Dopamine is an original independent post-modern love story that reflects on traditional/modern views on love in our contemporary world, and on the difficulties of human connection in a world that is every day more virtual.
The main characters are Rand -a computer animator working on a project of a virtual pet- and Sarah -a schoolteacher-, who are convincingly played by John Livingston and Sabrina Lloyd. They really have great chemistry on camera.
Sarah believes in love, from heart to heart, and in a committed relationship. Rand, is very influenced by his father's teachings on human biology and chemistry, according to which most human emotions -love included- are just the result of biochemical reactions in our body. Love, in that regard, is directly connected to a high production of Dopamine in the brain. However, Sarah is rough, edgy, and unpredictable, while Rand is a sweet sensitive guy.
+ The good things about the movie are: + The story is very engaging and believable. + The acting is good and the main actors have chemistry. + The characters are all well-drawn and grounded - believable. + The dialogues are great, fresh and thought-provoking. + The story is never straightforward or simplistic, and shows the difficulties surrounding men-women relationships from a new perspective.
However, - The pace of the movie is too slow. - The music is forgettable. I don't even remember it! - The colours, cinematography and texture of the film used for the movie are not visually engaging or attractive, which is a pity as the movie was shot in the colourful bright San Francisco. - The ending is predictable.
The movie won the Alfred P. Sloan Prize at the 2003 Sundance Film Festival, and it is not your usual love story. It is not a proper chick flick, or perhaps it is a chick flick for chicks that aren't your average romantic chick.
Underground is a Serbian-Franco-German allegorical tragicomedy about the disintegration of the former Yugoslavia.
The movie is structured in three parts: War, Cold War, and War. The first is devoted to the WWII, the second to Tito’s period, and the third to the civil war that ended with the disintegration of the country. The second part is the most interesting -and the one that gives the movie its title- as it shows, in a metaphorical way, how the Yugoslavs related to each other, deceived each other, exploited each other, lied to each other and built up the hatred that would end with a very nasty civil war. All the characters are well drawn, and all the actors do a great job in their respective roles. The main characters are a couple of rascal friends and a nymphomaniac actress. They represent three human archetypes. Marko -played by Miki Manojlovic- depicts those people who say they have political beliefs and brag about them, when in actuality they have none. Cmi = Blacky -played by Lazar Ristovski- depicts those people who truly believe in what they preach and act accordingly, but they do so in such a dogmatic and obsessive way that become oblivious to reality and ignore the harshness of they political regimes they support. Finally, Natalija -played by Mirjana Jokovic- depicts those people who will always support the political regime in power, with a passion, no fight or confrontation, and go on with the flow and with their lives in a successful way. The counterpoint to these three characters is the character of Ivan (Marko's mentally changed brother) -played by Slavko Stimacy-, who loves his monkey Soni and wants to hung himself as he's always deceived and betrayed by everybody; he seems to be the only honest decent person and human being around.
Although all the themes touched in the movie are serious and dramatic, Kusturica's merit is to present them in a farce-like comedy and to talk about his people showing both his positive and negative traits. The movie, thus, mixes
elements of surrealism (some of them very Buñuel-ish), comedy of the
absurd, neo-realism, and époque films. Some scenes of the movie are unforgettable. My two favourite ones are the one at the old village square, which is terrific and visually shocking, and the ending with the "island", which really explains the whole movie and contains one of its most beautiful scenes. Some of the scenes related to the marriage of Blacky's son, his first outing to the real world, and the shooting of the movie about Blacky, are also great.
Some Bosnians and French intellectuals accused Kusturica of producing a pro-Serbian pamphlet. Kusturica, who
considers himself to be an Othodox Serbian (despite being born a Muslim
Bosnian) does not mention anything about the barbaric acts committed by
the Serbians. I do not know the director personally, or enough about him, so I cannot speak about his true intentions. However, the fact is that the movie rarely mentions any ethnic group. I see the movie more an evaluation of the (arche)type of people you find during pre-war or war periods than a justification of any of the barbarian acts committed during those period by any ethnic group. In fact, we are shown that all of those ethnic and social groups are to blame for what happened. Kusturica shows, in a way, certain fatalism in his approach to the events, as if what happened was inevitable. We see best friends killing each other’s... anybody who wants to understand, will.
My main criticism to the movie is its the extremely long footage, its slow pace, and the fact that it is not always engaging. Moreover, the camera style and film colours are those ugly ones typical of the TV shows of the 1980s. That is so because the film is an adaptation for the big screen of a 5-hour TV series. I would have not had any problem with that if the editors had taken into consideration that people going to the cinema expect different things than those watching a TV series, and that superfluous things are OK for TV but not for a movie. I found the music overbearing and annoying in general, although some of the individual pieces are beautiful. However, the music goes well with the histrionics of the characters and the craziness of the story.
Once upon a time, there was a country... and people who were happy partying and playing music, would end killing, torturing, and hating each other in a way that is difficult to understand for outsiders.
Underground, despite its comedic tone, is a very sad movie that speaks of social and human failure, and of the wickedness of the human spirit.
Shop 1/ 591 Beaufort St Mount Lawley Western Australia 6050 (08) 9368 4577 Website Hours: Mon-Fri 11:00 - 22:00 Sat-Sun 10:00 - 22:00
Tutti Frutti is a frozen yoghurt franchise selling milk and Soya yoghurt ice-creams. This Mount Lawley branch opened three weeks ago, and it is getting fans rapidly. At present, the place looks like a set of a movie, so shiny, spotless and colourful is.
How does it work? + Chose one of the bowls to put your ice-cream yoghurt. + Fill it in the flavour/s you fancy using the different dispensers. Self service. You can put as much as you want, as many flavours as you want. They have fruit, chocolate and cake flavours. Flavours rotate regularly. + Add as many toppings as you want. There is a large variety of then. Any colour, texture or flavour available. Fresh fruit. Chocolate. M&ms. Add any "sauce" if you want. + Put your bowl on the weighing machine. + Pay and enjoy!
The result is whatever you fancy, personally, in a big bowl. Do not blame others for your gluttony. There are not small serving cups available, which is an indication that we will pay a bit, as it is difficult to put a small quantity of anything in a big cup. Psychologically challenging! We want to try everything! There are so many flavours and toppings to choose from! Why can't we control ourselves? They know that. Yes, they do. That is why the we pay for weight and not for bowl/cup.
Yoghurt ice-creams are always light, and Tutti Frutti's are no exception. They aren't too sweet either, which is an added bonus. I have tried six flavours, but most of them taste so similar that it is difficult to distinguish them unless you have your eyes open and see the colouring of each one. The toppings, on the contrary, are delicious, very fresh and varied, and they really complement (even accessorise!) the ice-cream. The combo is very refreshing, and a healthier alternative to the normal ice-cream...that is, if you exercise some self-control at the toppings and sauces area.
Service is very friendly. They would need a few tables inside, as at the moment is mostly a place for take-away, and they just have three tables on the footpath.
A single event in somebody's life can have repercussions in many others. That is the point of departure of this post-modern holistic view of human interrelations in a modern multicultural multiracial Los Angeles.
Crash is a choral film in which each character's mini-story links to the others in an organic way. This is not a film with good and bad people despite the initial appearances. As the film progresses, we see that all the characters are deeply human, and they are depicted in both their splendour and misery - sometimes they are disgusting, reproachable, racist, angry and violent; other times they are heroic, tender, kind and good. The characters are not
good or bad, are good and bad depending on the circumstances. As any
human being in any country in the world. Humans are never a behavioural block of concrete, and
there is more to any person than it catches the eye, as the eye is always
biased.The movie also succeeds at offering a raw unadorned honest and empathetic image of American society and its social and multicultural issues wounds, and most importantly, of the depths and multifaceted nature of the human spirit.
Paul Haggis does a great job at creating unity and giving harmonic pace and sense to the emotional physical and cultural chaos in which most characters live. The story has action and introspection, and the main characters are wonderfully drawn and played by all actors. All the cast members are great in their roles, but Matt Dillon (as officer Ryan) really stands out in his performance.
The film makes you think, but it is entertaining and approachable, sweet and harsh. A great film, with surprising twists.
Revelation Perth International Film Festival Astor Cinema 659 Beaufort St Mt Lawley Western Australia 6050 (08) 9238 1358 Website Facebook
The Revelation Film Festival takes places in Perth WA mid July every year since 1997. This is one of those events that happen in Perth that is really world class. One of those events that you should not miss if you like movies, for several reasons: - The event is hosted by the Astor Cinema, a beautiful old-style cinema that is perfect for this sort of events. - You will watch International independent and limited-release movies. The kind of movies that are difficult to see in mainstream movie theatres in general, and that we would rarely get to see in Perth otherwise. - The festival does show movies, documentaries, short films, and multimedia shows with live music, and has academic and non academic discussion panels on different subjects. There is always a well-known independent cult movie star or director to whom the festival pays tribute (Crispin Clover was here last year), and around whom some special events are organised. There are so many cool things going on that, even if you wanted to attend everything, you wouldn't be able to do so. - Prices for individual movies are the standard in Perth, except for opening and closing nights, and the special events. However, these
are not your average movies or shows, so the money you pay is worth it. - You will see and/or interact with Perth cultural elite, and with some of the national and international stars attending the festival. Although I have attended the Revelation other years to watch individual movies, it just in 2012 when I took the plunge and devoted a good deal of my time and money to immerse myself in the Revelation. Some of the most fascinating films I watched last year were the ones I watched at the Revelation, and this is a lot to say.
Some of the screenings were really intimate, as they took place in the small theatre rooms; they were very especial because of their experimental nature, and/or because some of the film stars/directors were there to discuss the film with the public. That was the case of Mongolian Blink, Vigilante Vigilante, or Jeff Keen Retrospective, the latter with the presence of Keen's daughter after the recent death of Keen. Other screenings were a hit with the public and were massively attended, like the Georges Melies Project with a group of American Jazz musicians playing live.
The organisation was great and everybody working at the event was terrific, friendly and cool: security people, volunteers at the doors, tickets sellers, bartenders - everybody. The movies started, almost martially, at the time they were scheduled.
OTHER GOOD THINGS ABOUT REVELATION - They always have an awesome poster! Seriously, this is truly important for a Film Festival. - The organisation has the Revelation on the Road, a program devoted to showing films and organising film workshops in isolated parts of the Western Australia (Albany, Esperance, Port Headland and Broome). - The Revelation website is good looking, very well organised, and truly informative. The Revelation newsletter will keep you updated all the year around. ROOM FOR IMPROVEMENT - Although there are different sort of passes (Gold Pass for the whole thing, The Minipass for six films, and Connect4 for four films), I missed an intermediate pass for people who do not want to attend everything, but will be attending more than six shows. Moreover, there were not specific passes for students; "Revelators" be generous, don't you remember your days of poor student, when you were really... poor?
- It would be great having a courtesy of five-minute wait for any film. I know the program is fully packed, and punctuality it is a great virtue. However, being o'clock is not always good, because you get people arriving a bit "late" and having to find their way to a free seat in the darkness, stumbling across other people's feet and distracting those already seated.
The Perth Film Festival is the best cultural event I attended last year, and I attended quite a few. I cannot wait for Revelation 2013.
Shop 12, Plaza Arcade Hay Street Mall Perth Western Australia 6000 (08) 9421 1093 Website Hours: Mo-Thu 9.00-17.30 Fri 9.00-21.00 Sat 10.00-17.00 Sun 12.00-17.00
Watch Spot is an hybrid watch shop selling watches, alarm watches, wall clocks and stop watches, and offering repairs and replacements service. They are located in the Plaza Arcade, next to Infusions Café.
Regarding repairs and replacements, they offer similar services and prices to other shops around. However, I like them best because of the following reasons:
1/ The staff's sincere friendliness and great service. 2/ The lack of BS when dealing with you. Sort of, we cannot provide you with a band for your designer watch unless it is official. What what what! Yes, it has been told to me at my face. Almost fainted. However, they do not do that at Watch Spot. 3/ They have a larger, fancier and more colourful range of watch bands and straps than in other places. Coloured good quality French ones! Not just the usual boring black, white and brown. 4/ They have a great selection of watches of low, mid and mid-high range at good prices, including brands like Casio, Citizen, Seiko, Lorus, Emporio Armani, Calvin Klein, and Timex among others. 5/ The shop, despite its small size, is tidy, clean, polished, well illuminated, and good looking.
** Warning - This review may contain spoilers. I recommend watching the movie and then coming here, especially if the ending intrigues you, and it will **
Mr Nobody is the story of Nemo, whose possible two life lines and three love stories are alternatively presented.
The movie is well
shot and the cast members convincing, especially Jared Leto (as adult
Nemo), who is always perfect in this sort of odd films and roles. Also excellent are Toby
Regbo (15y.o. Nemo), Juno Temple (15y.o. Anna) and Sarah Polley (depressive adult Elise). Diana Kruger (as adult Anna), Rhys Ifans (Nemo's father, Natasha Little (Nemo's mother), among many others, are OK in their respective roles.
The
visual effects are wonderfully understated, very well blended with and at the
service of the story. The theatrical movie sets, the
rich colours, the different hues attached to each different life path,
the wardrobe, and the lovely music -which mixes some old classic tunes with pieces specifically composed for the movie- create an ensemble that is very
easy on the eye.
However, Mr Nobody is a great movie mostly because of its subtle but profound reflection on Human Nature, Human behaviour, Free Will and the meaning of life. The movie reflects on questions like - what makes us what we are? Why we act the way we do? Is free choice a key element to happiness? How does other people's choices affect our choices? The philosophical, psychological, and metaphysical questions posed are sometimes explicitly mentioned, while others are hinted and expressed through the story as a whole, each different life line story in particular, and through Nemo and the other characters' behaviour. Among others, some of the concepts presented here are: 1. Butterfly effect. 2. Principle of Entropy. 3. Schrodinger's Cat Paradox 4. String Theory 5. The Pigeon's Superstition experiment 6. The Nature of the true self. 7. Free will and
fate. 8. The linearity of (or multidimensional nature of) Time. 9. Quantum Physics and parallel universes.
Do not worry if some of these things sound alien to you. They were also alien to me. However, they were intriguing enough for me to get more information, and try to understand what I have seen better. In fact, they are a reason to watch the movie again. However, you can watch it without even bothering, and you will find that the movie still speaks to you.
Jaco Van Darmael himself commented on the script and on his initial intentions in an interview. However, the story has taken a life of his own, way beyond the initial intention of the director.
***
THE ENDING OF THE MOVIE - MY INTERPRETATION The film ends in a way that is open to interpretation. Movie forums are full of comments on the ending, and on Nemo's different lives, actions and reactions. To, me, however, they miss a few important things that are pivotal to understand the way the movie ends. Or, at least, the way I understand it: 1/ The Lyrics of the song Mr Sandman, which is repeatedly played thorough the whole movie, especially the main verses. Are we watching something real or is it just a dream? A lucid dream? 2/ The beginning of the film, with the different possible endings, which all end with Nemo dead, lost in a rhomboidal aseptic nightmarish dream-like world. The narrator is Nemo himself. 3/ The scene where Nemo tells how he was born, which goes from minutes 12.20 to 15 approximately. Here my transcription of what Nemo's off voice says:
"I can remember a long time ago, long before my birth, in the squeezing with those not yet born. When we aren't born yet, you know everything. Everything that's going to happen. When it's your time, the angels of the living put their finger on your mouth and leave a mark on the upper lip. It means that you've forgotten everything.
But the angels missed me.
[Nemo immerses himself in a white milk-like liquid, as he is ready to being born]
Then you have to find a daddy and mammy, and that's not easy to choose.
[Different couples speak about their wishes to have a baby, until Nemo's parents appear]
In the end, I chose them because the lady smells nice, and the man said 'Well, I can tell you how we met. It meant to be. Have you heard of the butterfly effect?' ".
4/ The title of the movie is "Mr Nobody". Shouldn't this, per se, be an indication of something? Anything? Any bell ringing in your ears, yet?
Many of the
interpretations about the meaning of the movie
focus on the event that is photographed in the poster of the movie, but we need to remember that unborn Nemo chose his parents. Therefore, the moment of decisive choice is not the one in the poster, but the one of choosing his parents.
We are told, explicitly, that Nemo can see the future, any possibility in the future, every possible action and reaction in his life because the angels missed him. Therefore, all the couples that appear at the beginning are a possibility. Nemo chooses one. The more you think about it, the clearer you come to the conclusion that unborn Nemo is seeing his possible life IF he selected this couple as his parents, NOT after selecting them as his parents. Not convinced?
Now, we have the part of the movie in which we see centenary Nemo telling his life story/ies to a journalist. At a certain point, the world in which they are living starts to fade out and disintegrate, as it was a projection or a dream. And that is what it is. Something that is not real at all. All this world is white in colour, the same limbo and space of possibility in which Nemo immerses himself before being born. Old Nemo is not real, it is the way unborn Nemo sees himself if he chooses the parents shown at the beginning. If that wasn't true, how do you explain the fact that Nemo is the narrator of the three possible endings that we see at the beginning of the movie?
***
There are other movies that reflect on the effect that personal choice and randomness, free will, determination, fate, and the butterfly effect have in our lives. Just to mention three, just remember Sliding Doors, Run Lola Run, and Cloud Atlas. However, they do not have the clarity and depth that Mr Nobody has.
Mr Nobody is a very
complex film, which, however, is very entertaining and easy on the eye.
After all, it is a possible multiple love story. You can see it in many
different ways and give it the interpretation you want. However, this is a film that needs of certain frame of mind to watch it,
as this is not your usual fantasy or science-fiction movie.
Mr. Nobody is one of the most interesting and thought-provoking film I have watched in a long time. Perfect for Philosophy classes, and for oiling the creases of your brain in those days in which you feel them a bit rusty.Mr. Nobody is one of those movies that linger in the back seat of you mind for days, long after you have watched it. "No
choice is still a choice" is one of the statements presented in the movie on which I have been pondering for days. Would
knowing your fate help you to make a choice? Is one of those questions that did the same to me. The film
is full of statements and questions that will keep you thinking, for good. A cult film already.
