Showing posts with label Eric Goldberg. Show all posts
Showing posts with label Eric Goldberg. Show all posts

7/07/2013

"Fantasia 2000" by Various Directors (1999)


When Walt Disney was a person alive making animations movies and not just a brand, he had the dream of making animated concerts mixing his animation with classical music. Fantasia was born.  It was 1940.

Fantasia 2000 is a celebration of Disney's vision, an a celebratory anniversary of the original Fantasia. James Levine directs the Chicago Symphony Orchestra in seven new animated short films. Some of them are an abstract mix of colour, light and movement. Some other are a creation inspired by specific musical pieces, while others have a story for which a piece of music was created a posteriori.

1/ An Allegro from Beethoven's "Symphony No. 5", offers an abstract light, colour and abstract birds & butterflies very short short.

2/ Respighi's "Pines of Rome" shows a family of humpback whales playfully swiming from water to air. This is my favourite short, as it is completely experimental, pure fantasia and extravaganza, but still very modern in animation style and feeling. Very New Age, in a way.

3/ Gershwin's "Rhapsody in Blue" inspires a story set in New York during the Big Depression, with moody unhappy characters who dream of having a different life. The animation style is very 1930s and is based in Al Hirschfeld's cartoons. The first seconds of the segment are brilliant, but the whole piece captures the spirit of old-style 2D animation with great mastery.

4/ An Allegro from Shostakovich's "Piano Concerto No. 2" matches a version of Hans Christian Andersen's The Steadfast Tin Soldier. This is the most linear story, and the one I enjoyed the least.

5/ Saint-Saëns's "Carnival of the Animals" offers a colourful flamboyant scene of dancing flamingos that are trying to get a yoyo-obsessed dancing flamingo back into the flock and dancing routine. It reminded me of the Warner Bross old classics cartoons! Delightful.
 

6/Dukas's "The Sorcerer's Apprentice" accompanies Micky Mouse naughty slovenliness in his sorcerer chores in this old well-known piece included in the original Fantasia.  Despite its age, the piece is still delightful and fresh. 

8/ Elgar's "Pomp and Circumstance" offers a version of Noah's Ark with Donald Duck and Daisy leading the animals into the ark and into a safe land.

9/ Finally, Stravinsky's "Firebird Suite" offers a story of a death and renewal with a spring fairy and her companion Elk.

The movie has, overall, a retro-style that mimics the style of the original. Walt Disney and Disney Factory's old spirit are still here. However, the fact that each short is introduced by different celebrities (Steven Martin, Quincy Jones, Bette Midler, James Earl Jones, and Angela Landsbury among others) rests fluidity to the movie. I thought the introductions were funny and charming, but I would have preferred  longer shorts and shorter speeches. The original Fantasia was original in its conception, but also daring and experimental in its visuals and the stories told. Creativity was overflowing. That cannot be said about Fantasia 2000, although the contrary could be expected with the digital revolution allowing Animators to bring to the big screen almost anything. Still, this is a good entertaining movie.


Fantasia 2000 is a very enjoyable family movie that can be enjoyed by both adults and children; it might not be fit for small children as some of the pieces are a bit abstract. This is a wonderful movie to introduce Classic Music to children.