details make a great difference.

***

There is a lot of hype about El Público. There is no doubt that is a nice place, has nice food and terrific service. It offers much better Mexican food than other Mexican restaurants in Perth, that is for sure. Still, as the Spanish proverb says, "En el Reino de los ciegos el tuerto es el rey" (in the kingdom of the blind, a one-eyed is the King) Honestly, how many Mexicans have you seen eating there?

Location: 7.5/10
Layout: 6.5
Ambience (day): 7.5/10
Service: 9/10
Food: 7/10
Pricing: 6/10
Drinks (non alcoholic): 8/10

TIP
Ask for the bandejas (mains) for lunch as they are more expensive, but also considerably bigger, better value for money, and better filling for your stomach if you are hungry. 

TIP 2
The primeros and antojitos are perfect for night slight snacking with your drinks!

UPDATE 21/10/13/
There was half a page in the Sunday newspaper a few weeks ago, after this review was written, with an interview with the cook. What he says helps once more to confirm that we do not have real Mexican food in Perth, as many of the ingredients basic for cooking are not available here and their food is Mexican inspired. But it is not only the ingredients. It is the flavours and spiciness of what we get in Perth, which is in the best case Tex-Mex. There you have it.

"Mongolian Bling" by Benj Binks (2012)

Website of the Movie
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Mongolian Bling is an Australian documentary on the Hip-Hop scene in Mongolia directed by newcomer Benj Binks. I was lucky enough to be at the World Premiere in Perth during the Revelation Film Festival 2012.

Mongolia has always been on my list of must-visit countries, still waiting for the right time for me to go there. I like Hip-Hop rhythms and, well, to me, Hip-Hop is to Music what graffiti is to painting. When I heard about the documentary, I thought,  Are you kidding? It did not cross my mind that Mongolia -the land of Genghis Khan, the infinite horizons, cold winters, archery, horse racing, gers and fur hats- had a love affair with something as Western as Hip-Hop. 
 
Mongolian Bling is one of those documentaries that succeeds because it goes where nobody has gone before, has lots of passion and hard work behind it, and talks about its subject with rigour, humour, vigour and grace, still being entertaining and unpretentious.  Most importantly, Mongolian Blink let Mongolians tell their story with their own voice.

Mongolian Bling does not do what you expect from a documentary of this sort to do - a straight forward narration from an outsider point of view of a given subject. Like serious boring history of Mongolia, Mongolian ways of life, or the Mongolian Hip-Hop. 

Still, Benj Binks and his international crew provide us with a colourful tapestry of modern Mongolia images and we learn about the challenges of daily life in Ulaanbaatar, the aspirations and frustrations of the youth, the religious differences that the country has, generation gaps, gender attitudes, marginality, and musical creativity. Binks is able to explain in a simple way why Hip-Hop is so ingrained in modern Mongolia, and how ancestral musical traditions and attitudes served to anchor the genre in the country. We also see the multicolour facets of the Hip-Hop scene, which is far from being monochrome. All of this is told though the voice of three main hip-hop singers: Guiza, Gee and Gennie (who could not be more different among them at all levels), although hip-hop aficionados and wannabes, and even children are featured in the doco. 

The editing by Davide Michielin and Bieks is great, as creates a tempo and mood that keeps you engaged and entertained. The cinematography by Nacho Pende is great, because goes beyond the obvious and is able to capture the beauty of the ugly districts, the lyricism of chaos, and the shining lights of the darkest places. The live sound by Steven Bond is also great, and the viewer feels is right there listening to these people rap just for you.

The film has been bought by ABC Australia to be shown on TV, but in a 56-minute format not in its original 86 minutes, which, however, will be complete in the DVD. I you have the opportunity, go and see it on the big screen. It is completely worth it.


7/21/2012

David Jones Foodhall Cafe (Perth WA)

Level 1, David Jones
622 Hay St
Perth Western Australia 6000
(08) 9210 4000

 Hours
    Mon-Wed 9.30 - 7.00
    Thu 9.30 - 9.00
    Fri 9.30 - 9.00
    Sat 9.00 - 5.00
    Sun 11.00 - 5.00


There are two coffee stands within the David Jones Food Court, one very trendy and nice, which I have visited often to be always disappointed, and this one, at the bottom end of the Food Court, that offers better coffee and better service.

I go there mostly to grab a coffee when I am in the malls or browsing around David Jones and I crave a really good coffee that is creamy, consistently well prepared, and strong without being bitter.

The girls attending to the place are always delightful, and very fast and smiley no matter the many customers they have to attend to.




The place only has five stools to seat around, which are usually taken, so ordering is always a matter of you being in point, around the display cabinets or over somebody's shoulder, trying to catch the waitresses' attention.

The salads are interesting a priory, but they have always looked dry and unappealing to me, so I have never feel tempted to order any. They have a small selection of cakes, which are average.

This café has the advantage of being subject to David Jones' opening hours, which are extended with regards to most cafés in the city. So the place is perfect to grab a coffee at awkward-late times in the city centre.

To me, this is mostly a take-away café - a very good one.

Zambrero (Mt Lawley, Perth WA)

625 Beaufort St
Mt Lawley Western Australia 6050
(08) 6161 9436
Website
Facebook

Hours:
    Mon-Sun 11:00 - 21:00


Zambrero Fresh Mex Grill on Urbanspoon Not every place selling burritos should be called Mexican, especially Zambrero. This could be called SubwayMex, as both Subway and Zambrero are similar in concept, preparation methods and service.

THE GOOD

- Zambrero has a spot on location on Beaufort Street, and has a semi-open seating area that allows you to focus on the street or just on your food at the central canteen table or the long one facing the wall.
- The food looks and tastes fresh, which is specially important if most of what you put in your meal is salad and veggies.
- Big is big here! So your burrito will appease the monster in your stomach.
- The prices are cheap.
- Service is terrific: the girls are delightful and will attend to you fast and with genuine friendliness.
- Their black board on the footpath always has funny sayings an jokes.

THE BAD
- My chicken burrito was indeed a chicken and rice sort of Indian burrito, which ruined the whole experience, as it was overcooked and did not taste good, and tasted Indian-ish not Mexican-ish.

- So many things put in a burrito and the taste is just OK.
- The tortillas are a bit not tortillas, but wraps...
- The burritos are not burritos but Mexican inspired wraps. They are ugly looking and I did not feel like taking my mobile out for a picture.
 
- Go to Zambrero  knowing that this is not a Mexican place and you won't be eating Mexican food.

RECOMMENDATIONS
- Ask for a burrito whose meat is just grilled or roasted.
- Avoid the cheese, because is the usual cheap cheese that you find in any fast food chain, which can ruin any dish.
- Avoid the sauces, and ask for an extra dollop of sour cream instead.

- This is a perfect place for food emergencies: you are super-hungry, you want to eat right now, and don't want to spend much money, and want to leave full.

I might come back :O 

UPDATE
Free guacamole this week with any dish to celebrate the change in their menu.

"Let the Right One In" by Tomas Alfredson (2008)

A Swedish romance and horror film based on the eponymous novel by John Ajvide Lindqvist, who also wrote the script. 

Let the Right One In tells the story of the friendship between Oskar, a 12y.o. weak sweet boy bullied at school, and Eli, a 12y.o. strong lonely vampire girl who moves to Oskar's building in Stockholm.

If vampires existed in the modern world, how would they live? Most probably as they are portrayed in this movie. It is the believability of the story what will appeal to people who usually hate vampire movies, like me. The story does not focus on the gory part of the life of a Vampire, but on the physical and emotional needs they have to survive and how they make do in the modern world. At the same time, the vampire theme glues well with a story that would have been terrific per se as it approaches with honesty the sins of modern urban society: isolation, loneliness, craving for affection, miscommunication, and friendship/love as redemption. The struggle of Oskar at school, his alienation from his divorced parents, the struggle of Eli to be loved and have a normal life, her guilt at having to kill to survive, are equally believable and intriguing.


The appeal and success of the movie are indebted in equal parts to the script and the terrific performances of the leading young actors Kåre Hedebrant as Oskar, Lina Leandersson as Elis, and Patrik Rydmark as the leader of the bullies. The leading couple has great chemistry on camera in part because both kids have a physique that mixes innocence and strength, and they complement each other physically.

The atmosphere is fantastic - peaceful and menacing at the same time. One of the best points of the cinematography is that it is rarely "dark", but virginal white or very luminous, even the night shots, so most of the clichés of the genre are turned over and revamped, leaving those elements strictly necessary for the narrative of the genre to work in the 21st century. The movie has some funny and shocking scenes, too, the one with the cats and the burning in hospital among the most memorable.

An excellent romantic horror film, with a terrific script, good performances and a great atmosphere, which will captivate both lovers and haters of the genre. An American remake has recently been made of this film, also with very good reviews, but who wants to watch an imitation, the original being brilliant?

"The Triplets of Belleville" by Sylvain Chomet (2003)

A Franco-Belgian-Canadian animated movie, The Triplets of Belleville tells the story of a French cyclist Champion, his Portuguese grandma, and their unwanted adventures in America, where they meet three American sisters.

There is a lot to praise in this movie, but the main praise to any film is that time flies when watching it, so entertaining and enchanting is.

The animation looks like old style hand-made Miyazaki's, both in detail of de drawing, style, fluidity of the images, quirkiness of the characters, and action. Still has a very special feeling, which is both very European and very American. 


It is remarkable that an animation movie without princes and princesses, fairytale love stories, or young characters can be so appealing to people of all ages. In fact, the characters are a group of old women, an overweight dog, and some nasty Mafiosi.  If this was not enough, the characters rarely speak, just mumble a few words, make guttural noses, and sing some songs. The story is entertaining, quirky and original enough to keep the viewer interested and entertained, and the characters are very expressive, like the old silent movies, despite their lack of language. That is a lot to say.

The movie has an awesome soundtrack by
Benoît Charest inspired by golden-era Jazz and Motown classics, plus some classic music pieces that perfectly convey the atmosphere of New York in the 1920s-1950s. In fact, the recreation of New York as Belleville has a lot of art-deco with a twist of European Disney (the skyline of Belleville resembles a European castle), plus a contemporary projection of the image of Americans in European mentality (the inhabitants of Belleville are morbidly obese) creating something that is oddly beautiful and original.

Especially brilliant are the scenes of the crossing of the Atlantic, the watching of human programs in TV by the cartoons, the diet of the triplets, and, above all, the surreal black and white dreams of Bruno the dog.

The only thing I did not like was the car persecution at the end, which I found childish and hurriedly resolved, and the end of the movie.  


This is a brilliant movie with a delightful script for people of all ages with lots of winks to adult viewers.

7/18/2012

Milk and Honey (Perth WA)

82 James St
Northbridge Western Australia 6003
(08) 9227 0500
Hours:
    Mon-Fri 6:00 - 16:00
  
    Sat-Sun 8:00 - 15:00

Milk and Honey on Urbanspoon THE FOOD - When Milk and Honey opened in James Street a few years ago, it was like a breath of fresh air in the food scene in Northbridge. They were a contemporary café with terrific coffee and great fresh food and an ever changing menu. It was the talk of the whole CBD. One of the best risottos I have ever eaten in WA was indeed prepared here in one of the first months of life of the café. However, the cook/s, cooking practices, or perhaps just the management and the polices of the place, have changed with time. The food and coffee are not what they used to be, and the gourmet flare they used to have is no longer there.

Still, Honey and Milk is one of those eateries that you choose when you want good comfort good - simple fresh fish, meat, pasta or soup meals, that are flavoursome and good-sized, cooked on site, decently prepared, and good value for money.  They have a good range of breakfast menus, a set lunch menu that changes frequently and a pasta and soup of the day. They have the usual pre-prepared salads, pannini and rolls, which are the same sort of thing you find elsewhere and  for which I would not come here.

I usually go there for my carb fix, and the pasta of the day is always very tasty and almost al dente - delicious at times. With the lasagna have had good and bad experiences in the past: from yummy to bad and everything in between.

THE COFFEE - Their coffee uses Five Senses beans, and it used to be among my favourite coffees in the CBD. The coffee is still well prepared, creamy and consistent, but part of the flavour is missing and the coffee is definitely weaker than used to be. Have they changed beans or just their roasting?

THE SERVICE - The service is quite fast, and matter of fact, although varies from person to person - some of them are quite friendly and attentive, and others are not.  

THE PLACE - The place is very luminous, modern functional, with a comfy cushioned area by the wall. The foldable doors are open when the good weather arrives, and the place is really nice - open but still cool. There is a small seating area on the footpath, too. They have tons of daily newspapers for you to browse around (a fact that I always love in any restaurant), a self-service cute fountain with hot and cold water, and extra napkins at hand in case you need them ( I usually do).  They attract an heterogeneous bunch of people of all ages, styles and professions.
***

At Milk and Honey, they do not pretend to be trendy because their hype waned long time ago, so the prices are not inflated. There is a relaxed casual atmosphere, which is very enjoyable, as well as the food. Do not expect too much, and you might be surprised. 

Location 7/10
Layout 6.5/10
Ambience 6.5/10
Coffee 7/10
Food 7/10 
Prizing 7.5/10
Service 5/7 (varies)

Forever New (Perth WA)

Shop 0.04, 140 William St
 William Shopping Centre
 Perth Western Australia 6000
(08) 9481 2325
Website
Facebook

Hours:
    Mon-Thu 9:00 - 17:30
    Fri 9:00 - 21:00
    Sat 9:00 - 17:00
    Sun 11:00 - 17:00


Forever New is a  Australian women fashion brand, similar in concept to some high street European chains, that mirros the style of Australian brands Review and Alannah Hill. They sell retro-chic girly and trendy apparel, accessories and jewellery. It is very glamorous and quite cheap.  

They have a great range of dresses, from the every day simple one to the special occasion sparkly one, beautiful colourful jewellery, handbags, sandals, and techno-accessories at fantastic prices. Of course, you get you pay for, and the quality of the products is basic to medium, nothing to rave about, but bear in mind that you can pay the same in other chain shops for absolute crap. So Forever New gets it right.


The shop attendants are friendly but non-invasive, so they let you browse around unless you ask for help.

They put a lot of effort in the way the shop looks and how the products are showcased, and they have one of the most beautiful shop windows in the city centre. So much so, that it looks like a expensive chain shop, not the affordable one it is. Unlike other cheap chain stores, Forever New works hard to keep the shop tidy and organised, despite the small size of it and the many visitors. Their changing rooms are very nice. 

The main down of the shop is that they have a no-refunds policy, and they just allow exchanges, a practice that, in these days of free trade and high competitivity, is a bit outdated.



Their website is clean and very easy to navigate, and showcases their products  nicely with a browse-over zoom. This is not an American Style mega-store, but a small chain selling a few things online, so I do not understand why the description of the products is missing, and the products only have a frontal photo; bags and wallets would need at least three, and dresses at least two. On the positive side, they offer free delivery in Australia for orders over 80 bucks, which is stupendous.

7/16/2012

Cultural Centre LED screen (Perth WA)

Cultural Centre Plaza
Northbridge Western Australia 6003
Programme

The giant LED screen came to live at the end of year 2011 and has completely transformed the life and atmosphere of the Cultural Centre since. 


It must be the magnetic field of this humoungous electronic device mixed with the subtle whisper of the free wi-fi in the square, but there is something about this screen that attracts a heterogeneous mix of people like flies to a bulb.

In spite of being part of the reality of our cities, big flat screens are very futuristic, part of an imagined future that is already here. Science-fiction movies and literature have helped to attach an aura of negativity to big public screens, and they are often portrayed as tools used by dubious corporations and governments to send subliminal messages of individual submission, political control, personal brainwashing, and commercial utilisation. Those images, and the fear they have infused in the collective subconscious are the root of the rejection that they generate among some people, who ask themselves: Can't we live without screens? Isn't the screen too big? Is TV the new God? Are our minds being controlled?

I can tell you just one thing - The LED screen is not going to control you brain, or affect it negatively unless it is already damaged. You will surrender yourself willingly if you want to have a 24/7 free cultural programme without having to pay a subscription to a dubious corporation called Teleestrash or Foxytell, which connect you through your phone and charge you a lot of money for it. That is perfectly acceptable, right?

The LED screen shows short films, both animated or non animated (some of them Internationally awarded), short travel and nature docos, Music and Dance pieces, motivational speeches, segments showcasing some of the photographic treasures of the SLWA, experimental images and material that you do not find in your normal TV program; they will certainly expand your mind, not dominate it. There are scheduled and seasonal feature films coinciding with public and school holidays, and local and international events. 

Having a giant TV screen in a square does not mean that you have to watch it if you do not want. Simple, no? You can use the screen as a focal point to munch your thoughts and muse on life and eternity. You can fake that you are watching something, while you eyes fully focus on that cute sexy human approaching the steps. You can practice and synchronise your lunch mastication with your eyes and ears movement and have an out-of-body experience. You can look at beautiful intriguing images if you are deaf. You can listen to stories and sounds if you are blind. You can get an excuse to seat and have company if you feel lonely and need of human proximity to make your days more bearable. You can use the screen as an excuse to have a seat and rest. You can even, watch the programme and enjoy it, for one minute, five minutes or one hour.

The world is imperfect and also this LED screen. The sound is often muted, making  the watching of pieces that are not silent an annoyance. On the other hand, the segments are showed repeatedly, day after day, during weekdays, so, if you seat in front of the screen regularly, you might find yourself watching a piece for the seventh time. A bit of more rotation of the pieces, and regularly adding new ones, should be the target of the Cultural Centre. We are humans and get bored easily.

One can criticise the obsession of our modern world with images and flat screens, which I share in some degree, but this is an educational and culturally-oriented tool. And it is free. No news or manipulating channels. 

Let us rejoice while our brains decide on their own whether they want to to be absorbed by the big flatty or not. Besides, Perth is one of those cities in which everything costs too much, Culture specially. Can't we be happy at having entertainment and culture gratis?

Transperth Information Centre (Perth WA)

Perth Central Station
Wellington St
Perth Western Australia 6000

13 62 13
http://www.transperth.wa.gov.au

The Transperth Information Centre within the Central Perth Train Station on Wellington St has improved enormously after its recent refurbishment. The chaos, crowding and lack of order of the obsolete office have been transformed into a clean tidy Customers Office with several tellers and a lined cue.  The office now attends to both TransPerth and TransWA customers, offering general information on buses and trains, printed timetables, sale of SmartRiders cards, and sales and refunds of long-distance train and TransWA's tickets.
There are a few general schedule brochures you can grab on your own, while others are only handed down to you by the staff. A convenient flat screen also informs of the departures of the local trains, just in case you are on transit.


The cues move slow at times, especially at lunch time, when the volume of visitors increases and many of them require a bit of time. Still, the tellers work non stop to attend customers as fast and best they can.

In the past, the attention to the customer has been  abrupt and lacking in courtesy at times. However, the refurbishment has also brought younger people who seem to be more enthusiastic and friendly towards customers. Still, the service is, in many cases, matter of fact. You ask something, they reply, and move on without a hint of human connection.
It is great that the staff do their job properly, but it should be a policy of any customer service to select people who, beyond efficiency, have some social skills. Those who have them, make a whole difference.

TIP
There is a specific line for the TransWA teller, but any of the tellers in the office do sale and refund tickets. So follow the line that better suits your needs.

Bivouac Canteen & Bar (Perth WA)

198 William St
Northbridge Western Australia 6803
(08) 9227 0883
Hours:
    Tue-Fri: 12:00 - 22:00

    Sat: 10:00 - 22:00
Website
Facebook


Bivouac Canteen & Bar on Urbanspoon Bivouac is one of the latest "it" places on William Street and, being so "a la mode", and so close to my work place, there I went, to sniff and taste. My sniffing has turned into a habit, and I have been bivuacking weekly.

Bivouac sounds like the surname of an imaginary Philosopher with Native American and French origins, or the name of an alternative revolutionary hyper-cool austere Art movement. Far from it, the exotic name is not only the name of an American mountain, but most commonly used to describe a military camp and camping tent, which is, indeed, the place's logo - a schematic tent, with an intriguing almost-corporate design bearing the colours of the military uniform. 



Facing Arcade 189, in the heart of William St, Bivouac is indeed a very Spartan place, and the name of canteen perfectly describes what the place is: Uncomplicated simple decoration and settings, undefined style, with nice artwork as the only visual break. The ambience varies depending on the patrons, but is quite relaxed in general, with people of all ages, professions and attitudes, and plenty of groups.

THE COFFEE - My first coffee from Bivouac was a take-away and it was a weak watery concoction I did not like. However, each time I have it in the place, the coffee is creamy, well prepared, medium strength and is good.


THE FOOD - Bivouac offers an interesting, colourful, flavoursome mix of Mediterranean fusion dishes. They have food that will satisfy any big eater, with pizzas, burgers and rolls that are decently sized, filling and full of flavour. The menu is varied and changes regularly, and there are variations from lunch to dinner, too. It reminds me of "Cantina 663", regarding food philosophy, but their menu is more varied and adventurous and the prices a bit more affordable; on the other hand, the place is also less charming and authentic, and their food more "canteeny". There are many tempting things in the menu, and very nice entrees too, plus a small selection of International wines.

The pork sandwich is delicious, with an orgasmic golden crispy juicy piece of pork, tasty pear relish, beetroot and a great mix of textures and flavours. Yummy and satisfying. 

The Vegetarian Gnocchi with pear, blue cheese, walnuts and kale are also lovely with a nice mix of flavours and textures. The Chorizo & Jalapeños Sourdough Pizza was happy hot, and I was so full after lunch that I did not need dinner.  

I have a long list of things that I want to try, which I have seen served to other people and made my juices flow. 

DESSERTS - I was allured by the Spanish Catalan Cream (a sort of crème brûlée). It was nicely presented with a dollop of chocolate mouse. The dessert, however, has too much sugar, and the wonderful flavours get lost and masked by it; the chocolate dollop is very nice, but very rich and thick. I expected my Catalan Cream to be warm all through and the caramelised sugar crust hot just because we are in winter; the differences in temperature from up to bottom were considerable, so I thought it had been reheated from a frozen preparation. I asked the staff, and I was told this is a Spanish dessert and that is the way it is served in Spain (:O)... well, in Spain it is consumed warm or cold depending on the season, the crust being always hot as it is caramelised crusted sugar on the spot. I don't have a problem with them choosing the cold version, just because this is a restaurant, not your house,  but, if that is the case, it is an option not a matter of fact. Do you understand what I am saying?

THE SERVICE - The staff are friendly, smiley, respectful, and eager to help. For example, on one occasion, they had two fully-packed group tables, but I was in my lunch break and short of time, so I told the waitress so, and she was very helpful, and I got my food in less than ten minutes. It was such a nice detail. 


THINGS TO IMPROVE - 1/  I would remove rocket or greens easily perishable from the sides, as it is never appealing finding your greens looking a bit "mushy".
2/ The olives are OK but not worth the 7$ we pay for them. Reduce the price or provide a better selection of olives. 
 3/ Improve your take-away coffee. If you know how to prepare your coffee, why do you downgrade it for take-away? 
4/ Too much sugar in a dessert makes a bad dessert, so remember that golden rule when making yours. :O


TIP
If you are in a hurry, hungry, and not fussy about what you want to eat, ask the waitress for the quickest options to prepare in the kitchen, and you will be served faster. 

Location: 8/10
Layout: 6.5
Ambience (lunch) 6.5 
Pricing: 6.5
Food:8
Desserts: 7.5
Coffee: 7.5  (takeaway/in)
Service: 9/10


UPDATE 20/9/2012
 I returned today to Bivouac for lunch, and had one of those wonderfully delicious moist flavoursome and textured Pork Sandwiches that caught my attention the first time I visited the place. You haven't tried it yet? Really? Well, if that is the case, you are missing on one of the best sandwiches you can taste in Perth CBD at the moment. No kidding. Orgasmic. No photo, sorry, the view was too good to waste any time and had to put it right into my belly. 

 
UPDATE 20/3/2013
Bivouac is one of those places that keeps me going back for the right reasons - Food! Good food. Changing menu. Light or heavy dishes, and a nice selection of drinks.

Their new autumn menu is just delicious and more sophisticated than ever. The new Gnocchi recipe, the mouth watering yoghurt-based panna cotta, and the Tunisian Lamb with a yummy house-made flat bread are a proof of it.

Still, the place is pricey. If I eat all what I need to fill in my stomach, I spend 50 bucks. Which, on the other hand, are always well spent.

I love the fact that they are open most of the day, so you can drop to eat something anything you fancy.

Service is great.