No, sweetie, this not a love declaration from me to you. This is the actual name of an Australian brand that produces limited edition good-quality leather bags. What an appropriate name for a bag brand. Don't we all consider our bags an extension of ourselves and our most precious possession?
MOTL was founded in 2011 by Russian designer Nina Baranova after settling in Sydney, and has received a well-deserved media attention. The brand has seasonal unique classy designs, excellent leather and materials, gorgeous colours and a no-fuss online site. The bags are a big pricey, but not much considering the quality and limited edition of the products they sell (150 pieces for each design), and that you can buy mass-produced plastic bags (now conveniently renamed faux-leather) from chain retailers at half the price.
MOTL's website is very basic, not specially stylish, and has a few blind spots (an empty blog, and not developed links) but it is very easy to navigate and gets you where you want without hassle. You will find a little story of the brand and the designer, the conditions of sale, and the list of stockist in Australia (none in WA yet), and the online shop.
The online shop doesn't need of registration (unless you really want) and can pay by credit card or Paypal, and deliver your purchase by Registered Post without extra charge; your order will arrive in a couple of working days to major destinations within Australia. So very convenient!
The website store offers a photographic listing of the bags on sale. You can click-in and see different photos of the bag of your choice, although I found them a bit poor in size and in variety. They truly need an online zoom system -as the one you can find, for example, at Nordstrom's or Macy's- to see the details of the leather and materials, a photo of the inner lining, and, most importantly, a photo of the bag on a mannequin or woman figure to see its fall, shape and approximate size. Otherwise, you are just guessing. They provide a description in writing of the bag, but that is never as clear as a photo on a woman shape. You don't want to take your measurements tape to figure out the size of the bag you are buying, or imagine in your head how long the bag falls or the shape when empty, when it takes you a second to figure that out by looking at a photo.
I missed an automatically-generated email informing me that my order had gone through and was being processed. I had to contact their customer service to get that confirmation. That is not good enough. At the same time, they processed my order immediately and was sent immediately, too.
Now, the big question is, did the bag I got matched what I have imagined via the website? The answer is not exactly. The colour purple was almost identical, but I was disappointed that the bag has no structure. Thus, when you use the cross-body belt it hangs down awkwardly, and I had to place it around the handles hooks. On the other hand, it has no individual flap so you cannot have it semi-open to put your hand inside and grab whatever you need from inside. However, you cannot see that in the website because the bag is photographed just standing and puffed from inside, not semi-full. They need to improve their website photo system, so you get what you see. The bag is beautiful and very good-quality, a kind of stylish work-briefcase for ladies, still very trendy and youthful. I have had tons of compliments on it from the teens to old ladies.
UPDATE April 2013
The online shop and the whole website of the brand has been suspended, and there is no way to find what has happened to very innovative brand. Their Facebook page is still operative, but it hasn't been updated since September 2012.
UPDATE JANUARY 2015
Their website was brought back to life last year. However, no items are added to the selection of bags already there. The pieces out of stock are not being brought back, he blog is not updated, and it seems that a dying site.
It is a pity. They have awesome quality leather bags, and I get compliments on my purple bag almost every day from both men and women. The bag has proven to be very good quality, perfect for work. Always stylish and unique.
Semenggoh Wildlife Rehabilitation Centre
Jalan Tun Abang Haji Openg,
Kuching 93000, Malaysia
This is a natural reserve, so do not expect seeing the orang-utans as if they were in the middle of the jungle. However, the animals live freely in a large land reserve, and move and act freely within it; in fact, they behave wildly and attack visitors if they feel like it (so very natural!), so mind that this is not a zoo or you are watching tamed animals. Still, if you are lucky enough to see them, they are very cute, entertaining and wonderful to observe. There is is no
guarantee that you will see any orang-utans if you go there, but the lack of promise
makes the trip much more exciting and seeing even one of them a special
treat, especially during the monsoon season, when the forest is full of food and they don't visit the feeding area, which is also the viewing area. Unless you venture into the real jungle in a well-prepared jungle trek you are never going to see orang-utans in the wild, so this sort of rehabilitation centres are the best way to see the animals in an environment that is real and natural, although assisted, protected and curated.
On arrival, you are given some guidelines on how to behave regarding movement of your body, things you carry, tone of voice and level of noise, all safety procedures to avoid attacks and let the animals approach the viewing and photographing area at easy. Still so many tourists ignored that and talked loudly, and disregarded all the guidelines!
The best times for visiting are the feeding hours, i. e, at 9am and 3pm. The entrance fees are 3 Malaysian Ringit for adults and 1.50 for children. The place is easy to reach by local transport or by car, or, if feeling lazy, you can take a cheap organised tour that will take you there and back to your hotel.
I found shocking that there is a smoking area in the reserve, amist the jungle!
Visited January 2012
Shop 13 Plaza Arcade
650 Hay St
Perth Western Australia 6000
(08) 9325 4111
Website
Facebook
Hours:
Mon-Thu 8:00 - 17:30
Fri 8:00 - 21:00
Sat 8:00 - 17:00
Infusion is a cute little café in the Arcade Plaza that stands out for two good things: their flavoured coffees (made using infused coffee beans, or, if you prefer it, adding flavoured syrups to your normal coffee), and for their terrific friendly speedy service.
The place is mostly for take-away, although has a benched table with a few stools to seat if you want. The place is very cozy, and has a divine yummy-smelling display of rustic bags showcasing their different varieties of exotic and flavoured coffee beans, plus a good selection of Byron Bay Cookies, syrups, cold-beverages and teas.
Their flavoured coffees are terrific in both aroma and flavour, and my rating would be certainly higher if the café served just these. Their standard coffees, however, aren't as good, as they are a bit watery and lack in creaminess. However, I don't mind these qualities with flavoured coffees, as I consider them a coffee-derived product not a proper coffee, and I expect different things from both beverages.
The service is t-e-r-r-i-f-i-c at Infusion. Some baristas in the city should visit Infusions to learn how to treat customers. The thing is that they do so genuinely, which is an extra bonus. What a treat entering a café and finding people smiling at you, treating you with courtesy, respect and friendliness.
They sell the exhibited beans by the weight, ground or not, as well as the syrups and other coffee paraphernalia, which made them perfect for high tea parties at home.
Animatrix is a collection of nine animated shorts related to different aspects of Matrix produced directly for video release. The stories are directly or indirectly related to what happens in the movie, filling-in some unexplained facts, and exploring the matrix from an outsider-insider point of view.
"Final Flight of the Osiris" (Andy Jones) is a literal transcription of an episode in the movie. The animation itself is amazing, and the opening scene extremely sexy, but the virtuosity of the video-game animation is not paired with a creative approach. I suspect, it was included in the compilation to catch the eye of those video-gamers who might end buying the Matrix's video-game.
"Program" (Yoshiaki Kawajiri) is an Akira-style short animation piece. The use of basic colours (white, red, black and grey, traditional Japanese elements (castles, samurai, swords, bamboo, silhouettes), and an edgy Manga action creates a visually astonishing piece of animation. It re-creates Cypher's betrayal of his crew of renegades, but giving it a medieval-Japan-Samurai twist.
"World Record" (Takeshi Koike) is an original piece that uses the matrix concept to expand it on its own, unconnected to any direct episode in the movie. It is about the awakening to the reality of the matrix by the main character, a famous Afro-American runner. The piece is shot in a mix of grays, blacks, beige and yellow colours, and uses shading brilliantly. The backgrounds are very artsy, according to Koike they were inspired by Gaudi's architecture. I found the piece, despite being made by a Japanese, very American in its vibe and energy, in the drawing of the characters and their personalities; still, there is a powerful unique narrative that is very Japanese, that tries to tell a story without forgetting technical innovation. Terrific is the way the movement of the athlete is captured, slowed and micro-analysed, and also the fact that the Afro-Americans are not drawn in brown colours but in different shades of grey. Supercool.
"The Second Renaissance 1 and 2" (Mahiro Maeda) fill in the missing story of what happened to the Human Race until they became dominated by the machines. In another words, it offers a mythology of the Matrix that was only hinted in the movie. It uses colourful Mandalas (with a mix of Buddhist and Brahman elements) attached to the female goddess-narrator, but has subdued colours when the documentary-like piece fill the viewer with the details of the war between humans and machines. It has a terrific story-telling, and it is very universal in a way. It uses elements of all religions, shows humans from different religions and cultures, depicts the violent acts of the humans using embedded references to tragic events happened in recent wars (WWII, Vietnam, Iraq) and offers an unadorned, still entertaining, view of the sins of the modern human race.
"Beyond" (Koji Morimoto) is a beautiful naturalistic short, Ghibli-Studio-like in the use of colours, shadows and lighting, the magic realism of daily life, and the virtuosity of the drawing. The episode has a connection to the Matrix, the cat appearing from another dimension in the movie, is the one here. But that is it. Morimoto creates for us an error in the matrix program affecting a house visited for the characters in this movie. The house is sort of enchanted, and visitors can levitate. It replies with verisimilitude to the question, how would humans notice a loop in the program? How would affect them? Simply wonderful.
"Kid's Story" (Shinichiro Watanabe) tells about the awakening to the reality of an American teen student who has been contacted by Neo. It has a lucid dream approach and has some lyric moments. However, this is mostly an escape story, full of action and angst. The animation style is a bit weird, as it the movie was constantly blur. This is intentional, and it is used to tell the viewer that our character is in a reality that is not dream, still not completely awake. The piece is extremely dynamic, with a great music, and some poetic moments, but not as engaging as the others.
"A Detective Story" (Shinichiro Watanabe) is a masterpiece of animation, drawn in a grainy BW that mimics ink-drawing, but adding some cut-out colours, typical of some American comics for adults. It also replicates the mood and style of the detective B-movies of the 50s, but mixed with a retro-futuristic Chinatown approach the matrix (very Dark-City in a way). It is super-stylish and engaging, linked to the movie by the search of Trinity. The music is very jazzy, perfect for a 1950s sort of film. I would have liked to be longer and a bit more daring, so much I enjoyed it!
"Matriculated" (Peter Chung) is a very psychedelic, hallucinogenic, colourful and philosophical piece of animation, and the most daring, from a narrative point of view, of the lot. It does reverse the matrix principles of the machines using a program mimicking human reality and subconscious world to put them at their service. In this short, the renegades reprogram the captured machines and connect them to their consciousness so it tricks the machine thinking that is a program and that they are also machines. It explores the concept of universal consciousness, and how machines could be fooled. It is a very Asimov approach to the story.
Animatrix is funky, artistic, and very entertaining. Not for small kids, though. The main problem with the compilation is that the quality of the pieces varies enormously, and that you need to watch it after the Matrix (the movie), and understand the intricacies of the matrix itself to comprehend the stories in the shorts. It is not rocket-science, but if you haven't done that, the movie won't work for you. Animatrix is a companion to the film; therefore, watching it on its own could be disappointing, unless you are interested in animation per se.
Constable Nicholas Angel (Simon Pegg) is a hard-core cop in London, whose job is pretty much his life, but he founds that he has been "promoted-demoted" to serve in the small village of Sandford, populated by sweet and too-relaxed people. His partner Danny Butterman, a local, is his antithesis - an obese cop who dreams of the action he watches in American movies. The job is killer-boring until a series of apparently accidental deaths start to happen.
Think "Midsummer Murders" mixed with "Die Hard", add lots of spoof-like moments, parody acting, crazy twists and turns (although the mystery is not as predictable as you might think), and, more importantly, lots of English wittiness.
It is the settings, the dialogues, the script (by director Wright and actor-writer Pegg), the humour, how well (un)matched the characters are, and the great performances of the all-star English cast: Simon Pegg, Nick Frost, Jim Broadbent, Timothy Dalton, Steve Coogan, and Martin Freeman among others.
One of the funniest movies I have seen in a long time. Unpretentious. Fresh. Entertaining - A comedy that actually makes you laugh. Bingo!
The Mood of Love, called in Chinese "The Flourishing days" or "the Age of Blossoms", is a stylish sophisticated movie about the golden era of Hong Kong in the 1950s and the tricky paths of love. This is the prequel to Kar Wai Wong' 2046.
Journalist Chow Mo-Wan (Tony Leung) rents a room in an block of apartments, next door to secretary So Lai-zhen (Maggie Cheung), who moves in the same day. Although both are married, we never see their partners, but soon we learn that they were having an affair and have escaped together. The abandoned couple wonders how that romance started and developed, and try to re-enact the paths that brought their ex-partners together.
This is a movie about how important timing is in love, to be ready to accept love and be loved, and movie about silent secrets. A movie about being unloved despite loving. This is a slow cooking romance with a traditional courtship with barely any flesh or sex on display (just one of the bonus images in the DVD show something), still it has a great sensuality. Dialogues are less important than glances, body language, touch and old courtship codes are.
Tony Leung and Maggie Cheung have a great chemistry in camera and this is very important in a movie like this, that relies on physical attraction, unspoken and understated gestures to develop the romance. All the supporting actors are fine in their respective characters.
As all Wong's movies, the visual style is stunning, with intense yummy warm colours, luscious personal characterisation, decoration and attention to the detail, from the music to the dresses, from the food to the attitudes of the characters. The Hong Kong and Singapore of the 1850s is magnificently brought to life here. The cinematography is full of artistry. The music is beautiful, a mix of Latin-American boleros repetitively sang by Nat King Cole, which were very trendy in Hong Kong and Singapore at the time, mixed with some Chinese classical pieces. The music truly helps to build the mood of the movie.
Food is very important in this movie. In fact, Kar Wai Wong, intended to focus on that, and call it Three Stories About Food, but ended just focusing on the story A Story About Food, which is the one in this movie. You will notice how important are local eateries in the movie, both as a way of socialising, meeting new people, and eating. Moreover, many of the dishes prepared and mentioned in the film are seasonal, related to specific periods of the calendar, and therefore they act as a culinary almanac of the movie. This is very difficult to notice if you don't know much about Chinese culinary culture.
One of those movies that really gets under your skin, and stays with you for a long time, despite its apparent simplicity. A classic romance movie that men will love to watch, too. Beware, this is a slow movie. Be patient and you'll be rewarded.
Grand class
Corner Beaufort St & Vincent St
Mt Lawley Western Australia 6050
(08) 9227 1910
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Hours:
Mon-Thu 7:00 - 19:00
Sat-Sun 8:00 - 17:00
Veggie Mama is a cute small vegetarian café-restaurant that stands out for its wonderful vegetarian, vegan and gluten-free food. Anything on display looks yummy and fresh. Everything I tried tasted great, and the portion sizes were decent. I am not a vegetarian, but I do love vegetarian food, especially if it is well cooked, fresh and tasty, and Veggie Mama has it all. I missed some well-cooked winter dishes, but I was there at an odd time of the day and most of their hot dishes were gone, so that might be the reason.
THE PLACE - The ambience is quiet, relaxed, the decor clean and functional, and the layout cozy and welcoming with three different areas of privacy, lovely traditional wooden furniture and cushioned wall benches, plus the free Wi-Fi and daily newspapers. Really nice.
One thing that Veggie Mama needs to change -they should, they must, ohhh super-mega-please!- is the music. Music creates the ambience of a place - or destroys it. I thought I was going to have an indigestion with that cheesy music for the grannies of the world they were playing. I am not saying that you should play Yoko Ono's, you know, but something that goes well with the vibe and name of the place. Veggie Mama resonates with... perhaps, World Music, or Indie intimate music. I am a bit fussy with regards to Music in restaurants and cafés - I prefer having nothing playing than having something that distresses my stomach and my ears.
THE FOOD - All the
food on display looks terrific, fresh and yummy. I am always hesitant
to eat at salad bars, because most salad bars or cafés with salads look
like a nest of unhealthy dying plants. However, at Veggie Mama, salads
not only look fresh, they look popping colourful and bright.
The polenta and the
chickpeas patties were yummy, especially the first, and the two salads
that I chose were great, especially the cabbage and cranberries one. The
watermelon juice was also great.
The serving sizes are considerable, and
I usually leave happy as toddler after feeding time.
THE
COFFEE - Their coffee was disappointly bland, and they should change
the beans or mix they use. Moreover, the coffee cup was small. What's
the matter with cafes being so mean with their cup sizes, eh?!
THE PRICING - The pricing for dining in is OK, especially because their serving are generous. However, they are not for take away - 11$ for a container of take-away kale salad is abusive, especially because I bought it at the end of the day, when the waitresses were cleaning before closing down. Do they grow their kale in Armani pots? Next time, I am going to leave their take-way salad away for me, take myself to the supermarket, grab a whole kale, and prepare the salad myself. I mean, it is not rocket science, is kale science.
UPDATE
I was pleasantly surprised at finding great background music, very much Indie, intimate and inviting to stay. I thought to myself, are they reading my reviews? The service was friendly, and the experience one to replay.
I will come back.
Food 8/10
Coffee 6/10
Atmosphere - Ambience 6.5/10
Layout 8/10
Service 6.5/10
Pricing 7/10
Overall = 7.5
Now, the big question is, did the bag I got matched what I have imagined via the website? The answer is not exactly. The colour purple was almost identical, but I was disappointed that the bag has no structure. Thus, when you use the cross-body belt it hangs down awkwardly, and I had to place it around the handles hooks. On the other hand, it has no individual flap so you cannot have it semi-open to put your hand inside and grab whatever you need from inside. However, you cannot see that in the website because the bag is photographed just standing and puffed from inside, not semi-full. They need to improve their website photo system, so you get what you see. The bag is beautiful and very good-quality, a kind of stylish work-briefcase for ladies, still very trendy and youthful. I have had tons of compliments on it from the teens to old ladies. 
