10/27/2013

Cantina 633 (Mount Lawley, Perth WA)


663 Beaufort St
 Astor Arcade
Mt Lawley Western Australia 6050
(08) 9370 4883

Website 
Hours:
    Mon-Sun 8:00 - 23:00Hours
    Breakfast: Mo-Sun 8am-11:30am
    Lunch: Mon-Sun 12pm-3pm
    Antipasto: Mo to Sat 3pm-6pm
     Dinner: Mo to Sat 6pm-late
 


Cantina 663 on Urbanspoon





THE PLACE
Cantina 633 is located in the Astor Arcade, in the heart of Mount Lawley, in a wonderful spot that has kept spreading at the same rhythm as the popularity of the canteen has along the arcade and over the footpath. The ambience is wonderful, with great music and a gorgeous woody classy rustic inner canteen, and very pleasant in the other areas. Having said so, the seating area in the arcade can be extremely hot in summer despite being covered, and the lack of ventilation makes things even worse, which is a bit of a bummer.  

The place has always a cheery vibe. The place is always crowded, no matter the hour or the day you go, and has a group of regulars from all ages and kinds, and a traditional hangout for hypsters, foodies, and interesting people in general. The place can be noisy, and the space between tables tiny, so don't spill your beans here, but this also part of its charm!


The clientele seems to have decreased a bit in the last few months, as the same pace as the hypsters of the area have moved to Cantina's sister place Mary Street Bakery.


FOOD 
Cantina is an institution in Perth. You have to respect that. Cantina's owners have an eye for anything Mediterranean that is good and not that popular in Perth until they bring it in. Then, it becomes trendy around Perth, like their gnocchi, morcilla, or some of their antipasti. 

Cantina's food is simple and delicious, perfect for vegetarians, vegans and celiacs. They have a very small selection of dishes, and an interesting selection of imported goodies and drinks. 


Their BREAKFASTS have been hit and miss for me, but I have to say that their slow eggs are the best most perfect looking I have found in Perth. I had scrambled eggs for my birthday three Novembers ago and they were dry and salty, quite average in every possible way. A fact that has not brought me back for breakfast until this year. Since then, I have gone a few times and found great dishes and others that were pretty average. 

The Falafel Breakfast was perfect in presentation, serving size, and taste. The slow eggs were absolutely divine, yummy and so good looking that one felt like kissing them not eating them; I would added a bit of more sauce, to moist the whole dish, but this is just a personal preference.  

The Pancetta Breakfast was average by all standards regarding size, presentation and taste. The pancetta piece was first quality, so I felt that they had wasted a big chunk of awesomeness in a mediocre dish. 

The Cantina Full Breakfast was very filling and enjoyable. Unfortunately, the bacon was badly cooked, with the borders burned and the centre not cooked enough. The rest was perfect.

Their ANTIPASTI are delicious, especially the Antipasti Board, with so many different things on it, all of them yummy. It is supposed to be for two people, but it can feed a person with a big stomach if you want a substantial dinner. 

Their imported antipasti used to be quite exclusive in Perth, although the development of Perthies' palate and joy for tapas-style plates has them also available in other places. They might not be that fancy or wow if you are from the country they come from, but they will feed your nostalgia, not just your stomach.

The LUNCHES have also been hit and miss, wish some dishes leaving me wow, and others "unwowed". The nicest thing I have tried at Cantina were the Pesto and Seafood Spaghetti, a traditional Italian dish, that was absolutely yummy: pasta al dente, perfect mix of flavours, right amount of chillies, pity about the serving size! 

The Vegan Rotolo was amazingly good looking, tasty an filling, with a great mixture of textures and vegetarian ingredients. One of those dishes that makes you feel  that vegetarian is yummy an filling, and a decent serving.  

Some of their salads have an odd mix of flavours that I not always enjoy, especially because of the pungent green they use as a base for them. My favourite one has been their Salmon and Egg Salad, which I found to be an absolute winner; the  whole mix was a bit odd, a priory, but it ended being perfectly balanced, filling, flavoursome, balanced, and awesome looking, too. 

The cuttlefish pasta was a decent serving of casarecce, perfectly cooked al dente, light, filling, and perfect for summer. The flavours per se were good, but the cuttlefish is a bit blah per se, so the dish would have needed of some more herbs or spices to be more flavoursome. I always find that pasta with fish, not tomato-based, goes perfectly with shelled seafood or fish, as the shells give the extra punch in flavour that the pasta needs.

I love pan-fried gnocchi in general, but I have had different levels of satisfaction -all based on my personal taste- regarding the mix of produce they use in their recipe, and the degree of fulfilment (of my stomach) I get, as they are mostly vegetarian or vegan recipes. Still, this the flagship of the place, and very good, and you need to try it if you haven't already. 

COFFEE  AND SWEETS
Cantina's coffee is good and smooth. If you are into strong coffee, the Italian way, you will need a long topped-up macchiato to get what I call a flavoursome flat white. The coffee stand outside, at the moment just used on weekends at peak hours, is great to keep things flowing. 

They always have a small selection of slices, mini-tarts and muffins on the counter, which are lovely to accompany your coffee or finish you meal with something sweet. I have found them to be good, but nothing outstanding.

They also have a two or three sweets cooked in the premises, which is always a bonus, and more my type of dessert. I had the Yoghurt Strawberry Pannacotta, and it was delicious and a pleasure for the senses; wonderfully plated, a lovely mix of colours and a wonderful mix of textures and flavours in your mouth. The mix of the delicate yoghurt, strawberry strips of basil and nutty "dukka" was a winner. 


WINE & BEER
Their wine listing is one of the most interesting thing in the whole menu, and something you should splurge in if you want to splurge on something at Cantina. I am always pleased with their selection of Spanish wines and beers, which are badly represented in quality and variety in WA. They have Alhambra beer, which are only produced in the city of Granada, in Spain, and I almost cried when I saw it there. I have never splurged in their super-expensive wines, but every wine by the glass I have had there has been excellent.
  
PRICING
I do not mind paying a bit for a meal, if the meal is really worth it, if the cooking is sophisticated, and what you eat is artistically presented. After all, you need to pay for quality, creativity, and fine dining. However, each time I visit Cantina, I leave feeling that the food is lovely, but not always worth the price. The pricing is ridiculous for some things. Just to give an example, the fried cauliflower dish costed 14 bucks, but you get a whole cauliflower, in season, for 2 bucks.

Imported goodies and bevarages are a luxury that we need to pay. We are paying for having those wines in Perth and for the high importation taxes that businesses have to pay to have them here, not because they are expensive or very exclusive in origin - I am fine with that.

To be fair, pricing is so ridiculous in most Perth cafes and restaurants at the moment, some of them of poor quality, that I content myself at thinking that at least Cantina the food is good.  

SERVICE 
Fact - They are quite accommodating regarding changes and adjustments in their set dishes. That is my experience.

Fact - Some staff members are very friendly, sweet and serviceable, an others are unfriendly, tight, nosey and not serviceable. Generally speaking, there has been an attitude problem that I can barely tolerate. It escapes my understanding why a waiter would feel so high in his/her position to be arrogant to any customer. At the same time, I understand that, at peak hours, the place is packed to the rafters and the staff has to make do the best they can. In fact, it is stressful watching them running non-stop all over the place, and that might be the reason why they cannot provide a better service. I do not blame them, I blame the owners for not having more staff at peak times. The staff is certainly more relaxed when the place is not full or during the week.

Fact - You could arrive after some people have already ordered and be served before they do, or vice versa. Both things have happened to me. 

Fact - They serve your food fast or slow depending on the day, the hour and the moment you happen to walk in. You could be served your whole meal in 10 minutes or have to wait 10 minutes for a simple coffee. Both things have happened to me, too.

Fact - If you arrive before 12pm but after 11.30am, they will not serve you breakfast, or any food at all, they will not give you the printed menu list either until it is o'clock, because "they are deciding and putting together the menu"... Then, you get the menu list and its the usual menu that has been there for a few weeks. I showed surprise last time that happened to me, and the guy looked at me as if I had just arrived from inland Mongolia. I hate being bullxtd.


ROOM FOR IMPROVEMENT
& The service needs an overhaul, and more people at peak hours, so the staff can attend to customers in a more relaxed way.
 

& The food menu should change more often. An ever-changing menu brings regular backs, and it is shows the level of culinary creativity of the place. Working with seasonal produce should create a bigger and more changing menu. They change, modify and add some new dishes regularly, but somewhat, most of their dishes are set and change little. 

& They need to add more meat and fish dishes, and/or add more meat/fish to the dishes they already have.

& Servings used to be minuscule, so I would leave hungry and a bit grumpy. The last two times I have visited the servings have been quite bigger, so I have left happy. Middle-sized servings are a a wonderful thing to have in a restaurant for entrees, and big-sized servings for lunches. I can take care of my waist line myself.

& The plating of some dishes could be easily improved. Their plates are mismatched, mix of rustic crockery with modern bone china. Some of the dishes look ugly in their plate because of the crockery. If you have good food, use simple bone crockery to frame it. Plate food with a photographic eye, as this is what people notice when you put a plate in front of their eyes. If you put a "brown" sort of dish on a blue plate, it looks odd and ugly, no matter how yummy it is. 

& The coffee glasses and cups are Lilliputian for anything you order. They need a set of mugs and average-size cups right now., don't even question my statement or raise your eyebrows. It is unacceptable and highly reproachable, that they don't allow you to seat if you have a take-away coffee from their own stand, or to order one from the stand while you are seating. This is, to me, a rip-off practice that doesn't make any favour to the place or the owners. I prefer to get my second coffee or both of them elsewhere, and stay here just for the food. Tap water is free :).

& The coffee stand in the arcade should always be there, even on weekdays peak hours. It really gets things flowing. During weekdays, coffees come out quickly for take-aways depending on the amount of orders that the barista has at hand. I have found them doing everything they can, but this is not always enough. A separate stand for take-aways would just be perfect for everybody. Also, think about this - people wait for their coffee in front or around the counter, obtruding the passage of the waiters to/from the kitchen, so things sometimes do not flow not even at a physical level.

& My eyes pop up out of my sockets each time I see the Italian salt container on the table. Yes, it is Italian, who cares? it is salt, so put it in a pretty salt container, like the pepper, and there will be some harmony on my table.  Otherwise, leave the salt in its original container, so they form a visual item.  

& Paywave is the wave right now. 

& They should be updating the info in their website as the same time their menus do. 

This advice is for free :)

***
Cantina is one of my favourite cafés and restaurants in Perth. Cantina is your place if you want simple Mediterranean-inspired food and antipasti and wines you are not familiar with. Cantina is not your place if you are super-hungry, need lots of food on your plate, are looking for sophisticated Mediterranean food or just for a quiet place. 

Cantina transports you to warm shores where food is great, but also something that bring people together and make them happy. That is included in the price, and it always makes me happy.

Location: 9/10
Layout: 7.5/10
Ambience:8.5/10
Service: 6-8/10 (varies)
Food: 7.5-8.5/10 (varies)
Coffee: 7
Pricing: 7/10 
=========================

UPDATE 14/9/2014 

It has been over a year since I wrote my last review, and these guys have made the impossible to win me over. Yes, "Cantinasins", you have wowed me lately and you have earned the Five Star. Bling. Crown. Bling.

You have to say "chapeau" to these guys because they have addressed and solved most of the issues that were bothering me in the past, which I mentioned in my long review. Her Royal Crankiness (me!) feels very proud of you.

The long expected take-away coffee available on the table is now available (I consider that my own personal victory), their menu rotates more often, their servings have increased and I have found myself not being able to finish the plate (!), the pricing has kept steady (not cheap but not expensive either), and most of the permanent staff are welcoming and lovely. Yes, there is the occasional Mfckr, but they tend to disappear quickly, so the place remains the lovely friendly place it is.

Don't look at my check-ins, I've been there more than double the number, and I can say that Cantina has a place in my heart... and stomach  - Isn't that the same?

It is not just the issues solved (I love my issues to be solved so I don't have any issue with people who create them) - it is the food. That is what brings me back.

Visiting Cantina has become a sort of weekend ritual - Walking almost 15 minutes, empty stomach with the the anticipation of what they have come up with, first, and enjoying the yummy food and telling myself, it was worth it, later.

Sometimes you look at the new "thing" and tell yourself "this looks unappealing", then you try it and it is absolutely yummy. That was the case with the morcilla, egg and salsa verde on toast a couple of weeks ago. Top notch mix of flavours, and the morcilla was absolutely fabulous. The couple by my table kept looking at my dish, more thrilled by it than by their scramble eggs and lack of conversation :O.

What about the Kedgeree. No, it is not Mediterranean, but it was yummy, man-sized, very filling without being heavy. Perfect brunch. A big "O" came from  my belly. The splash of green salad covering the crunchy but fluffy mixed-curried rice "croquettes" stood proud on a bed of potato salad telling me... eat me all over!

I love their fresh organic juices, au-naturelle but bottled. Still, it would be great having fresh juices available. I love mocktails for lunch. They are so easy to prepare and so missing from Cantina's lunch menu... just saying.... And those salt containers still look ugly...

10/26/2013

"Religulous" by Larry Charles (2008)


Religion + Ridiculous = Religulous.

Religulous is an entertaining documentary that explores Religion/s and Faith from the point of view of  stand-up comedian Bill Maher -an agnostic and devil's advocate- who interviews different pastors, priests, and religious leaders to prove his point - Religions are ridiculous.

I share Maher's premises, thoughts and conclusions in many ways, but Maher's point gets lost in his intransigence, which is exactly what he criticises religious people for. In other words, if you want to criticise people who preach mumbo-jumbo and things that are not reasonable you have to do so using Reason, Respect, and Restrain, otherwise you put at the same level the people and beliefs you are criticising.


Maher is very good, sharp, and witty at times, especially when he lets the nonsense express itself in full and when he directs the conversation with the people he interviews without superimposing his own views. I especially liked the interview to the Arkansas Senator (who self-destroys his won credibility as soon as he opens his mouth), the interviews to the re-incarnated Latino Jesus, the interview to the black-rich pastor, and his visit and interviews at the thematic park "Holy Land".

What annoyed me the most was that Maher doesn't show the same respect to his Christian, Jew and Muslim interviewees at all. For example, when interviewing some of the crazy Christian pastors he lets them speak, intercalating his funny comments to point out the bullshit and mixing it with super-funny visual montages. However, and despite he being half-Jew, he doesn't leave talk a Rabbi who criticises Israel, whose voice is barely heard. The same happens when he interviews some of the Dutch Muslim people. On the other hand, the only people who seem to make sense among the interviewees are Catholics, they seem to be the only ones to reconcile Science and Religion... really? (Maher is an ex-Catholic... ex?). If he had made the documentary from a less personal dogmatic point of view, without trying so hard to proof his point, he would have succeeded at doing that more convincingly. 

This is a very entertaining documentary, very funny at times, annoying at others. If you don't take it too seriously and forgive Maher for occasionally bullshitting the viewer, you will enjoy it. If you are deeply religious, abstain from watching. You've been warned. 

"Metropolis" by Osamu Tezuka (2001)

A Japanese animation movie based on a comic by Osamu Tezuka, that tells the story of android Tima and her human friend Kenichi in the city of Metropolis. It is loosely based in the classic movie of the 1920s.

Metropolis shares with Astroboy two of Tezuka's themes: 1/ Father-son troublesome relationship due to the Father's rejection and unloving treatment of the son. 2/ The presence of a great variety of old-style chunky robots and very developed humanoids who ask themselves what/who I'm I?

The animation is flamboyant and amazing regarding the settings, backgrounds, architecture and machinery, and combines 2-D and 3-D mixed with some real movie elements. Some of the scenes at the end of the movie are spectacular from a visual point of view.

The mood of the movie is excellent, with the creation of a retro-futuristic city very developed, but impoverished and without freedom. We have the bright city and the underworld, with different colours and styles.

The music is fantastic, also retro, with lots of Mow-Town, classic Jazz, alternating with symphonic pieces that reminded me of John Williams'.

The script, though, is a poor mix of well-known sci-fi elements and characters. I found the script not engaging most of the time, not only because of the lack of originality of the same, but, above all, because of the drawing of the characters is completely childish, which barely fits with the innovative and more artistic style of the rest of the movie. Tima and Kenichi are beautifully drawn, and, being children, the style suits them, but the adults are drawn in a very different style, very 1970s cartons!, which doesn't seem to give visual homogenity to the film or fit the story. 


I felt that the movie was perfect for teenagers, with elements that would suit both children and young adults, not as much for adults, unless you are a Tezuka's fan. Entertaining nevertheless. 

9/15/2013

Chatsworth Deli (Highgate, Perth WA)


475 Beaufort St
Highgate Western Australia 6003
(08) 9227 8080
Hours:
    Mon-Sun 7 am - 7 pm


Chatsworth Deli is, or it was, a deli that has been transformed into a florist by the overwhelming power of the flower section of the business; nowadays, the deli is reduced to a few fridges with convenience items located at the bottom end of the shop.

Chatsworth Deli has all sort of flowers and myriad possible flower colours and textures: big bunches, small bunches, individual flowers, seasonal flowers, cultivated flowers, Australian native flowers, arranged boxes, and anything to complement your bunches like balloons, cards, and ribbons.

Prices oscillate between cheap and extremely affordable, which explains why the place is thriving on any given weekday, no need of public holiday or feast on sight. This is not the place where you would order your wedding bouquet or get a bunch for Her Majesty or arrangements for the poshest of hotels, but it will serve you well for the rest.   

The guys working here are matter of fact, but very fast at serving you, but not especially friendly, the truth be told. They wrap the bunches extremely well and you get them home in perfect condition even after having a walk.

Some of the old bunches are sold cheaper than the fresh, but I've found that they could be even cheaper due to the state of some of the flowers and leaves. 


I pass by this "Deli" frequently, and the place is so gorgeous that it always turns my  happy-o-meter up. I always stop, even if I don't buy anything, just to get all that beauty sink. Chatsworth Deli and its vastness of flowers makes you feel good without having to call your best friend or your psychoanalyst, and makes you smile without need of any joke. Chatsworth Deli is a micro-fairyland for Mount-Lawlyans and Highgatians - the poor, the hypster, the posh and the distracted passer-by. Chatsworth Deli is deli-ghtul!

9/11/2013

"Last Tango in Paris" by Bernardo Bertolucci (1972)


++ This review contains or might contain spoilers++

Last Tango in Paris tells the story of the sexual relationship between Paul -played by Marlon Brando- a mature selfish widower, and Jeanne -played by Maria Schneider- a naive 20y.o. emotionally immature girl.

Despite what one might think, the movie is not about sex, but about obsession, manipulation, grieving, deceit, primal emotions and social constrictions.

THE CHARACTERS
One of the most fascinating things about this movie is how well drawn the characters
are. They are multifaceted, never simple or linear, very human, but also very archetypal and symbolic. The viewer can hate or love them, but, even if one can't fully understand them, there is a feeling of acceptance and even empathy. 

Paul is an obsessive person, who had an open relationship with his wife -the only way he believes love should be, free from any obligation. When his wife commits suicide, he is shocked. He takes the suicide as a proof of his wife's emotional treachery. A mix of grief and hatred, pain and disenchantment with love, is what Paul is feeling when he meets Jeanne. She is half his age and easy to manipulate, as she's emotionally insecure and unhappy with her boyfriend, who uses her like a doll. They are like water on fire.

Paul channels his conflicting emotions through raw sex. He forces Jeanne into a situation that it is not good for her, a fact that she realises
early on. Jeanne is looking from love and for personal appreciation, the one she doesn't get with her boyfriend, and to be loved for who she is. However, Paul creates a situation of complete emotional and sexual domination by establishing the rules of their meetings, which only benefit him. The Society and world that Paul wants to leave behind is, after all, a wish to return to Paradise. The fact that the couple play and talk like baboons in their rendezvous is a metaphor of this primeval relationship and the space of mind that Paul wants.

Jeanne's character and her relationship with Paul is the catalyst for her inner transformation - the way she relates to men in general, and her boyfriend in particular. She is like a lamb at the beginning of the movie, but like a lioness at the end. Despite her obsession with Paul, she is able to see her own dependence and starts fighting it until she frees herself completely.

THE PERFORMANCES

The respective ages and level of maturity/immaturity of Brando and Schneider are perfect for their characters, and the acting is convincing and dynamic on both parts. 

Brando is great in his performance, superb sometimes, especially when he's able to relax in front of the camera and improvise those monologues for which he became famous. The scene in which the recalls the story of his childhood is so real and powerful that you feel that he's the character he's playing; the same can be said of his scene with Massimo Girotti (who plays the lover of Paul's wife). I found some of his crying scenes heartfelt, but some others a bit phoney. 
 
Despite Schneider's acting being labelled poor, she brings to her role exactly what it is needed, and what Bertolucci wanted from her. She plays with freshness, naivety, and emotional maturity a character that is extremely difficult, has many colours, and does so in front of a mature Brando, who was a legend at the time. 

THE (IN)FAMOUS SEX SCENES

The movie is disturbing sometimes, but not because of the sex scenes. The raunchy images that scandalised the world in the 1970s are, in most cases, not that raunchy for modern standards. Nudity is limited, and the bed scenes are more hinted and talked about than explicitly shown.

The only scene that I consider confronting is the one involving the butter bar. I had a strong emotional reaction against the scene, and I found it disturbing, despite the characters being dressed, and some men viewers considering the scene "hot". It felt like a rape to me. Alas, in an interview, Maria Schneider mentions that this scene wasn't originally in the script, that it was Brando's idea, that Bertolucci loved it, that she didn't want to do it; however, she was was forced to do it, and that she felt raped; her tears in the movie were real and personal, not the characters'.

THE ATMOSPHERE
I thought that it was one of the best things of the movie as
masterly reflects the soul and essence of the characters, individually and as couple. The mix of colours, lighting, and music are in perfect tune with each other. Thus, the atmosphere is dark and claustrophobic, bizarre and horror-like when focuses on Paul's world.

The atmosphere is clear, luminous, fresh and bucolic when focuses on Jeanne's world.

The atmosphere is warm minimal and with a a pronounced chiaroscuro in the love meetings of the couple in the empty apartment.

The atmosphere is decadent, theatrical, and "run out" in the Tango dancing scenes.

To blend it all, the sound track by Gato Barbieri is beautifully unsettling.

THE FLAWS

I found the movie a little too long, too theatrical at times, and some bits unnecessary and distracting. The tempo is uneven, not fluid or natural, more theatrical than cinematic. Maria Schneider's wardrobe is really poor and she wears the same attire for most of the movie. This is not an easy movie to watch, or so did I find.

***

Last Tango in Paris is one of these movies that gets stuck to your memory for a long time. The more time passes, the more it settles in. Few movies in the History of Cinema have been able to achieve that, especially one as disturbing as this one is.  Last Tango in Paris gets under your skin, gives you a gut reaction, and you like it and hate it at the same time. The movie is a terrific characters' study, and offers unforgettable images and performances that are already part of the History of Cinema.

9/10/2013

"The Pied Piper" by Jiri Barta (1985)


Krysar is an adult stop-motion animation film, loosely based on the German folk tale the Pipe Piper of Hamelin. A real art-house piece of animation that has a mix of Renaissance and Medieval elements. 
There are many original elements about this film. The first one is the story, which deviates from the original, or better said digs into its original meaning, to offer a social allegory. Barta's Hamelin is a greedy, glutton and lusty male-dominated society - a kind of Sodom and Gomorrah. The piper is the punisher and redemptor, and the catalyst necessary for human renewal. The children are only seen at the end.

The second element of originality is its language... which is onomatopoeic: sounds, grunts, mumblings and gibbering, perfectly understandable by anybody in the world. I found it hilarious!

The third element of originality is the visual style of the movie, traditional and innovative at the same time, very odd and very artistic. Hamelin's backgrounds, architecture and interiors are made of dark carved wood, similar to the ones you find in some Renaissance cathedral choir chairs. The overall design is German expressionist in its design, which is noticeable in the d
iagonal and curved collapsing lines, unbalanced proportions and oniric elements, and the general darkness and oppressiveness of the space and atmosphere. On the contrary, the luminous colourful paintings used for the landscape are bucolic and very artistic, the sort of images you find in Medieval Gothic Books of Hours. They are human spaces, associated to the most human characters in the story, and a complete counterpoint to the rest. I found in the movie very Bergman's, with the sort of vibe, feeling, and themes one can find in movies like The Seventh Seal or the Virgin Spring.

The third element of originality is the design of the characters. Most of the Hamelin dwellers are wood puppets, with mobile parts and fabric clothing; they have angular-faces and are thin and tall. The Piper is also a wood puppet, but it looks very different - a mixture of walking skeleton, a Goth band member, and an apocalyptic angel. The only two good characters and pure souls in the city -the lady living in the city outskirts and the fisherman- are very refined sweet and delicate wooden puppets. The rest of the characters are the rats, real ones (more like big mice!), which are as big the human characters, naughty monsters as greedy as the humans, which move rapidly and awkwardly.

The music is terrific - a mix of dark classic pieces and rock sounds with the ethereal sound of the flute as only breaker.

The ending is great, and has nothing to do with the traditional story. It couldn't be otherwise, as the movie is an allegorical reflection of Society's sins. The title in Czech means rat trapper, which refers to the rats in Hamelin and also to its dwellers, which are a pest as much as the rats are, and the piper also traps.

I found annoying that some general scenes -landscapes shots, movement of groups- were repeated over and over.

The film is not for small kids because there are too many adult explicit elements in it: lust, rape, killing of animals, stealing, death, and the general nastiness of the dwellers of the city.

Krysar is an amazing movie, but also a bit freaky and grotesque! Dare to watch it.

9/08/2013

North Perth Plaza (North Perth WA)


391, Fitzgerald St
North Perth Western Australia 6006

The North Perth Plaza has almost everything you might need to do you weekly shopping and help you relax in between errands.

The place is medium sized, small enough to move around easily and get things done fast, but big enough to find almost everything you need during your visit. Indoors, there is a decently-sized Coles, a chemist, an Italian continental deli, a corner cafe, a newsagent, two hair salons (a men's, and a unisex's), a beauty salon, a nail salon, a traditional Chinese massage shop, an office supplies shop, and a travel agent. Outdoors there is a bakery, a bottle shop, an Italian pizzeria, a posh deli cafe, a barber, and and dry-cleaning service.

Most businesses  are very small in size, but there is a sort of community spirit around, and people are very serviceable and extremely friendly except for some exceptions.

The North Perth Plaza is not the sort of shopping mall you go to have a shopping spree or to pamper yourself with something posh, or a foodies joint. This is a place you go to keep you house running and to have some body-fix emergencies done at decent prices.

The place would need a make-over, but, being realistic, if it had it done, it would lose its charm, and  prices would go up. Let it be as it is - a family-style, budget-friendly, all-ages favourite, men-friendly shopping mall.

The toilets are very small, but are usually kept clean. I would certainly refurbish this area before touching anything else.

There mall has two parking areas: a large one facing the bottle-shop, and a tiny one facing the chemist. Isn't that handy?

The North Perth Plaza is in a killer location and has everything you need.. even if you don't find it here. If you don't find something there, you will find it across the car-park or across the street. If you don't like the food around, you can cross the street again or go to the Angove St cafe strip, which is at a 5 minutes walk.

The North Perth Plaza is one of those old-fashioned places that has a charm you don't find in better equipped more modern malls, and better prices as well.