Showing posts with label The Tracey Fragments. Show all posts
Showing posts with label The Tracey Fragments. Show all posts

5/18/2012

The Tracey Fragments by Bruce McDonald (2007)

Tracey Berkowitz is a 15y.o. girl on a night bus, covered by a curtain shower, talking directly to you - nonsense. Her memory is fragmented, chaotic, fancy, and on a loop. She has left home, is looking for her missing little brother Sonny, and she is in trouble.

We are drawn into Tracey's chaotic mind and soul, but also towards her path of growth from child to woman, from fairy-tale worlds to harsh reality and acceptance of the self. This is a very interesting story about a teenager that is not pretty, cleaver or happy. Although this is a movie about teenagers, there is nothing sweet about it, as presents very hard topics: rape, bullying, loneliness, lack of self-esteem, confused self-image, delusional thoughts, insecurity, and mental trouble.

Tracey's memory fragments and thoughts appear in mini-screens within the screen and on split-screen images, which show different angles of the same scene or different scenes altogether. The non-linear narrative is very challenging. Pay extra attention to the first 15-20 minutes of the film, because they are the most difficult and the ones that really give clues to understand many of the things that happen later on.

The film is more complex, visually, at the beginning, when Tracey's mind and emotions are more confused, and becomes simpler and more linear at the same pace that Tracey's mind clears up, to be completely linear at the end, when she accepts herself and the events related to Sonny. In other words, Tracey's troubled mind and emotions are directly linked to the way the movie is visually organised. The movie is also full of symbolic psychoanalytical elements, from the gender of Tracey's psychiatrist and the settings in which the consultation happens, to the appearance of different animals (a crow, a horse, and "a dog"), to the way the scenes have been patched and shown to the viewer.


Ellen Page is fantastic, despite the dramatic demands of her character. She was 20 y.o.a. when the film was shot, but she is believable as a 15y.o. girl. That is thanks not only to her baby face and childish physique, but mostly to the great actress she is. The rest of the cast are OK in their respective roles: Ari Cohen and Erin McMurtry as Mr & Mrs Berkowitz; Zie Souwand as sweet Sonny; Toronto Songwriter and performer Slim Twigg as jerk Billy Zero, Julian Richings as Dr Heker, among others.

A few important flaws ruined what could have been a great movie. The main idea is brilliant but, since we get mostly Tracey's subjective approach to reality, the rest of the characters are somewhat pointless and can't be trusted by the viewer; in fact they are just hinted. 


I did not like the end, not the way it ended, but how the end was presented and how we get there - what triggers Tracey's epiphany? That is so because the mood of the movie and, most importantly, its tempo were not the right ones.

This is one of those movies that are a challenge for the viewers, that need of their full awareness and attention, that have a difficult knot to untie, but also one of those movies that can be interpreted in different ways and make your brain produce sparks. One of those movies that you get or you don't, nothing in between. To me, one of those movies that, the more I think about it, the more I want to watch again.

Are you ready for it?