The movie is structured in three parts: War, Cold War, and War. The first is devoted to the WWII, the second to Tito’s period, and the third to the civil war that ended with the disintegration of the country. The second part is the most interesting -and the one that gives the movie its title- as it shows, in a metaphorical way, how the Yugoslavs related to each other, deceived each other, exploited each other, lied to each other and built up the hatred that would end with a very nasty civil war.
All the characters are well drawn, and all the actors do a great job in their respective roles. The main characters are a couple of rascal friends and a nymphomaniac actress. They represent three human archetypes. Marko -played by Miki Manojlovic- depicts those people who say they have political beliefs and brag about them, when in actuality they have none. Cmi = Blacky -played by Lazar Ristovski- depicts those people who truly believe in what they preach and act accordingly, but they do so in such a dogmatic and obsessive way that become oblivious to reality and ignore the harshness of they political regimes they support. Finally, Natalija -played by Mirjana Jokovic- depicts those people who will always support the political regime in power, with a passion, no fight or confrontation, and go on with the flow and with their lives in a successful way. The counterpoint to these three characters is the character of Ivan (Marko's mentally changed brother) -played by Slavko Stimacy-, who loves his monkey Soni and wants to hung himself as he's always deceived and betrayed by everybody; he seems to be the only honest decent person and human being around.
Although all the themes touched in the movie are serious and dramatic, Kusturica's merit is to present them in a farce-like comedy and to talk about his people showing both his positive and negative traits. The movie, thus, mixes elements of surrealism (some of them very Buñuel-ish), comedy of the absurd, neo-realism, and époque films. Some scenes of the movie are unforgettable. My two favourite ones are the one at the old village square, which is terrific and visually shocking, and the ending with the "island", which really explains the whole movie and contains one of its most beautiful scenes. Some of the scenes related to the marriage of Blacky's son, his first outing to the real world, and the shooting of the movie about Blacky, are also great.
Some Bosnians and French intellectuals accused Kusturica of producing a pro-Serbian pamphlet. Kusturica, who considers himself to be an Othodox Serbian (despite being born a Muslim Bosnian) does not mention anything about the barbaric acts committed by the Serbians. I do not know the director personally, or enough about him, so I cannot speak about his true intentions. However, the fact is that the movie rarely mentions any ethnic group. I see the movie more an evaluation of the (arche)type of people you find during pre-war or war periods than a justification of any of the barbarian acts committed during those period by any ethnic group. In fact, we are shown that all of those ethnic and social groups are to blame for what happened. Kusturica shows, in a way, certain fatalism in his approach to the events, as if what happened was inevitable. We see best friends killing each other’s... anybody who wants to understand, will.
My main criticism to the movie is its the extremely long footage, its slow pace, and the fact that it is not always engaging. Moreover, the camera style and film colours are those ugly ones typical of the TV shows of the 1980s. That is so because the film is an adaptation for the big screen of a 5-hour TV series. I would have not had any problem with that if the editors had taken into consideration that people going to the cinema expect different things than those watching a TV series, and that superfluous things are OK for TV but not for a movie. I found the music overbearing and annoying in general, although some of the individual pieces are beautiful. However, the music goes well with the histrionics of the characters and the craziness of the story.
Once upon a time, there was a country... and people who were happy partying and playing music, would end killing, torturing, and hating each other in a way that is difficult to understand for outsiders.
Underground, despite its comedic tone, is a very sad movie that speaks of social and human failure, and of the wickedness of the human spirit.
