Little Ottik is a bizarre horror comedy that adapts and reinterprets the folk story of Otesánek (aka Greedy Guts) for the big screen.
This is the story of the struggle of Bozena and Karel to hide and control heir piece-of-wood son Otesánek, a freak of nature with an insatiable hunger, from their neighbours.
The film re-examines the myth of the primeval creation, in which the natural order is subverted and disrespected. The couple succumbs to an act of greedy love that produces, as a result, a greedy gluttonous carnivore woody creature. Svankmajer depicts with great insight the sins of parenthood in our modern world, in which children are spoiled rotten, and anything they do is excused or justified. The movie also depicts with great humour and realism the social dynamics of small groups in blocks of apartments and neighbourhoods, paced not only by a net of support, but also by gossip, the power of appearances, and enmities and tensions.
The role of food in this movie is also very interesting, as most human characters in the movie eat disgusting porridge-like meals, despite them longing for meat, while Otesánek, a wooden creature, is eating meat all the time!
The Actors are all great and charming in their respective roles. Veronika Zilková plays with great conviction barren wife Bozena, while Jan Hartl plays with sweetness her doubtful and confused husband Karel. Also terrific are the actors playing the good-hearted neighbours: Kristina Adamcová as the incisive rebel child Alzbetka -who is also the catalyst of the story-, Jaroslava Kretschmerová as Alzbetka's sensible Mother, Pavel Nový as Alzbetka's working-class male Father, and Dagmar Stríbrná as the building caretaker.
The stop-motion animation of Otesánek is delightfully odd, and the drawn illustrations (by Svankmajer's wife) shown in the book that Alzbetka is reading are colourful and artistic. Also delightful are the episodes involving the interaction between old spectacled neighbour and Alzbetka, which are really really naughty.
On the negative side, the film was shot using ugly-looking 1970-like colours and lighting, which are a bit weird for a 2000 movie; still they somewhat go well with such an odd story. Moreover, the movie is too long and its pace too slow at times, and that is not excusable in this case.
Little Otik is a grotesque mesmerising adult tale with a great story, terrific performances, and very interesting themes. Nothing you've watched before!
This is the story of the struggle of Bozena and Karel to hide and control heir piece-of-wood son Otesánek, a freak of nature with an insatiable hunger, from their neighbours.
The film re-examines the myth of the primeval creation, in which the natural order is subverted and disrespected. The couple succumbs to an act of greedy love that produces, as a result, a greedy gluttonous carnivore woody creature. Svankmajer depicts with great insight the sins of parenthood in our modern world, in which children are spoiled rotten, and anything they do is excused or justified. The movie also depicts with great humour and realism the social dynamics of small groups in blocks of apartments and neighbourhoods, paced not only by a net of support, but also by gossip, the power of appearances, and enmities and tensions.
The role of food in this movie is also very interesting, as most human characters in the movie eat disgusting porridge-like meals, despite them longing for meat, while Otesánek, a wooden creature, is eating meat all the time!
The Actors are all great and charming in their respective roles. Veronika Zilková plays with great conviction barren wife Bozena, while Jan Hartl plays with sweetness her doubtful and confused husband Karel. Also terrific are the actors playing the good-hearted neighbours: Kristina Adamcová as the incisive rebel child Alzbetka -who is also the catalyst of the story-, Jaroslava Kretschmerová as Alzbetka's sensible Mother, Pavel Nový as Alzbetka's working-class male Father, and Dagmar Stríbrná as the building caretaker.
The stop-motion animation of Otesánek is delightfully odd, and the drawn illustrations (by Svankmajer's wife) shown in the book that Alzbetka is reading are colourful and artistic. Also delightful are the episodes involving the interaction between old spectacled neighbour and Alzbetka, which are really really naughty.
On the negative side, the film was shot using ugly-looking 1970-like colours and lighting, which are a bit weird for a 2000 movie; still they somewhat go well with such an odd story. Moreover, the movie is too long and its pace too slow at times, and that is not excusable in this case.
Little Otik is a grotesque mesmerising adult tale with a great story, terrific performances, and very interesting themes. Nothing you've watched before!