The movie revolves about the sexual awakening of Eloy, a sweet and absent-minded teenager, apprentice of electrician and courier boy to the nearby cemetery, who starts sleepwalking after the death of his father and ends in the arms of a sassy and older neighbour, Elvira, who will teach him how to satisfy a woman, and himself, in bed.
If you want to make a movie about tantric sex and erotic initiation you need two basic elements. Firstly, a couple of sensual actors who have chemistry on camera and are able to transmit eroticism to the spectator, so that we can believe that they are having sex and enjoying it. Secondly, to create the right atmosphere and mood so the sex scenes look natural and passionate. All of that was missing from the movie, despite sex being the main subject of the movie. The scenes look unnatural, forced, like a rehearsal. They are shot with constriction, without passion and with some visual bigotry, despite the intention of the movie being quite the opposite. It felt like those modern Kamasutra books with photos of nude couples posing in different positions - Boring and not erotic. It would have been better, perhaps, showing less, and leaving more to the imagination, which always gives great results.
The most memorable moments of the movie are, however, those few in which the movie distracts itself from Eros and portrays reality through Eloy's eyes and tells part of his family's story. The happy eeriness of Eloy's trips to the cemetery on his bike to deliver tablets are wonderfully photographed and shot, the natural interaction between the deceased and those alive are those more closely connected to Breton's initial poem and Subiela's style. Here we see the always charming Subiela in action, focusing on what he does best.
Regarding the acting, I found Leandro Stivelman good and believable in his portray of the sweet and dreamy Eloy, and also Hugo Arana in his short role as Eloy's deceased father. I did not find Antonella Costa believable at all in her portray of Elvira, neither in the erotic scenes or in the talking ones. Perhaps because the script does not give much information about her, and the viewer does not now or understands her; on the other hand, she does not have the sensuality or acting maturity necessaries to affront a role like this. The rest of the actors are Ok in their respective roles.
Glimpses of the best Subiela are wasted by a rather mediocre and un-erotic erotic movie with a very weak script.
